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Paul Christopher: Michelangelo_s Notebook

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Paul Christopher Michelangelo_s Notebook

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“There is no secret police in Italy,” said Bertoglio.

“And you are not really here, Maggiore. You are a figment of my imagination.” The woman smiled wearily. “I suppose the tedeshi Gestapo is enough for both countries.”

“I have come for the child,” said Bertoglio. He reached into the pocket of his blouse and took out a small packet sealed with the crossed-key and triple-crown imprimatur of the Vatican.

“You have friends in high places,” said Sister Benedetta. She put her stubby forefinger under the seal and ripped the packet open. It contained a birth certificate and a travel pass counterstamped by the Vatican, the Swiss government and the Nazi Immigration Authority. There was a second set of travel documents for an unnamed adult. “These documents are in the name of Frederico Botte,” she said.

“That is the child’s name.”

“No, it is not, and you know it, Maggiore.”

“It is now. Fetch him.”

“And if I told you there was no Frederico Botte in this convent?”

“I would prefer not to answer that, Mother Superior. It can do neither one of us any good. If you hide the child or fail to present him there will be repercussions of a serious nature.” He paused. “I am only doing as I was instructed, Mother. This is no pleasure for me, I can assure you.”

“All right.”

Sister Benedetta picked up a small bell from the mantel of the fireplace and rang it. The sound was harsh in the room. A few moments later a very young woman appeared, looking uncomfortable in a skirt, blouse and sweater. She was holding the hand of a young boy of about three. He was wearing short pants, a white shirt and a narrow tie. His dark hair had been slicked back with water. He looked very frightened.

“Here is the boy. This is Sister Filomena. She will take care of his needs. She speaks both German and Italian so there will be no problem in understanding her requirements for herself and the child.” She stepped forward, kissed the young woman on both cheeks and handed her the travel documents and the birth certificate. Sister Filomena tucked the papers in the deep pocket of her plain cardigan. She looked as terrified as the child. Bertoglio understood her fear; he’d be frightened if he were going where she was headed.

“The boat I came in has gone. How will we return to the mainland?”

“We have our own transportation,” said Sister Benedetta. “Go with Sister Filomena. She will show you.”

Bertoglio nodded, then snapped his heels together. His arm began to move stiffly upward in the Fascisti salute and then he thought better of it; he nodded sharply instead. “Thank you for your cooperation, Reverend Mother.”

“I do it only for the child; he is innocent of all this madness… unlike the rest of us. Good-bye.”

Without another word, Bertoglio turned on his heel and headed out of the room. Sister Filomena and the child followed meekly after him. In the doorway the child paused and looked silently back over his shoulder.

“Good-bye, Eugenio,” Sister Benedetta whispered, and then he was gone.

She moved across to the window and peered through the louvers, watching as the three figures moved down to the dock. Dominic, the young boy from the village who helped with the chores, was waiting by the dock. He helped the child into the convent’s dory, then helped Filomena to her seat as well. The maggiore sat in the bow like some ridiculously uniformed Washington crossing the Delaware. Dominic scrambled aboard and unshipped the oars. A few seconds later they were moving out into the narrow bay between the island and the mainland.

Sister Benedetta watched until she could no longer make out the figure of the child. Then she made her way out of the common room and down a long corridor between the individual cells, finally reaching an exit door in the lower section of the building behind the baths and toilets. She stepped outside into the failing late-afternoon sunlight and followed a narrow cinder path up the hill to the cemetery. Bypassing it, she went farther, into the dark trees, finally reaching a small dell filled with flowers and the dark scent of the surrounding pines.

She followed the path down into the saucerlike enclosure, listening to the sighing wind high above her and the distant weathering roar of the sea. If Katherine had loved anything she had loved this place; her only peace in a bruised life of fear and apprehension. The priest from Portovenere would not sanction her burial on sanctified ground, and in the end Sister Benedetta had not argued. There was no doubt in her mind that this place was closer to God than any other and that Katherine would have preferred it.

She found the simple marble cross without difficulty, even though ivy had grown up around it. She dropped to her knees, taking the time to pull the creeping tendrils away from the stone, revealing the inscription:

Katherine Maria Teresa Annunzio

PACEM

Slowly Sister Benedetta unwound the rosary she kept on her right wrist and clutched it in both clasped hands. She stared at the stone and whispered the old prayer of the popes that had amounted to the young woman’s last words before she threw herself into the sea:

“It is sweet music to the ear to say:

I honor you, O Mother!

It is a sweet song to repeat:

I honor you, O holy Mother!

You are my delight, dear hope, and chaste love,

my strength in all adversities.

If my spirit

that is troubled

and stricken by passions

suffers from the painful burden

of sadness and weeping,

if you see your child overwhelmed by misfortune,

O gracious Virgin Mary,

let me find rest in your motherly embrace.

But alas,

already the last day is quickly approaching.

Banish the demon to the infernal depths,

and stay closer, dear Mother,

to your aged and erring child.

With a gentle touch,

cover the wary pupils

and kindly consign to God

the soul that is returning to him.

Amen.”

The wind grew louder as it swept through the trees, answering her, and for a single moment of peace, the faith of her childhood returned and she felt the joy of God once more. Then it faded with the rolling gust and the tears flowed down her cheeks unchecked. She thought of Bertoglio, of Filomena and the child. She thought of Katherine, and she thought of the man, the arrogant unholy man who had done this to Katherine and brought her to this end. No prayer of popes for him, only a curse she’d once heard her mother speak so many years ago.

“May you rot in your tomb, may you burst with maggots as you lie dead, may your soul rot into corruption before the eyes of your family and the world. May you be damned for all dark eternity and find no grace except in the cold fires of hell.”

1

Her hair was the color of copper, polished and shining, hanging straight from the top of her head for the first few inches before turning into a mass of wild natural curls that flowed down around her pale shoulders, long enough to partially cover her breasts. The breasts themselves were perfectly shaped and not too large, round and smooth-skinned with only a small scattering of freckles on the upper surface of each mound, the nipples a pale translucent shade of pink usually seen only on the hidden inner surfaces of some exotic sea-shells. Her arms were long and stronger-looking than you might expect from a woman who was barely five foot six. Her hands were delicate, the fingers thin as a child’s, the nails neatly clipped and short.

Her rib cage was high and arched beneath the breasts, the stomach flat, pierced by a teardrop-shaped navel above her pubis. The hair delicately covering her there was an even brighter shade of hot copper, and in the way of most redheaded women, it grew in a naturally trimmed and finely shaped wedge that only just sheltered the soft secret flesh between her thighs.

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