Stephen King - Different Seasons

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Different Seasons These first three novellas have been made into well-received movies: "Rita Hayworth and Shawshank Redemption" into Frank Darabont's 1994
, "Apt Pupil" into Bryan Singer's 1998 film
, and "The Body" into Rob Reiner's
(1986).
The final novella, "Breathing Lessons," is a horror yarn told by a doctor, about a patient whose indomitable spirit keeps her baby alive under extraordinary circumstances. It's the tightest, most polished tale in the collection.

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But that had been then, and this was now.

Beyond Johnny's Dodge was the highway. Route 14, goes to Portland and New Hampshire south, all the way to Canada north, if you turned left on US 1 at Thomaston.

'Stud city,' Chico says to the glass. He smokes his cigarette.

'What?'

'Nothing, babe.'

'Chico?' Her voice is puzzled. He will have to change the sheets before Dad gets back. She bled.

'What?'

'I love you, Chico.'

'That's right.'

Dirty March. You're some old whore, Chico thinks. Dirty, staggering old baggy-tits March with rain in her face.

'This room used to be Johnny's,' he says suddenly.

'Who?'

'My brother.'

'Oh. Where is he?'

'In the Army,' Chico says, but Johnny isn't in the Army. He had been working the summer before at Oxford Plains Speedway and a car went out of control and skidded across the infield towards the pit area, where Johnny had been changing the back tyres on a Chevy charger-class stocker. Some guys shouted at him to look out, but Johnny never heard them. One of the guys who shouted was Johnny's brother Chico.

'Aren't you cold?' she asks.

'No. Well, my feet. A little.'

And he thinks suddenly: Well, my God. Nothing happened to Johnny that isn't going to happen to you too, sooner or later. He sees it again, though: the skidding, skating Ford Mustang, the knobs of his brother's spine picked out in a series of dimpled shadows against the white of his Haines T-shirt; he had been hunkered down, pulling one of the Chevy's back tyres. There had been time to see rubber flaying off the tyres of the runaway Mustang, to see its hanging muffler scraping up sparks from the infield. It had struck Johnny even as Johnny tried to get to his feet. Then the yellow shout of flame.

Well, Chico thinks, // could have been slow, and he thinks of his grandfather. Hospital smells. Pretty young nurses bearing bedpans. A last papery breath. Were there any good ways?

He shivers and wonders about God. He touches the small silver St Christopher's medal that hangs on a chain around his neck. He is not a Catholic and he's surely not a Mexican: his real name is Edward May and his friends all call him Chico because his hair is black and he greases it back with Brylcreem and he wears boots with pointed toes and Cuban heels. Not Catholic, but he wears this medallion. Maybe if Johnny had been wearing one, the runaway Mustang would have missed him. You never knew.

He smokes and stares out the window and behind him the girl gets out of bed and comes to him quickly, almost mincing, maybe afraid he will turn around and look at her. She puts a warm hand on his back. Her breasts push against his side. Her belly touches his buttock.

'Oh. It is cold.'

'It's this place.'

'Do you love me, Chico?'

'You bet!' he says offhandedly, and then, more seriously: 'You were cherry.'

'What does that-'

'You were a virgin.'

The hand reaches higher. One finger traces the skin on the nape of his neck. 'I said, didn't I?'

'Was it hard? Did it hurt?'

She laughs. 'No. But I was scared.'

They watch the rain. A new Oldsmobile goes by on 14, spraying up water.

'Stud City,' Chico says.

'What?'

'That guy. He's going Stud City. In his new stud car.'

She kisses the place her finger has been touching gently and he brushes at her as if she were a fly.

'What's the matter?'

He turns to her. Her eyes flick down to his penis and then up again hastily. Her arms twitch to cover herself, and then she remembers that they never do stuff like that in the movies and she drops them to her sides again. Her hair is black and her skin is winter white, the colour of cream. He breasts are firm, her belly perhaps a little too soft. One flaw to remind, Chico thinks, that this isn't the movies.

'Jane?'

'What?' He can feel himself getting ready. Not beginning, but getting ready.

'It's all right,' he said. 'We're friends.' He eyes her deliberately, letting himself reach at her in all sorts of ways. When he looks at her face again, it is flushed. 'Do you mind me looking at you?'

