Stephen King - Different Seasons

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Different Seasons: краткое содержание, описание и аннотация

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Different Seasons These first three novellas have been made into well-received movies: "Rita Hayworth and Shawshank Redemption" into Frank Darabont's 1994
, "Apt Pupil" into Bryan Singer's 1998 film
, and "The Body" into Rob Reiner's
(1986).
The final novella, "Breathing Lessons," is a horror yarn told by a doctor, about a patient whose indomitable spirit keeps her baby alive under extraordinary circumstances. It's the tightest, most polished tale in the collection.

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'You don't think so? Just watch my fucking dust.'

For a moment his father only looks at him and then he throws the frank he has been holding. It hits Chico in the chest, spraying mustard on his sweater and on the chair.

'Say that word again and I'll break your nose for you, smartass.'

Chico picks up the frank and looks at it. Cheap red frank, smeared with French's mustard. Spread a little sunshine. He throws it back at his father. Sam gets up, his face the colour of an old brick, the vein in the middle of his forehead pulsing. His thigh connects with the TV tray and it overturns. Billy stands in the kitchen doorway watching them. He's gotten himself a plate of franks and beans and the plate has tipped and bean-juice runs onto the floor. Billy's eyes are wide, his mouth trembling. On the TV, Carl Stormer and his Country Buckaroos are tearing through Long Black Veil at a breakneck pace.

'You raise them up best you can and they spit on you,' his father says thickly. 'Ayuh. That's how it goes. He gropes blindly on the seat of his chair and comes up with the half-eaten hotdog. He holds it in his fist like a severed phallus. Incredibly, he begins to eat it... at the same time, Chico sees that he has begun to cry. 'Ayuh, they spit on you, that's just how it goes.'

'Well, why in the hell did you have to marry her?’ he bursts out, and then has to bite down on the rest of it: If you hadn't married her, Johnny would still be alive.

That's none of your goddam business!' Sam May roars through his tears. "That's my business!'

'Oh?' Chico shouts back. 'Is that so? I only have to live with her! Me and Billy, we have to live with her! Watch her grind you down! And you don't even know -'

'What?' his father says, and his voice is suddenly low and ominous. The chunk of hotdog left in his closed fist is like a bloody chunk of bone. 'What don't I know?'

'You don't know shit from Shinola,' he says, appalled at what has almost come out of his mouth.

'You want to stop it now,' his father says. 'Or I'll beat the hell out of you, Chico.' He only calls him this when he is very angry indeed.

Chico turns and sees that Virginia is standing at the other side of the room, adjusting her skirt minutely, looking at him with her large, calm, brown eyes. Her eyes are beautiful; the rest of her is not so beautiful, so self-renewing, but those eyes will carry her for years yet, Chico thinks, and he feels the sick hate come back -So we tanned his hide when he died, Clyde, and that's it hanging on the shed.

'She's got you pussywhipped and you don't have the guts to do anything about it!'

All of this shouting has finally become too much for Billy -he gives a great wail of terror, drops his plate of franks and beans, and covers his face with his hands. Bean-juice splatters his Sunday shoes and sprays across the rug.

Sam takes a single step forward and then stops when Chico makes a curt beckoning gesture, as if to say: Yeah, come on, let's get down to it, what took you sofuckin long? They stand like statues until Virginia speaks - her voice is low, as calm as her brown eyes.

'Have you had a girl in your room, Ed? You know how your father and I fee! about that.' Almost as an afterthought: 'She left a handkerchief.'

He stares at her, savagely unable to express the way he feels, the way she is dirty, the way she shoots unerringly at the back, the way she clips in behind you and cuts at your hamstrings.

You could hurt me if you wanted to, the calm brown eyes say. / know you know what was going on before he died. But that's the only way you can hurt me, isn't it, Chico? And only then if your father believed you. And if he believed you, it would kill him.

His father lunges at the new gambit like a bear. 'Have you been screwing in my house, you little bastard?'

