Stephen King - Different Seasons

Vern, Chris, and Teddy gathered wood and got a modest little campfire going on a bed of cinders. Chris scraped a bare patch all around the fire - the woods were powder-dry, and he didn't want to take any chances. While they were doing that I sharpened some sticks and made what my brother Denny used to call 'Pioneer Drumsticks' - lumps of hamburger pushed into the ends of green branches. The three of them laughed and bickered over their woodcraft (which was almost nil; there was a Castle Rock Boy Scout troop, but most of the kids who hung around our vacant lot considered it to be an organization made up mostly of pussies), arguing about whether it was better to cook over flames or over coals (a moot point; we were too hungry to wait for coals), whether dried moss would work as kindling, what they would do if they used up all the matches before they got the fire to stay lit. Teddy claimed he could make a fire by rubbing two sticks together. Chris claimed he was so full of shit he squeaked. They didn't have to try; Vern got the small pile of twigs and dry moss to catch from the second match. The day was perfectly still and there was no wind to puff out the light. We all took turns feeding the thin flames until they began to grow stouter on wrist-thick chunks of wood fetched from an old deadfall some thirty yards into the forest When the flames began to die back a little bit, I stuck the sticks holding the Pioneer Drumsticks firmly into the ground at an angle over the fire. We sat around watching them as they shimmered and dripped and finally began to brown. Our stomachs made pre-dinner conversation.

Unable to wait until they were really cooked, we each took one of them, stuck it in a roll, and yanked the hot stick out of the centre. They were charred outside, raw inside, and totally delicious. We wolfed them down and wiped the grease from our mouths with our bare arms. Chris opened his pack and took out a tin Band-Aids box (the pistol was way at the bottom of his pack, and because he hadn't told Vern and Teddy, I guessed it was to be our secret). He opened it and gave each of us a battered Winston. We lit them with flaming twigs from the fire and then leaned back, men of the world, watching the cigarette smoke drift away into the soft twilight. None of us inhaled because we might cough and that would mean a day or two of ragging from the others. And it was pleasant enough just to drag and blow, hawking into the fire to hear the sizzle (that was the summer I learned how you can pick out someone who is just learning to smoke: if you're new at it you spit a lot). We were feeling good. We smoked the Winstons down to the filters, then tossed them into the fire.

'Nothin' like a smoke after a meal,' Teddy said.

Tucking-A,' Vern agreed.

Crickets had started to hum in the green gloom. I looked .p at the lane of sky visible through the railroad cut and saw that the blue was now bruising towards purple. Seeing that outrider of twilight made me feel sad and calm at the same :me, brave but not really brave, comfortably lonely.

We tramped down a flat place in the underbrush beside the embankment and laid out our bedrolls. Then, for an hour or so, we fed the fire and talked, the kind of talk you can never quite remember once you get past fifteen and discover girls. We talked about who was the best dragger in Castle Rock, if Boston could maybe stay out of the cellar this year, and about the summer just past. Teddy told about the time he had been at White's Beach in Brunswick and some kid had hit his head while diving off the float and almost drowned. We discussed at some length the relative merits of the teachers we had had. We agreed that Mr Brooks was the biggest pussy in Castle Rock Elementary - he would just about cry if you sassed him back. On the other hand, there was Mrs Cote (pronounced Cody) - she was just about the meanest bitch God had ever set down on the earth. Vern said he'd heard she hit a kid so hard two years ago that the kid almost went blind. I looked at Chris, wondering if he would say anything about Miss Simons, but he didn't say anything at all, and he didn't see me looking at him - he was looking at Vern and nodding soberly at Vern's story.

We didn't talk about Ray Brower as the dark drew down, but I was thinking about him. There's something horrible and fascinating about the way dark comes to the woods, its coming unsoftened by headlights or streetlights or houselights or neon. It conies with no mothers' voices, calling for their kids to leave off and come on in now, to herald it If you're used to the town, the coming of the dark in the woods seems more like a natural disaster than a natural phenomenon; it rises like the Castle River rises in the spring.

And as I thought about the body of Ray Brower in this light - or lack of it - what I felt was not queasiness or fear that he would suddenly appear before us, a green and gibbering banshee whose purpose was to drive us back the way we had come before we could disturb his - its - peace, but a sudden and unexpected wash of pity that he should be so alone and so defenceless in the dark that was now coming over our side of the earth. If something wanted to eat or him, it would. His mother wasn't here to stop that from happening, and neither was his father, nor Jesus Christ in the company of all the saints. He was dead and he was all alone, flung off the railroad tracks and into the ditch, and I realized that if I didn't stop thinking about it I was going to cry.

So I told a Le Dio story, made up on the spot and not very good, and when it ended as most of my Le Dio stories did, with one lone American dogface coughing out a dying declaration of patriotism and love for the girl back home into the sad and wise face of the platoon sergeant, it was not the white, scared face of some pfc from Castle Rock or White River Junction I saw in my mind's eye but the face of a much younger boy, already dead, his eyes closed, his features troubled, a rill of blood running from the left corner of his mouth to his jawline. And in back of him, instead of the shattered shops and churches of my Le Dio dreamscape, I saw only dark forest and the cindered railway bed bulking against the starry sky like a prehistoric burial mound.

19

I came awake in the middle of the night, disorientated, wondering why it was so chilly in my bedroom and who had left the windows open. Denny, maybe. I had been dreaming of Denny, something about body-surfing at Harrison State Park. But it had been four years ago that we had done that.

This wasn't my room: this was someplace else. Somebody was holding me in a mighty bearhug. Somebody else was pressed against my back, and a shadowy third was crouched beside me, head cocked in a listening attitude.

'What the fuck?' I asked in honest puzzlement.

A long drawn-out groan in answer. It sounded like Vern.

That brought things into focus, and I remembered where I was ... but what was everybody doing awake in the middle of the night? Or had I only been asleep for seconds? No, that couldn't be, because a thin sliver of moon was floating dead centre in an inky sky.

'Don't let it get me,' Vern gibbered. 'I swear I’ll be a good boy, I won't do nothin' bad, I'll put the ring up before I take a piss, I’ll ... I’ll ...' With some astonishment I realized that I was listening to a prayer - or at least the Vern Tessio equivalent of a prayer.

I sat bolt upright, scared. 'Chris?'

'Shut up, Vern,' Chris said. He was the one crouching and listening. 'It's nothing.'

'Oh yes it is,' Teddy said ominously. 'It's something.'

'What is?' I asked. I was still sleepy and disorientated, unstrung from my place in space and time. It scared me that I had come in late on whatever had developed - too late to defend myself properly, maybe.

Then, as if to answer my question, a long and hollow scream rose languidly from the woods - it was the sort of scream you might expect from a woman dying in extreme agony and extreme fear.