John Lescroart - Damage

Now, at around eight o’clock, Durbin let himself in the kitchen door at the Novios’ home. The house was dark and mostly quiet, although it sounded as if someone was watching television somewhere. Michael was a bit surprised to see Kathy all alone perched on a stool at their granite counter, with a drink of some kind in front of her.

She’d been crying recently and looked up as he came in. “Hey,” she said at the low range of audible.

“Hey.” He got to the counter and stopped. “You all right?”

She lifted her shoulders an inch.

“What are you drinking?” he asked.

“I don’t know. Bourbon, I think.”

“You feel like company? I know you’ve had nothing but company all day, so if you don’t…”

“No. If you want. It’s fine. The bottle’s on the counter over there. You can hit me again, too, if you don’t mind.”

Michael got himself a glass and ice and filled it with bourbon, then crossed over and refilled Kathy’s. Sitting down on the stool next to her, he took a sip. “Has Jon come back?” he asked.

“Not yet. He texted me and said he was staying out.”

“Till when?”

She gave him a glance. “Till he gets back, I’d imagine. He’s all right, Michael. He’ll be okay.”

“He thinks it’s possible I killed Janice.”

She shook her head. “I doubt it. He’s just upset. Everybody’s upset and everybody shows it differently.”

He took another pull at his bourbon. “So where’s everybody else?”

“The girls are watching TV. Peter’s already asleep upstairs, I think. Chuck’s at school.”

“At school?”

“Papers he’s got to grade.” She sipped her drink. “It never ends.”

“I don’t know where he gets the energy.”

She gave him a sideways look that he couldn’t read. “He conserves it in other places.”

Not knowing what to make of that response, Michael said, “I guess so.”

They both drank again.

“I shouldn’t have said that,” Kathy said. “I think I’m probably drunk.”

“That’s all right. You’ve earned it.”

“No, but I shouldn’t criticize Chuck. But sometimes it’s just so difficult, a day like today, for example, with a million people in and out and so much going on emotionally and sometimes you just think wouldn’t it be nice if your husband didn’t have to go out and work and instead could stay and be with you and maybe be… I don’t know. Be like we were.” She wasn’t sobbing, but tears were again suddenly rolling down her cheeks. “I mean,” she said, “I just think of poor Janice dying with no warning, one minute alive and then gone forever and it makes you question what’s important and why you’re doing the things you do and why you’re not spending more time with the person you supposedly love when she really, really needs you instead of correcting your goddamn papers for your stupid students.”

She wiped her cheeks with her hands, picked up her drink, took another sip and put it down. “I’m sorry, Michael. I’m so sorry. I don’t even know what I’m saying. I’m just still all so upset. It’s just I feel so alone. So completely alone. I know you know.”

“I do.”

“I shouldn’t be mad at Chuck. It’s not him. I’m just mad at the whole world.”

“That’s a good thing to be mad at,” Michael said. “I’m pretty much at the same place.” He picked up his drink and drained the glass.

Dismas Hardy, the managing partner in Wes Farrell’s firm, was Abe Glitsky’s best friend. He lived with his wife, Frannie, out on Thirty-fourth Avenue near Clement Street. And though this was not directly on the way home from Durbin’s house, it wasn’t far out of the way, either. When Glitsky drove by, lights shone in the living room and smoke emanating from the chimney was faintly visible for a few seconds before it disappeared into the fog. A parking space on the opposite curb clinched the deal and Glitsky hung a U-turn and pulled into it.

Hardy opened the door to his stand-alone Victorian home, wearing an old worn pair of jeans, destroyed Top-Siders, and a faded blue pullover sweater that had seen better days. “Sorry,” he said, “no solicitors. Maybe you didn’t see the sign by the gate.”

And he closed the door on him.

Glitsky could have simply knocked on the door, or rung the bell again, but this of course in some obscure but important way would have been losing, so he put his hands into his jacket pockets and settled in for the long haul. Hardy held out for nearly a minute and it might have gone longer if Frannie hadn’t somehow gotten in the act and finally opened the door, to all appearances surprised to see him.

“Abe. Jesus, you guys. How long were you going to stand out there?”

“As long as it took. Diz would have opened the door eventually.”

“Would not,” Hardy said. Then added, “All he had to do was knock.”

“In your dreams,” Glitsky said.

“So would you like to come in now?” Frannie asked. “Rather than stand out here freezing all night.”

“That’d be nice.”

“Ask him to say please,” Hardy said. “That ought to be good for another fifteen minutes while he decides.”

She turned on her husband. “There’s something truly wrong with you, you know that?”

“Not so much wrong,” Hardy answered, “as elusive, fleeting, ethereal, hard to define. In the best possible way.”

“I’m with you, Fran,” Glitsky said. “I define it as wrong. I’ve been telling him the same thing for years.”

“Okay, that does it. Now he’s really going to have to say please.”

“Oh, for crying out loud.” Frannie grabbed Glitsky by the arm, pulling him inside and closing the door after him.

“This is why I love her,” Hardy said. “She makes the tough decisions look easy.”

Five minutes later, Hardy and Glitsky were sitting in armchairs in front of the fire, Hardy with a neat Scotch and Glitsky with a cup of green tea that Frannie had made for him. “And okay,” Glitsky was saying, “I know what you read about this morning, how I’m all over Ro Curtlee about these murders…”

“I don’t read the Courier except under grave duress.”

“Well, that’s good to hear. But the plain fact is Ro’s got an apparent alibi for this Janice Durbin thing, and her husband really doesn’t.”

“You’re thinking it’s him?”

“I’m thinking more it could be him. But I really don’t see it. I mean, the guy’s a legitimately talented artist. I can’t see him slashing his own paintings, trying to frame Ro, and then not leaving anything around that ties it to Ro. Does that make sense?”

“Not much.”

“So yeah, I’m thinking it’s still probably Ro, but if I’m wrong and Wes takes my case to the grand jury… You see the problem?”

“Of course. He gets off on one charge and the whole thing falls apart. So don’t use Janice.”

“But without her, we don’t have the motive connection to Ro.”

“Sure you do. The witness-what’s her name?-the first woman he killed when he got out.”

Glitsky nodded. “Felicia Nuñez. And that’s one connection with his trial, but without Janice Durbin, that’s all we’ve got, the one. That’s not a pattern.”

Hardy looked at the fire, sipped at his drink. “How about Matt Lewis?”

Glitsky held his palm out and rotated it. “Tenuous at best. And again, Ro and his butler, they both have an alibi. Evidently the two astronomy buffs decided to take in the planetarium show.”

“Well, at least it’s credible,” Hardy replied, tongue well in cheek. Then, more seriously, “I don’t trust too many perfect alibis,” he said. “It smacks of premeditation.”