Robert McCammon - Mister Slaughter

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Murder and ghoulish mayhem are the order of the day in bestseller McCammon's colorful third thriller featuring "problem-solver" Matthew Corbett and his escapades in early 18th-century America. After confronting a criminal mastermind in 
 (2007), Matthew finds himself a celebrity whose exploits have become sensational fodder for colonial tabloids. This heady attention contributes to a bad lapse of judgment when he and his senior associate, Hudson Greathouse, accidentally allow a brutal murderer, Tyranthus Slaughter, to give them the slip while they transport him to prison in Philadelphia. The rousing narrative details Matthew's dogged pursuit of the indestructible Tyranthus as the killer cuts a bloody swath through the Pennsylvania wilderness. McCammon shows a sure hand balancing scenes of Matthew's quiet contemplation with the cold-blooded carnage that makes his quarry's name so appropriate.

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Matthew swung the axe. Even as the blade tore into flesh and broke bone, Matthew was aware that the knife had pierced his waistcoat and shirt because he felt the point of the monster's tooth pressed against his skin, felt it poised to bite into his guts but quite suddenly its power was gone.

Mrs. Sutch had lost the knife, and she was falling backward. All of her head was no longer there. She fell into the chains and staggered against the trough and then slid down to the floor, where her body quivered and her legs shook in a hideous palsied dance.

Incredibly, she put her remaining good hand to the floor and looked to be trying to get up again, and she lifted her misshapen head toward him and gripped her fingers into the dirt in an attempt to crawl. The expression of pure, cold hatred on her face riveted Matthew.

It said, Don't think you've won, little man. Oh no for I am the least of what is ahead for you

She drew a terrible, shuddering breath, and then he saw her eyes cloud over and her face freeze. Her head pitched forward but her fingers dug deeper into the dirt-once, twice, and a third time-before they stilled. Her hand stayed twisted into a claw.

For a long time, Matthew could not move. Then, at last, the full impact that he had killed another person hit him, and he hobbled out of the cellar next to Noggin's wagon and threw up until he was just heaving and gasping, but never in all this distress did he let go of the axe.

Matthew unbuttoned his waistcoat and opened his shirt. The blade had given him a shallow bite across his ribs about two inches long, but it wasn't so bad. Not as bad as Mrs. Sutch had intended. His groin, though, was a more painful subject. He would think himself lucky if he could walk tomorrow.

But Slaughter was on his way to kill Nathaniel Powers. To settle an account for Professor Fell. Matthew thought he might have trouble walking tomorrow or the next day, but somehow he was going to have to gird up his loins enough to climb on his horse and ride to Nicholsburg, to find some help. It would be an unlucky farmer who answered his door tonight. First, though, there was a box in the cellar that needed to be opened.

After this mess was sorted out, he was going to have to ride south, to the Carolina colony, and get to Nathaniel Powers before Slaughter did.

Matthew leaned against the wagon, waiting for his head to clear and his nerves to settle. That might take a while. He looked at the empty coffin, and at the shovel lying there in the back.

Something was missing, he realized.

It was the damnedest thing. Where was the pickaxe?

Thirty-One

A solitary rider came along the road, under the gray November sky. The road went straight between young trees. At its end stood a red brick two-story plantation house with white trim, white shutters and four chimneys. On either side of the road, beyond the trees, were the tobacco fields, brown and barren now until April. The solitary rider reined his black horse in for just a moment, while his gaze swept across the landscape, and then he continued on his chosen path.

He was a well-dressed gent, on this cold and somber morning. He wore tan-colored breeches, white stockings, polished black boots, a dark blue waistcoat and a dark blue jacket overlaid with a design of paisley in lighter blue. On his head was a tasteful white wig, not too ostentatiously curly, and atop that a black tricorn. Black gloves, a black cloak and a white cravat completed his carefully-crafted attire.

