Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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As Mrs Pargetter poured the tea, Moss commented on the Fair-Isle tea cosy.

‘How pretty,’ she said disingenuously. ‘Dad has one just like it.’

The old lady smiled so broadly that her teeth wobbled dangerously and the handkerchief was hastily deployed. ‘Thank you, dear. I’ve knitted three thousand and twelve over the past thirty-odd years. Jam? I’m afraid it’s shop-bought. I used to make my own, but I’m getting on. Eighty-four next birthday.’

Moss helped herself to a scone and took a small spoonful of jam. She hesitated over the cream.

‘Eat up. Young girls are all too thin nowadays. Men like something to hold on to.’ Moss’s eyes widened. ‘Sorry, dear. I didn’t mean to embarrass you. Your father’s skinny, so it must be in the genes.’

Having encouraged Moss to tuck away a surprising number of scones, Mrs Pargetter then showed her to her room. It was large and airy, with a casement window and peeling wallpaper where little yellow teddy bears played on a blue background. A mahogany chest of drawers stood in one corner, and a battered wardrobe lurked in the other. The high, narrow bed wore a quilted silk bedspread the same colour as the teddy bears.

This room has been waiting , Moss thought suddenly. And for a moment she felt a heaviness of spirit. Mrs Pargetter seemed to sense it too and took Moss’s hand.

‘This room hasn’t been used since… for some time. I’m entrusting it to you.’

Before Moss had time to think about the oddness of the last remark, the old lady began to bustle about, opening drawers and patting the bedspread.

‘I picked you some camellias,’ she said, touching the mass of soft pink blooms. ‘As a sort of welcome. I’m afraid there’s not much else in the garden at the moment.’

Moss smiled her thanks as Mrs Pargetter left her to her unpacking, which took very little time. Even when she had laid her things out, the room continued to brood. She sat on the bed and tried to analyse the feeling. There was no sense of threat or foreboding; rather it was something like-but not quite-nostalgia. Longing, maybe? Closer. Moss shook off the weight of her thoughts, chiding herself for being fanciful.

‘All done,’ she announced, coming back into the kitchen. ‘It’s a lovely room. Thank you, Mrs Pargetter.’

‘It’s Thursday. Let’s have the Thursday pub roast,’ said Finn as he left. ‘My treat. I’ll pick you up at eight.’

Moss watched at the door as her father fled down Mrs Pargetter’s path and up his own, returning to the sanctuary of his house. She noted his haste and felt a wave of self-pity. Another parent who doesn’t want me . Then: He needs time , she reminded herself sharply and, straightening her shoulders, she turned back to sit by the fire with Mrs Pargetter. The old lady was busy knitting a large purple square.

‘That looks a bit big for a tea cosy.’ Moss smiled.

‘It’s another jumper for your father,’ she replied. ‘That green one is getting very shabby. I’m glad you’re here, dear. He doesn’t look after himself very well, you know.’

Moss acknowledged this statement with a nod, and changed the subject. ‘You’ve knitted over three thousand tea cosies, Mrs Pargetter? That’s a lot of teapots.’

The old lady frowned. ‘There are a lot of poor people in the world,’ she admonished. ‘I usually try for at least two a week. I have four weeks’ holiday at Christmas, of course. All work and no play, as they say.’

‘So how do they get to the… poor people?’

Mrs Pargetter sniffed. ‘Well, first of all I sent some samples to World Volunteers and got a very terse reply, I can tell you. Apparently they could see no need for tea cosies. As though the poor had no right to a decent cup of tea.’ Her breast, lumpy like an old pillow, heaved with indignation, and Moss shook her head at the World Volunteers’ callous disregard for the poor. But Mrs Pargetter was a woman on a mission. ‘I tried the African Aid Society. Their letter was nicer, but apparently they had enough tea cosies.’ She stopped to count her stitches. ‘It was then that I had a brilliant idea. Well, Errol has to take some credit.’ She patted the dog, who woofed his agreement. ‘It was so simple I could have cried. I sent a parcel of one dozen cosies to the quartermaster of the United Nations, New York City.’ She spaced each word to emphasise her triumph. ‘And I got a letter back from a Mr Lusala Ngilu, thanking me personally for my extreme kindness. That’s what he said. I can show you the first letter. Extreme kindness .’

‘That’s wonderful, Mrs Pargetter. The UN has a quartermaster? 101 In New York City?’

‘Oh, yes. I get a lovely thank you each time. I can show you the letters. I have a box full of them. They’re on official letterhead signed by Mr Lusala Ngilu, Quartermaster, United Nations. I get a card every Christmas as well.’ She looked over her glasses. ‘I know you young people like to make initials of everything. Your father thought he could get away with calling me “Mrs P.”, but I soon put a stop to that. It’s just laziness , I said. My name is Lily Pargetter and you may call me Mrs Pargetter . So you see, dear, I must insist you show proper respect to the United Nations. If anyone asks what I do, tell them I work for the United Nations .’

The kelpie that had followed her home turned out to belong to Mrs Pargetter, and Moss offered to take him for a walk. He was named after Errol Flynn, and surprisingly, he bore no grudge. He loved Mrs Pargetter with all his doggy heart and they enjoyed many a good conversation about the old days. So far he tolerated Moss’s presence in the house. She spoke softly and scratched his ears just the way he liked.

Thursday was obviously a busier day in town, and there were quite a few cars and utes angle-parked into the deep bluestone gutter. A hum of voices came from the pub, and women stood talking under shop awnings. Most looked at Moss and Errol curiously, and a few nodded pleasantly. An old man in a faded flannel shirt lifted his hat. ‘G’day, girlie,’ he said, and gave her a gappy grin. She smiled back, wondering why she didn’t mind being called ‘girlie’. Her mothers had made it very clear that this was a demeaning form of address.

Moss and Errol returned home around five to find Mrs Pargetter already dressed for the pub meal, which she clearly looked on as quite an event. She had changed into a cable-knit jumper and a long cotton skirt. She wore pearl clip-on earrings and her bun was tidied into a black lace snood. The effect was spoilt by the shaky application of pink lipstick and pale blue eye shadow, but when Finn arrived an hour later, he gallantly kissed her hand and said she looked lovely. Moss, who had brought very little clothing with her, was going to wear jeans but in deference to the old lady’s sense of what was proper changed into black trousers and a clean white shirt. Her taste in clothes mirrored Linsey’s rather than Amy’s. Neat, practical, classic-that had been Linsey’s advice.

The pub’s small dining room was crowded, and most of the patrons seemed to know Finn and Mrs Pargetter. Moss felt quite shy as she was introduced, and sensed Finn’s similar discomfort in crowds. She was glad to be seated at a corner table with a glass of wine. Mrs Pargetter sipped a shandy, and Finn had a Coke. They were not left in peace for long. A large red face imposed itself and wheezed a greeting in a voice that sounded as though it were being forced out from somewhere high in the throat. The barrel chest, a perfect resonator, had no part to play.

‘Heard you were here, Finn.’ His diction was unexpectedly cultured. ‘Needed to catch up with you about the project.’ The speaker suddenly noticed that there were other people present.

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