Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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‘G’day, Aunt Lily.’ Mrs Pargetter offered him a frosty Good evening, George , and returned to her shandy.

Finn introduced him to Moss, who felt her hand sinking unpleasantly into his soft, sweaty palm. She hastily withdrew her own. He was a strange-looking man, his small, quite handsome features all tightly corralled in the centre of his very large face, while tiny red capillaries traced complicated map lines on his cheeks. He was dressed in neat moleskins and an expensive-looking linen shirt.

Moss smiled politely. ‘Pleased to meet you, Mr Sandilands.’

‘Sandy, please. Everyone calls me Sandy.’ Mrs Pargetter looked up sharply. ‘Well, almost everyone.’

There was no room for Sandy to join them, so after making a time to meet with Finn the next day, he wandered off into the bar.

‘What’s this project?’ Moss asked.

‘You won’t believe it,’ Finn responded. He hardly believed it himself. ‘You’ve heard of the Big Banana and the Big Pineapple?’ She nodded. ‘Well, Sandy is planning something similar for Opportunity.’

‘What is it?’

‘Actually, it’s a Great Galah.’

‘A Great Galah? What on earth gave him that idea?’

‘His father was always calling him a great galah, apparently. Sandy seems to think it was a term of affection. He says it will not only honour his relationship with his father, Major Sandilands, DSO and Bar-I’m not joking, that’s how he refers to his father: Major Sandilands, DSO and Bar -but he reckons that this galah thing’ll bring in the crowds. You wouldn’t know it, but he’s the richest man in town. Worth squillions. He’s willing to pay for the lot himself. He’s very passionate about it.’

‘He’s barking mad,’ pronounced Mrs Pargetter. ‘And his father was a nasty bully of a man.’ She drained her glass for emphasis.

‘Drawing up the plans keeps him happy,’ said Finn mildly. ‘It keeps the demons at bay.’

7Lily Baxter and Arthur Pargetter

WHEN MRS PARGETTER WAS LILY Baxter, she and her older sister, Rosie, were considered to be beauties, although it was generally agreed that Rosie, laughing and vivacious, was the more attractive. The girls were well-read and genteel, daughters of the schoolmaster, but it was still considered a great coup for eighteen-year-old Rosie when she married George Sandilands, the son and heir of a wealthy local grazier. Despite her supposed good fortune, the only peace Rosie Sandilands experienced in her thirty-eight years of marriage was the four years in which her husband was overseas becoming a major and winning medals. Rosie was always publicly addressed by her husband as Rosalind , and privately as Woman , in tones of exasperation, anger or contempt. He prided himself on using physical force only when he considered it to be absolutely necessary. Lily was the only one Rosie ever allowed to see the bruises.

Their son, George Junior, was known as Sandy. From an early age the boy learned that to show affection to his mother would only enrage his father. So he trembled in the suffocating dark beneath the bedclothes when he heard his mother cry, and cravenly sought his father’s approval at every opportunity. This went some way to protecting him from the Major’s anger, but not from his contempt. He was a bright enough lad, but not well coordinated, and his father’s jeering voice could be heard at school sports days and football matches: You great galah! Can’t you do anything right? The boy’s attempts to read quietly, a pastime that he loved, called forth similar abuse. Nancy boy , his father called him, and in his misery Sandy ate the cakes and scones and sweets his mother pressed on him, the only way she could express her love and pity.

At nineteen, Lily was still not married and lived a quiet life, keeping house for her father and playing the organ at St Saviour’s. She was a dreamy girl and looked forward to a future as a wife and mother. Her sister’s early marriage had left her a little uneasy on this score, but her father, a widower for fifteen years, was in no hurry to marry off his second daughter. He was afraid of George and averted shamed eyes from any evidence of Rosie’s unhappiness, privately vowing to protect his younger daughter from the same fate.

Lily was a talented musician and was often asked to play piano at various gatherings around the district. Because of this, she went to many dances but rarely danced, sitting conscientiously at the piano with a straight back and firm wrists as she’d been taught. The women all agreed that she was a pretty girl but a bit too pleased with herself. The men granted that she was a bit of all right , but felt that she thought herself too good for them. Why else , they asked, would she sit all snooty-like at the piano when she could be dancing? There are plenty more fish in the sea , they told each other . Don’t have to chase Miss Up-Herself. Lily, meanwhile, would sit with her straight back and pretty face, wishing only to be swirling on the dance floor with some young man or giggling in the corner where the girls assembled like multi-coloured butterflies.

The ensemble she played with included old ‘Trooper’ Morgan on drums and Tony Capricci (Eyetie Tony) on the saxophone. Both men treated her with a kind of elderly gallantry, which she accepted with rueful gratitude.

The night she met Arthur she had slipped away from the piano for a cool drink, leaving Tony exuberantly calling for a ‘Pride of Erin’. She was looking particularly attractive in a dress of butter-coloured lace, her long auburn hair framing her face.

‘Is the pianist allowed to dance?’

She turned to see a small, dark-haired young man with soft puppy-dog eyes, and a nervous grin over which struggled a self-conscious pencil moustache. He was dressed in a navy-blue suit with an obviously new white shirt. His tie, she noticed, needed straightening, and his hair was just a little too long over his collar.

‘I thought you needed looking after,’ she would say on their honeymoon. ‘That’s the only reason I agreed to dance with you.’

‘Not the only reason you agreed to marry me, I hope,’ Arthur would retort. ‘My good looks and charm must have had some effect.’

The truth was that his charm lay not in his looks, exactly, but in his shy smile. It had taken all his courage to approach her, but he managed to hold out his hand in invitation. Lily looked over at Tony. Please? her eyes said.

‘Go ahead, bella mia . We can play without you.’ Tony beamed.

Arthur was the new clerk at the Commonwealth Bank. A job with prospects , her father noted approvingly. Their courtship was brief. War loomed, and there was a kind of desperate gaiety and sense of urgency that fermented the social process. So, ten months after their first dance, they married at St Saviour’s and honeymooned at Marysville, where they fumbled through their first sexual experience with enthusiasm and good humour, returning to Opportunity with smug little smiles.

Shortly afterwards, Arthur was promoted to a job in Melbourne. Lily was delighted as they began to furnish their little flat in Carlton, two rooms at the back of a sagging Federation house owned by a Mrs Moloney. Their landlady always appeared slightly harried, and her face and body were so angular that Arthur set himself a challenge to detect even the slightest of curves under her drab button-through housedresses. She didn’t believe in becoming familiar with her tenants and always addressed the two young people as Mr and Mrs Pargetter. Lily was delighted to be addressed as Mrs Pargetter; she sometimes felt that she was still a girl, posing as a woman, and the ‘Mrs’ reassured her.

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