Michael Morley - Viper

Francesca's parents looked at Sylvia and then at themselves. Predictably, it was her mother who tried to fill in the gaps. 'Francesca didn't say much to me about her love life. Sometimes there'd be a twinkle in her eye, occasionally she'd share a boy's name with me and mention where they were going, but in the main she was a very private person.'

Genarro was looking off into the distance. Francesca was five years old again. Her thick dark hair in plaits with yellow bows that she kept playing with. Her gorgeous eyes sparkled with innocence as he hid a coin up his sleeve and magically produced it out of her ear. He was lost in the mists of time – an age before womanhood, before pregnancy and long before murder.

'Anything?' pushed Sylvia, catching his attention. 'A remark, a name, a period where she seemed odd, behaved differently?'

'I only saw my daughter about once a month,' confessed Genarro. 'When she'd lived with Bernadetta, I'd seen more of her, but when she went to University and got her own apartment, then she had a new life, new friends and not so much time to see me.' His face showed all the regrets of a parent who wished he could turn back time.

'She loved you very much,' said Bernadetta, looking at him with the soft blue-green eyes that she'd passed down to her daughter. 'She was always saying Papa this, Papa that.'

'Mamma's girl,' he countered and then looked surprised that he'd said it rather than just thought it. 'She was just like you – looks and temperament. Just like you.'

Sad memories flowed between them. The moment sagged from the weight of emotion. Sylvia tried to give them space. Let them feel their way around their grief. Finally they looked across at her. Two thin smiles. A cue to continue. And she did, with the hardest questions of all. 'You've seen the newspapers today; you know they have now reported the fact that your daughter was pregnant?'

Francesca's parents nodded. They looked uncertain and uncomfortable about where the conversation was heading.

'I know this is awful for you, but we have to do everything we can to keep this story in the newspapers.' Her heart went out to them. 'Murder is now so common here in Campania that it is hard to get people to pay any attention, let alone come forward with information that might help us catch your daughter's killer.' She could see pain welling in their eyes. 'Your daughter's pregnancy gives us a chance to do that. It touches people and, as horrible as it sounds, we have to take advantage of that. We're holding a press conference tonight and I'd like you to be there, to say something about what Francesca was like as a person.'

Sylvia's statement was met with silence. They were in no-man's-land – their grief was private, their horror so great they didn't even want to face the daylight let alone the press – but they did want to do whatever they could to catch their daughter's killer.

Sylvia smiled a serious smile – an expertly crafted friendly but serious smile – the type that only police officers can manage when they want you to do the right thing no matter how painful it is for you. 'We've been advised by one of the world's top psychological profilers that it's vital we make the public understand Francesca was a person, not just a murder statistic. If we can get them to feel your loss, then maybe we can persuade someone who knows the killer to come forward. Would you appear at the news conference? Make that appeal for people to contact us with any information that they think might help?'

Genarro squeezed his ex-wife's hand and she squeezed back. In the split second before he answered he wondered if they should get back together again. Fall in love again. Help each other over this hole in their lives. 'Yes. Yes, if you think it will help, then we'll do that.'

'Good. Thank you.' Sylvia's relief was visible. 'I'm afraid I still have a few questions I need to ask you. Are you all right for me to do that now?'

They both said they were and Sylvia found herself momentarily disarmed by their dignity.

'Signora, in the last months before Francesca disappeared, did you have any unusual discussions with her?'

Bernadetta sighed but said nothing. She'd spent years cudgelling herself over questions like this. Had there been something she'd said or done that had upset her daughter? Or, maybe even something she hadn't said or done? She'd tortured herself but had come up with nothing.

Sylvia pressed for an answer. 'Maybe a particular argument? Something that surprised you and caused you to fall out?'

Bernadetta finally shook her head.

'No mother-daughter talk about something awkward? Perhaps men, marriage? Anything like that?'

Bernadetta's mind felt like it was bound with razor wire. It hurt to think. But then something stirred.

At the centre of the ball of grief there was an ugly five-year-old memory struggling to get out. She put her fingers to her temples and closed her eyes. The pain was too great.

There was something. What? What was it?

Bernadetta shook her head. 'No. There is nothing special I can remember.'

And then she looked away and hoped the police-woman couldn't tell she was lying, couldn't guess the dark secret she was hiding.

Parco Nazionale del Vesuvio The forest was sodden and smelled of rotting leaves and swampy earth. Franco Castellani didn't mind. Not one bit. Lying flat on his growling, hungry stomach he steadied his outstretched arms and then, with all the patience of a trained assassin, gently squeezed the trigger of the old Glock.

Fifty metres away a small red deer jolted backwards. It crumpled on its spindly legs and collapsed beside the spidery lower branches of a giant fir. Franco was up and running before the gunshot had finished rolling off the distant hillsides.

The headshot was perfect.

The fawn, along with twenty other deer, had only been introduced into the park in the summer as part of a new wildlife expansion programme. He stood over it. It looked like it had three little black eyes instead of two. It twitched and went into spasm as he touched its head. Franco considered shooting it again, but didn't want to risk any further noise, and he wanted to save the bullets for what he had planned for later. He slipped out his hunting knife, the one he used for fishing, carving and odd jobs at the campsite. He lifted its chin, exposing the soft fur and thin flesh at the neck.

One of the fawn's back legs kicked again. He wondered how long the animal would take to die if he just left it. Its eyes were glazed and vacant. Blood started to trickle from its mouth and nose, but amazingly it still seemed to cling to life. He lowered the chin and rested its head on his knee. Shuffled round so his back was against the giant trunk of a spruce. Settled back to watch it die.

It took several minutes for the animal to stop breathing and, when it did, Franco felt dis appointed. Not sad, most definitely not sad, but disappointed.

Even though the fawn was quite small, he found it was too big for him to carry. He picked up the knife again and began the bloody task of cutting meat. He wished he had one of his axes. With one of those he'd glide through the bone. Whoomph, and it would be in pieces. But the knife was too small to sever the head. He sliced skin away, then tried to break the neck bone over the top of a rock. He stomped hard. But everything was wrong. The head got in the way – the ground was too soft – the bone slipped off the rock. Franco found himself just standing there, dribbling sweat and staring at the young dead animal's head.

Young. Dead.

The words touched him. Mirrored his own fate. Cut down in his prime. One moment happy and free – oblivious to the savageries of the world – then killed by a bullet from out of the blue. He felt a rage building. A terrible rage against the unfairness of life. The unfairness of everything. Franco fell to his knees.