Robert Wilson - The Silent and the Damned aka The Vanished Hands

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Mario Vega is seven years old and his life is about to change forever. Across the street in an exclusive suburb of Seville his father lies dead on the kitchen floor and his mother has been suffocated under her own pillow. It appears to be a suicide pact, but Inspector Jefe Javier Falcón has his doubts when he finds an enigmatic note crushed in the dead man's hand.
In the brutal summer heat Falcón starts to dismantle the obscure life of Rafael Vega only to receive threats from the Russian mafia who have begun operating in the city. His investigation into Vega's neighbours uncovers a creative American couple with a destructive past and the misery of a famous actor whose only son is in prison for an appalling crime.
Within days two further suicides follow – one of them a senior policeman – and a forest fire rages through the hills above Seville obliterating all in its path. Falcón must now sweat out the truth, which will reveal that everything is connected and there is one more secret in the black heart of Vega's life.

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'Any ideas?' asked Ramirez, while Ferrera called the traffic police.

'Too early to say, but they didn't seem too bothered by me or that I saw their plates.'

'They were reported stolen off a VW Golf in Marbella,' said Ferrera. 'Nothing more.'

Falcón and Ferrera picked up the crime scene photographs from Felipe and Jorge and went down to the car. Cristina Ferrera always dressed as if she was about to disappear without trace. She never used make-up and had one piece of jewellery: a crucifix on a chain. Her face was wide and flat with a nose that calmed the traffic of freckles across it. She had watchful brown eyes that moved slowly in her head. She made no physical impact and yet she had a strong presence which had impressed Falcón in her interview. Ramirez had passed over her photograph on the grounds of looks alone, but Falcón's curiosity was piqued. Why should an ex-nun want to become a member of a murder squad? Her prepared answer was that she wanted to be part of a group that was engaged on the side of Good against Evil. Ramirez had warned her that there was nothing theological about murder work, that in fact it was illogical – the result of breakdowns and short circuits in society – and nothing to do with chariot battles in heaven.

'The Inspector Jefe was asking for my reasons as someone who'd been thinking of becoming a nun,' she'd said, coolly. 'It was my naive belief then that the next best institution after the Church where I could do some good was the police force. My ten years on the streets of Cadiz have taught me that that is possible only on rare occasions.'

Falcón had wanted to give her the job there and then, but Ramirez wasn't finished.

'So why did you leave your vocation?'

'I met a man, Inspector. I fell pregnant, we got married and had two children.'

'In that order?' asked Ramirez, and Ferrera had nodded without taking her brown eyes off him.

So, a fallen angel, too. A Bride of Christ who'd found herself more mortal boots. Falcón had made his decision. The transfer from Cadiz had been slow but the few days she'd been with his squad had convinced him that he'd made the right choice. Even Ramirez had taken her out for a coffee, but that was how things changed. Ramirez, with his daughter's mystery illness, had found himself searching for spiritual sustenance rather than the corporeal version he usually hunted for amongst the courts' secretaries, the bar flirts, shopgirls and even, so Falcón suspected, some of the hookers that crossed his path.

Ferrera drove. Falcón preferred to lose himself in vague thoughts that might lead to better ideas. They drove to Santa Clara in silence. Falcón liked her for that resistance to the Andaluz gene for talking nonstop. His thoughts moved in a slow sickly loop. How men were changed by crisis. Ramírez had gone to church. Falcón had never been attracted to it. It made him feel fraudulent. He, like Sr Vega, had gone to the river, whose draw, he had to admit, was not always positive. There had been times when it offered him an alternative solution and he'd had to pull back and rush home to the comfort of whisky.

They pulled up outside the Vegas' house. Falcón used the remote to open the gates to the driveway. The air conditioning was still on in the house. He gave Ferrera a guided tour of the two crime scenes, the rest of the house and the garden with Sergei's accommodation. He profiled the two victims as they progressed. They returned to the crime scenes and went through the police photographs. Falcón filled in what he knew about the lead up to the crisis, but did not particularly emphasize murder or suicide. He wanted Ferrera to look at the crime scenes from the point of view of a woman, to think herself into Luda Vega's mind by going through her effects and then relive her actions.

He went into Vega's study and sat at the desk below the bullfight poster. The laptop had been removed and was in the lab. There was only the phone and the tape outline of the position of the laptop on the desk. He looked down the list of pre-programmed numbers on the phone. There were office numbers and Vázquez's direct line as well as the Krugmans' and Consuelo's. The last number was void. He picked up the phone and pressed it.

'Da… zdrastvutye, Vasili, ' said a voice, clearly expecting someone else on the line.

'Your telephone number has been selected in our grand draw,' said Falcón. 'I'm happy to inform you that you and your wife have won a prize. All you have to do is give me your name and address and I will tell you where to go to pick up your wonderful prize.'

'Who are you?' asked the voice in heavily accented Spanish.

'Name and address first, please.'

A hand went over the receiver. Muffled voices came down the line.

'What's the prize?'

'Name and -'

'Tell me the prize,' he said brutally.

'It's a watch for you and your -'

'I've got a watch,' he said, and slammed down the phone.

Falcón made a note to ask Vázquez about these Russians. The desk drawers revealed nothing unusual. The Heckler & Koch had been removed for tests. He opened up the filing cabinets with the keys he'd found the day before. He flicked through the files for telephone, bank, insurance. They were catching on something underneath – a leather-bound loose-leaf diary and address book.

The diary was private. The entries were minimal. Most of the time there was just an 'X' marked next to the hour and they were mostly night-time meetings. Falcón went back to Noche de Reyes and found that there was an 'X' marked there, too. The first daytime meeting was in March with 'Dr A'. In June there were meetings with Dr A and another with Dr D. In the address section he found a list of doctors – Medicos Alvarez, Diego and Rodríguez. He flicked through the diary and found that Dr R was the last doctor to see Vega. He called and arranged to talk to him around midday.

He went through the address section of the book, which contained only names and telephone numbers. Raúl Jiménez's name was there but had been crossed out. As he turned the pages, names he knew leapt out at him. A lot of them he vaguely recalled from the Raúl Jiménez murder investigation – people from the town hall and public works. There was one name though that really took him back to that turbulent time – Eduardo Carvajal. Again it had been crossed out. Like Raúl Jiménez, he was dead. Falcón had never found what linked the two men. All he'd discovered was that Jiménez had rewarded Carvajal via a fake consultancy company during Expo '92 and, at the time of his death in a car crash in 1998 on the Costa del Sol, Carvajal was about to face trial on charges relating to a paedophile ring.

Ortega's name was also in the book and the last name to stand out was one that had him pacing around the house, reminding himself that there was no art on the walls of any significance. Ramon Salgado, who had been one of Seville's best-known art dealers, was also in the book, crossed out. Maybe Vega Construcciones had invested in art or bought a piece for their headquarters, but there was also that disturbing memory of the child pornography they'd discovered on Salgado's hard disk after his brutal murder. In these circles everybody knew each other, links in a golden chain of wealth and influence. Another question for Vázquez.

There were no Russian names in the book. He put it back in the filing cabinet. He moved on to another cabinet which contained box files full of blueprints and photographs of buildings. In the bottom drawer of the third cabinet there was a box file with no reference number. It said simply Justicia. In the file there were pages, mostly in English and mostly from this year, which had been extracted from the internet on a range of subjects but primarily concerned with an international system of justice. There were also newspaper articles on the International Criminal Court, the Tribunal that it was designed to replace, the crusading Spanish judge Baltasar Garzón and also the intricacies and possibilities within the Belgian legal system for bringing international war criminals to justice.

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