'Watch your language, please, Sam,' Virginia says calmly.

'Is that why you didn't want to come with us? So you could scr - so you could -'

'Say it!’ Chico weeps. 'Don't let her do it to you! Say it! Say what you mean!'

'Get out,' he says dully. 'Don't you come back until you can apologize to your mother and me.'

'Don't you dare!' he cries. 'Don't you dare call that bitch my mother! I'll kill you!'

'Stop it, Eddie!' Billy screams. The words are muffled, blurred, through his hands, which still cover his face. 'Stop yelling at daddy! Stop it, please!'

Virginia doesn't move from the doorway. Her calm eyes remain on Chico.

Sam blunders back a step and the back of his knees strike the edge of his easy-chair. He sits down in it heavily and averts his face against a hairy forearm. 'I can't even look at you when you got words like that in your mouth, Eddie. You are making me feel so bad.'

'She makes you feel bad! Why won't you admit it?'

He does not reply. Still not looking at Chico, he fumbles another frank wrapped in bread from the plate on the TV tray. He fumbles for the mustard. Billy goes on crying. Carl Stormer and his Country Buckaroos are singing a truck-driving song. 'My rig is old, but that don't mean she's slow,' Carl tells all his western Maine viewers.

'The boy doesn't know what he's saying, Sam,' Virginia says gently. 'It's hard, at his age. It's hard to grow up.'

She's whipped him. That's the end, all right.

He turns and heads for the door which leads first into the shed and then outdoors. As he opens it he looks back at Virginia, and she gazes at him tranquilly when he speaks her name.

'What is it, Ed?'

"The sheets are bloody.' He pauses. 'I broke her in.'

He thinks something has stirred in her eyes, but that is probably only his wish. 'Please go now, Ed. You're scaring BUly.'

He leaves. The Buick doesn't want to start and he has almost resigned himself to walking in the rain when the engine finally catches. He lights a cigarette and backs out onto 14, slamming the clutch back in and racing the mill when it starts to jerk and splutter. The generator light blinks balefully at him twice, and then the car settles into a rugged die. At last he is on his way, creeping up the road towards Gates Falls.

He spares Johnny's Dodge one last look.

Johnny could have had steady work at Gates Mills Weaving, but only on the night shift. Nightwork didn't bother him, he had told Chico, and the pay was better than at the Plains, but their father worked days, and working nights at the mill would have meant Johnny would have been home with her, home alone or with Chico in the next room ... and the walls were thin. / can't stop and she won't let me try, Johnny said. Yeah, I know what it would do to him. But she's ... she Just won't stop and it's like I can't stop ... she's always at me, you know what I mean, you've seen her, Billy's too young to understand, but you've seen her...

Yes. He had seen her. And Johnny had gone to work at the Plains, telling their father it was because he could get parts for the Dodge on the cheap. And that's how it happened that he had been changing a tyre when the Mustang came skidding and skating across the infield with its muffler dragging up sparks; that was how his stepmother had killed his brother, so just keep playing until I shoot through, Blue, 'cause we goin Stud City right here in this shitheap Buick, and he remembers how the rubber smelled, and how the knobs of Johnny's spine cast small crescent shadows on the bright white of his tee-shirt, he remembers seeing Johnny get halfway up from the squat he had been working in when the Mustang hit him, squashing him between it and the Chevy, and there had been a hollow bang as the Chevy came down off its jacks, and then the bright yellow flare of flame, the rich smell of gasolineChico strikes the brakes with both feet, bringing the sedan to a crunching, juddering halt on the sodden shoulder. He leans widely across the seat, throws open the passenger door, and sprays yellow puke onto the mud and snow. The sight of it makes him puke again, and the thought of it makes him dry-heave one more time. The car almost stalls, but he catches it in time. The generator light winks out reluctantly when he guns the engine. He sits, letting the shakes work their way out of him. A car goes by fast, a new Ford, white, throwing up great dirty fans of water and slush.

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