'I...no.No,Chico.'

She steps back, closes her eyes, sits on the bed, and leans back, legs spread. He sees all of her. The muscles, the little muscles on the inside of her thighs ... they're jumping, uncontrolled, and this suddenly excites him more than the taut cones of her breasts or the mild pink pearl of her cunt. Excitement trembles in him, some stupid Bozo on a spring. Love may be as divine as the poets say, he thinks, but sex is Bozo the clown bouncing around on a spring. How could a woman look at an erect penis without going off into mad gales of laughter?

The rain beats against the roof, against the window, against the sodden cardboard patch blocking the glassless lower pane. He presses his hand against his chest, looking for a moment like a stage Roman about to orate. His hand is cold. He drops it to his side.

'Open your eyes. We're friends, I said.'

Obediently, she opens them. She looks at him. Her eyes appear violet now. The rainwater running down the window makes rippling patterns on her face, her neck, her breasts. Stretched across the bed, her belly has been pulled tight. She is perfect in her moment.

'Oh,' she says. 'Oh Chico, it feels so funny,' A shiver goes through her. She has curled her toes involuntarily. He can see the insteps of her feet. Her insteps are pink. 'Chico. Chico.'

He steps towards her. His body is shivering and her eyes widen. She says something, one word, but he can't tell what it is. This isn't the time to ask. He half-kneels before her for just a second, looking at the floor with frowning concentration, touching her legs just above the knees. He measures the tide within himself. Its pull is thoughtless, fantastic. He pauses a little longer.

The only sound is the tinny tick of the alarm clock on the bedtable, standing brassy-legged atop a pile of Spiderman comic books. Her breathing flutters faster and faster. His muscles slide smoothly as he dives upward and forward. They begin. It's better this time. Outside, the rain goes on washing away the snow.

A half-hour later Chico shakes her out of a light doze. 'We gotta move,' he says. 'Dad and Virginia will be home pretty quick.'

She looks at her wristwatch and sits up. This time she makes no attempt to shield herself. Her whole tone - her body English - has changed. She has not matured (although she probably believes she has) nor learned anything more complex than tying a shoe, but her tone has changed just the same. He nods and she smiles tentatively at him. He reaches for the cigarettes on the bedtable. As she draws on her panties, he thinks of a line from an old novelty song: Keep playin' till I shoot through, Blue ... play your didgeridoo. 'Tie Me Kangaroo Down', by Rolf Harris. He grins. That was a song Johnny used to sing. It ended, So we tanned his hide when he died, Clyde, and that's it hanging on the shed.

She hooks her bra and begins buttoning her blouse. 'What are you smiling about, Chico?'

'Nothing,' he says.

'Zip me up?'

He goes to her, still naked, and zips her up. He kisses her cheek. 'Go on in the bathroom and do your face if you want,' he says. 'Just don't take too long, okay?'

She goes up the hall gracefully, and Chico watches her, smoking. She is a tall girl - taller than he - and she has to duck her head a little going through the bathroom door. Chico finds his underpants under the bed. He puts them in the dirty clothes bag hanging just inside the closet door, and gets another pair from the bureau. He puts them on, and then, while walking back to the bed, he slips and almost falls in a patch of wetness the square of cardboard has let in.

'Goddam,' he whispers resentfully.

He looks around at the room, which had been Johnny's until Johnny died (why did I tell her he was in the Army, for Christ's sake! he wonders ... a little uneasily). Fibreboard walls, so thin he can hear Dad and Virginia going at it at night, that don't quite make it all the way to the ceiling. The floor has a slightly crazy hipshot angle so that the room's door will only stay open if you block it open - if you forget, it swings stealthily closed as soon as your back is turned. On the far wall is a movie poster from Easy Rider - Two Men Went Looking for America and Couldn't Find it Anywhere. The room had more life when Johnny lived here. Chico doesn't know how or why, only that it's true. And he knows something else, as well. He knows that sometimes the room spooks him at night. Sometimes he thinks that the closet door will swing open and Johnny will be standing there, his body charred and twisted and blackened, his teeth yellow dentures poking out of wax that has partially melted and re-hardened; and Johnny will be whispering: Get out of my room, Chico. And if you lay a hand on my Dodge, I'll fuckin' kill you. Got it?

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