Robert Wilson - The Silent and the Damned aka The Vanished Hands

'As what?'

'As seeing you like this.'

'I have one major advantage over everyone else in this investigation of yours,' said Consuelo. 'I know how you work, Inspector Jefe.'

'You did invite me for a drink.'

'We're all part of your world now,' she said. 'Helpless under your merciless observation. How did you get on with the others?'

'I've just spent the last hour or so with Pablo Ortega.'

'Performing, as ever,' said Consuelo. 'I could never marry an actor. I'm a monogamist and they can make a bed feel very crowded.'

'I wouldn't know.'

'No actresses before you married that little truth- seeker… What was her name? Inés. Of course…'

Consuelo stopped.

'Sorry, I should have remembered about Juez Calderón.'

'This is the first time I've worked with him since your husband's murder,' said Falcón. 'He told me today that he and Inés were getting married.'

'Doubly insensitive of me,' said Consuelo. 'But, my God, that's going to be quite a truth-seeking union. A juez and a fiscal. Their first born is going to have to become a priest.'

Falcón grunted out a laugh.

'There's nothing you can do about it, Javier,' she said. 'You might as well laugh.'

'Lighten up,' said Falcón. 'That's what Sra Krugman told me to do.'

'She's not exactly a comedy show herself.'

'Has she shown you her photographs?'

'So sad,' said Consuelo, making the face of the unhappy clown. 'I've had all that bullshit up to here.'

'Juez Calderón was rather impressed by them,' said Falcón.

'By her ass, you mean.'

'Yes, even all the many Pablo Ortegas stepped down off the pedestal of his ego to pant at her.'

'I knew you had it in you,' said Consuelo.

'I'm angry with Maddy Krugman,' he said. 'And I don't like her.'

'When a man says that it normally means he fancies her.'

'I'll be joining a long queue.'

'And Juez Calderón will be in front of you.'

'You noticed.'

A spectacular bomb by one of the children drenched the window. Consuelo went outside and told them to calm down. Falcón was aware of Mario looking at her as if she was a goddess. She came back in. By the time she'd closed the door the madness had restarted.

'It's a pity that they have to become us,' she said, looking back to the pool.

'You're not so bad,' said Falcón, the crass words out of his mouth so fast he stared bug-eyed at them, like a disgrace on the carpet. 'I mean, when I said that… I meant you were…'

'Relax, Javier,' she said. 'Drink some more beer.'

Falcón gulped down the Cruzcampo, bit into a fat olive and put the stone in the tray.

'Did Pablo Ortega ever make a pass at you?' he asked.

'Was that what you were trying to do then?'

'No, that was… that was me thinking something and it coming out.'

'Yes, well… "You're not so bad,'" she said, quoting him back. 'You'll have to do a lot better than that to improve your sex life. What did Pablo Ortega tell you?'

'How he used his dogs to chat up women.'

'You talked about him panting after Maddy and chatting up women, but I've always assumed he was a closet gay, or maybe just not that interested in sex,' she said. 'The kids love Pavarotti and Callas, but he's never made a pass at me, and I imagine you wouldn't miss a pass from Pablo Ortega when it happened.'

'Why do you think he's gay?'

'It's just a feeling that comes off him when he's with women. He likes them, but he's not interested in them sexually. It's not just me. I've seen him with Maddy as well. He's not panting. He's showing off. He's reminding everybody that he's still potent but it's got nothing to do with sex.'

'He referred to you as a tough bitch,' said Falcón. 'I thought it was because you'd turned him down.'

'Well, I am a tough bitch, but I've never been one with him. In fact I've thought that we always got on very well,' she said. 'Since he moved out here he's been coming round for drinks, playing football with the kids, swimming…'

'It was unmistakably sexual. He said you only smiled when you had a man's balls in a vice – that sort of thing.'

Consuelo spurted laughter, but she was annoyed, too.

'I can only think that he believes that this is manly talk and that it would never get back to me,' said Consuelo. 'He's underestimated your capacity for intimacy, Javier. But then I suppose intimacy between a cop and a… whatever. He probably thought he was safe.'

'He knew Raúl, didn't he?' said Falcón. 'I remember seeing him in the photographs behind the desk in your old apartment, but not in the celebrity section.'

'Pablo's brother was the connection,' she said. 'Ignacio had worked for Raúl.'

'I'd like to see Raúl's photographs again, if that's possible.'

'I’ll let them know at the office,' she said.

The commercial world of cars – Repsol, Firestone, Renault – flashed past as he drove down Avenida de Kansas City. While the buildings beyond the windscreen throbbed with expended energy, Falcón puzzled over his intimacy with Consuelo Jiménez. He felt comfortable with her. Despite what she referred to as the detective/suspect dynamic, she was now integrated into his past. He thought about her sitting on her sofa in the cool of her house, nodding her foot at the glass, laughing with the children as she rubbed them down with their towels, leading them off to the kitchen for food while he drove into the writhing beast of the metropolis which, beaten by heat, lay panting in its pen.

A sign outside the Estacion de Santa Justa at the end of Avenida de Kansas City told him it was 44°C. He parked and staggered through the torpid air into the station. He called Perez, who told him that he'd persuaded Sr Cabello to leave his wife in intensive care. He was now in Sr Cabello's apartment in Calle de Felipe II in El Porvenir, waiting for the first female member of the Grupo de Homicidios, Policía Cristina Ferrera, to replace him.

Falcón stood at the gates of the platform for the Madrid AVE, with a handwritten piece of paper asking for Carmen Ortiz. A woman with black hair and big brown eyes floating in a pale frightened face approached him. She had two children with her and 'distraught' seemed a mild adjective for her condition.

He drove back to Santa Clara. Carmen Ortiz talked at full tilt all the way, primarily about her husband, who was on a business trip to Barcelona and wouldn't be able to fly down until the following morning. The children sat looking out of the windows as if they were being moved to a more secure prison. Falcón murmured encouragement while Sra Ortiz flooded out the silence.

Consuelo came to the door with Mario clamped to her like a chimpanzee. The boy, after the swim, had retreated into a vulnerable silence. He transferred himself to Carmen with a swiftness that showed his need for human contact. Carmen amazed them with her limitless memory for all kinds of detail from her journey. Consuelo listened, knowing Carmen Ortiz's purpose, which was not to allow one moment's silence in which the calamity of the day could jam its wedge and lever time open to reveal Mario's future of despair and loneliness.

They went to the car. The whole family sat in the back. The children stroked Mario as if he was a damaged kitten. Consuelo leant in and kissed him hard on the head. Falcón almost heard the physical wrench as she pulled back from the car. He knew about the sickening sense of plummet that was forming in the boy's stomach as he started his free fall into motherless chaos. The routine of love was over. The woman who made you has gone. He was filled with pity for the boy. He drove off with his bruised cargo back into the pulsating city.

He took them up to Sr Cabello's apartment, carrying the luggage. They arrived in the apartment like nomads. Sr Cabello sat in a rocking chair with unblinking eyes. His grandchildren animated his lips to a tremble. Mario kicked and fought to hold on to his aunt. Perez had gone. Falcón and Ferrera withdrew and a whimpering sense of impending doom welled up in the destroyed family.