He had just come from the Gentleman's Rest Tavern and Inn in Kingswood, where he'd spent the past two nights. They knew him there as Sir Fonteroy Makepeace, aide to Lord Henry Wickerby of the Wickerby estate near Charles Town. This title had also appeared in the very formal letter sent from Sir Makepeace by way of a young courier from Kingswood to the door of the plantation house now drawing nearer. Such was the communications of one gentleman to another, and the privileges of breeding.

As Sir Makepeace rode his horse along the drive, a groom who'd been notified to expect the visitor saw him coming and emerged from his small brick watchhouse that stood alongside the main entrance. He went up the front steps to alert the other servants by usi ng the brass door knocker cast i n the shape of a tobacco leaf, and then he hurried to bring over a footstool and hold it steady as Sir Makepeace dismounted. The groom offered to take the gentleman's horse around to the barn, but Sir Makepeace said it wouldn't be necessary, that his business would only take a short while and it was fine to just keep the animal here.

The groom gave a respectful bow and said As you wish, Sir Makepeace.

"Good morning, Sir Makepeace," said the rather stocky, balding servant who came down the steps to meet him. Climbing the steps to the front door appeared to be a bit hard on Sir Makepeace, if anyone was watching. He brought a cloth from his waistcoat pocket and blotted some beads of sweat that had risen on his face. Then he put the cloth away, looked back to make sure the groom was standing firm with his horse, and allowed the servant to usher him inside.

A servant-girl came forward to take Sir Makepeace's cloak, hat and gloves, but he said, "I'll keep these for the while, miss. I'm rather cold-natured." She gave him a polite smile and a quick curtsy.

"Mr. Powers' office is this way, please," said the male servant, motioning up the staircase.

Sir Makepeace looked up the stairs. His face showed just the slightest ripple of unease.

"Men usually keep their offices on the lower floor," said Sir Makepeace.

"Yes sir, that may be true," the servant answered, "but Lord Kent has given Mr. Powers an office on the upper level, so that he might always have a view of the fields."

"Ah." Sir Makepeace nodded, though his smile did not completely take hold. "My business is with Mr. Powers, but is Lord Kent in residence?"

"No sir, Lord Kent is currently in England and shall not be back before summer. This way, if you please."

Sir Makepeace followed the servant up the stairs and to a closed door on the right side of the house. The servant knocked, there was a muffled, "Come in," and the servant opened the door for Sir Makepeace's entry. He closed it as soon as the visitor had crossed the threshold.

Sir Makepeace gave the office a quick once-over. It was richly appointed, with cowhide chairs, a brown leather sofa, and in the corner to his right a gold-and-black lacquered Chinese screen. A chandelier holding six lanterns hung from the ceiling. The desk was on the far side of the room, where a man in his mid-fifties, with dark brown hair gone gray at the temples, had removed his reading spectacles and risen from his chair. "Mr. Powers? " said Sir Makepeace, as he walked across a red carpet toward the desk.

"Yes," Nathaniel Powers replied. Since leaving his position as magistrate in New York he'd grown a gray goatee that his wife, Judith, actually thought was quite handsome. Behind him a pair of windows looked out upon the fields, and to his right a second set of windows offered another view of the fields that included several of the plantation's workbuildings.

"A pleasure to meet you," Sir Makepeace said. He removed his gloves as he approached. "I much appreciate your taking the time to see me, as I have business to conduct."

"I assumed so. I must say, though, I'm not familiar with Lord Wickerby or the Wickerby estate."

"No matter. I have here an item concerning an old account of yours that needs to be settled. To be polished off, you might say." With a frozen smile, Sir Makepeace reached into his waistcoat.

"Mister Slaughter," came a voice from behind him that caused the rest of him to freeze. "Please keep your hands at your sides."

The nobleman turned slowly toward the source of his irritation. Matthew had emerged from his concealment behind the Chinese screen, and he stood halfway between it and Tyranthus Slaughter.

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