Stephen King - Different Seasons

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Different Seasons These first three novellas have been made into well-received movies: "Rita Hayworth and Shawshank Redemption" into Frank Darabont's 1994
, "Apt Pupil" into Bryan Singer's 1998 film
, and "The Body" into Rob Reiner's
(1986).
The final novella, "Breathing Lessons," is a horror yarn told by a doctor, about a patient whose indomitable spirit keeps her baby alive under extraordinary circumstances. It's the tightest, most polished tale in the collection.

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Then Stevens was there, holding the door open, and a moment later I was inside. Down the mahogany-panelled hallway, through double doors standing three-quarters of the way open on their recessed tracks, into the library cum reading-room cum bar. It was a dark room in which occasional pools of light gleamed - reading-lamps. A richer, more textured light glowed across the oak parquet floor, and I could hear the steady snap of birch logs in the huge fireplace. The heat radiated all the way across the room -surely there is no welcome for a man or a woman that can equal a fire on the hearth. A paper rustled - dry, slightly impatient. That would be Johanssen, with his Wall Street Journal. After ten years, it was possible to recognize his presence simply by the way he read his stocks. Amusing ... and in a quiet way, amazing.

Stevens helped me off with my overcoat, murmuring that it was a dirty night; WCBS was now forecasting heavy snow before morning.

I agreed that it was indeed a dirty night and looked back into that big, high-ceilinged room again. A dirty night, a roaring fire ... and a ghost story. Did I say that at seventy-Jiree hot blood is a thing of the past? Perhaps so. But I felt something warm in my chest at the thought ... something that hadn't been caused by the fire of Stevens's reliable, dignified welcome.

I think it was because it was McCarron's turn to tell the :tale.

I had been coming to the brownstone which stands at 249 East 35th Street for ten years - coming at intervals that were almost - but not quite - regular. In my own mind I think of it is a 'gentleman's club', that amusing pre-Gloria Steinem antiquity. But even now I am not sure that's what it really is, or how it came to be in the first place.

On the night Emlyn McCarron told his story - the story of the Breathing Method - there were perhaps thirteen clubmembers in all, although only six of us had come out on that howling, bitter night. I can remember years when there might have been as few as eight full-time members, and others when there were at least twenty, and perhaps more.

I suppose Stevens might know how it all came to be - one thing I am sure of is that Stevens has been there from the first, no matter how long that may be ... and I believe Stevens to be older than he looks. Much, much older. He has a faint Brooklyn accent, but in spite of that he is as brutally correct and as cuttingly punctilious as a third-generation English butler. His reserve is part of his often maddening charm, and Stevens's small smile is a locked and latched door. I have never seen any club records - if he keeps them. I have never gotten a receipt of dues - there are no dues. I have never been called by the club secretary - there is no secretary, and at 249 East 35th, there are no phones. There is no box of white marbles and black balls. And the club - if it is a club - has never had a name.

I first came to the club (as I must continue to call it) as the guest of George Waterhouse. Waterhouse headed the law firm for which I had worked since 1951. My progress upward in the firm - one of New York's three biggest - had been steady but extremely slow; I was a slogger, a mule for work, something of a centrepuncher ... but I had no real flair or genius. I had seen men who had begun at the same time I had, promoted in giant steps while I only continued to pace -and I saw it with no real surprise.

Waterhouse and I had exchanged pleasantries, attended the obligatory dinner put on by the firm each October, and had little more congress until the fall of 196-, when he dropped by my office one day in early November.

This in itself was unusual enough, and it had me thinking black thoughts (dismissal) that were counterbalanced by giddy ones (an unexpected promotion). It was a puzzling visit. Waterhouse leaned in the doorway, his Phi Beta Kappa key gleaming mellowly on his vest, and talked in amiable generalities - none of what he said seemed to have any real substance or importance. I kept expecting him to finish the pleasantries and get down to cases: 'Now about this Casey brief,' or 'We've been asked to research the Mayor's appointment of Salkowitz to -' But it seemed there were no cases. He glanced at his watch, said he had enjoyed our talk and that he had to be going.

I was still blinking, bewildered, when he turned back and said casually: There's a place where I go most Thursday nights - a sort of club. Old duffers, mostly, but some of then are good company. They keep a really excellent cellar, if you've a palate. Every now and then someone tells a good story, as well. Why not come down some night, David? As my guest.'

I stammered some reply - even now I'm not sure what it was. I was bewildered by the offer. It had a spur-of-the-moment sound, but there was nothing spur-of-tbe-moment about his eyes, blue Anglo-Saxon ice under the bushy white whorls of his eyebrows. And if I don't remember exactly how I replied, it was because I felt suddenly sure that this offer -vague and puzzling as it was - had been exactly the specific I had kept expecting him to get down to.

Ellen's reaction that evening was one of amused exasperation. I had been with Waterhouse, Garden, Lawton, Frasier, and Effingham for something like twenty years, and it was clear enough that I could not expect to rise much above the mid-level position I now held; it was her idea that this was the firm's cost-efficient substitute for a gold watch.

'Old men telling war stories and playing poker,' she said. 'A night of that and you're supposed to be happy in the Research Library until they pension you off, I suppose ... oh, I put two Becks' on ice for you.' And she kissed me warmly. I suppose she had seen something on my face - God knows she's good at reading me after all the years we've spent together.

Nothing happened over a course of weeks. When my mind turned to Waterhouse's odd offer - certainly odd coming from a man with whom I met less than a dozen times a year, and who I only saw socially at perhaps three parties a year, including the company party in October - I supposed that I had been mistaken about the expression in his eyes, that he really had made the offer casually, and had forgotten it. Or regretted it - ouch! And then he approached me one late afternoon, a man of nearly seventy who was still broad-shouldered and athletic looking. I was shrugging on my topcoat with my briefcase between my feet. He said: 'If you'd still like to have a drink at the club, why not come tonight?'

'Well,..I...'

'Good.' He slapped a slip of paper into my hand. 'Here's the address.'

He was waiting for me at the foot of the steps that evening, and Stevens held the door for us. The wine was as excellent as Waterhouse had promised. He made no attempt whatsoever to 'introduce me around' - I took that for snobbery but later recanted the idea - but two or three of them introduced themselves to me. One of those who did so was Emlyn McCarron, even then in his early seventies. He held out his hand and I clasped it briefly. His skin was dry, leathery, tough; almost turtlelike. He asked me if I played bridge. I said I did not.

'God damned good thing,' he said 'That god damned game has done more in this century to kill intelligent after-dinner conversation than anything else I can think of.' And with that pronouncement he walked away into the murk of the library, where shelves of books went up apparently to infinity.

I looked around for Waterhouse, but he had disappeared. Feeling a little uncomfortable and a lot out of place, I wandered over to the fireplace. It was, as I believe I have already mentioned, a huge thing - it seemed particularly huge in New York, where apartment-dwellers such as myself have trouble imagining such a benevolence big enough to do anything more than pop corn or toast bread. The fireplace at 249 East 35th was big enough to broil an ox whole. There was no mantle; instead a brawny stone arch curved over it This arch was broken in the centre by a keystone which jutted out slightly. It was just on the level of my eyes, and although the light was dim, I could read the legend engraved on that stone with no trouble: IT IS THE TALE, NOT HE WHO TELLS IT.

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