Alistair MacLean - Puppet on a Chain

'A touching pair, aren't they?' I said to van Gelder. 'Herself and her saintly pal here. This quality of trusting child-like innocence — '

'Shut up,' van Gelder said coldly. He approached, ran his hand over me for weapons, found none. 'Sit on the floor.

Keep your hands where I can see them. You, too, de Graaf.'

We did as we were told. I sat cross-legged, my forearms on my thighs, my dangling hands close to my ankles. De Graaf stared at me, his face a mirror for his absolute lack of understanding.

'I was coming to this bit,' I said apologetically. 'I was just on the point of telling you why you've made so little progress yourselves in tracing the source of those drugs. Your trusted lieutenant, Inspector van Gelder, made good and sure that no progress was made.'

'Van Gelder?' De Graaf, even with all the physical evidence to the contrary before him, still couldn't conceive of a senior police officer's treachery. 'How can this be? It can't be.'

'That's not a lollipop he's pointing at you,' I said mildly. Van Gelder's the boss, van Gelder's the brain. He's the Frankenstein, all right: Goodbody's just the monster that's run out of control. Right, van Gelder?'

'Right!' The baleful glance van Gelder directed at Goodbody didn't augur too well for Goodbody's future, although I didn't believe he had one anyway.

I looked at Trudi without affection. 'And as for your little Red Riding-hood, van Gelder, this sweet little mistress of yours — '

'Mistress?' De Graaf was so badly off balance that he no longer even looked stunned.

'You heard. But I think van Gelder has rather fallen out of love with her, haven't you, van Gelder? She has, shall we say, become too much of a psychopathic soulmate for the Reverend here.' I turned to de Graaf. 'Our little rosebud is no addict. Goodbody knows how to make those marks on her arms look real. He told me so. Her mental age is not eight, it's older than sin itself. And twice as evil.'

'I don't know.' De Graaf sounded tired. 'I don't understand — '

'She served three useful purposes,' I said. 'With van Gelder having a daughter like that, who would ever doubt that he was a dedicated enemy of drugs and all the evil men who profit by them? She was the perfect go-between for van Gelder and Goodbody — they never made contact, not even on the phone. And, most important, she was the vital link in the drug supply line. She took her puppet out to Huyler, switched it there for one loaded with heroin, took it back to the puppet van in the Vondel Park and switched it again. The van, of course, brought it here when it returned for more supplies. She is a very endearing child, is our Trudi. But she shouldn't have used belladonna to give her eyes that glazed addict look. I didn't catch on at the time, but give me time and clobber me over the head with a two-by-four and eventually I'll catch on to anything. It wasn't the right look, I've talked to too many junkies who had the right look. And then I knew.'

Trudi giggled again and licked her lips. 'Can I shoot him now? In the leg. High up?'

'You're a charming little morsel,' I said, 'but you should get your priorities right. Why don't you look around you?'

She looked around her. Everybody looked around him. I didn't, I just looked straight at Belinda, then nodded almost imperceptibly at Trudi, who was standing between her and the open loading doors. Belinda, in turn, glanced briefly at Trudi and I knew she understood.

'You fools!' I said contemptuously. 'How do you think I got all my information? I was given it! I was given it by two people who got scared to death and sold you down the river for a free pardon. Morgenstern and Muggenthaler.'

There were some pretty inhuman characters among those present, no doubt about that, but they were all human in their reactions. They all stared in consternation at Morgenstern and Muggenthaler, who stood there with unbelieving eyes and mouths agape and it was with mouths agape that they died, for they were both carrying guns and the gun I now had in my hand was very small and I couldn't afford just to wound them. In the same moment of time Belinda flung herself back against an off-guard Trudi, who staggered backwards, teetered on the edge of the loading sill, then fell from sight.

Her thin wailing scream had not yet ended when de Graaf reached up desperately for van Gelder's gun hand, but I'd no time to see how de Graaf made out, for I'd pushed myself to my toes, still in a crouching position and launched myself in a low dive for Goodbody, who was struggling to get his gun out. Goodbody pitched backwards with a crash that spoke well for the basic soundness of the warehouse floors, which remained where they were, and a second later I'd twisted round behind his back and had him making strange croaking noises in his throat, because I'd my arm hooked around his neck as if I were trying to make the front and back ends meet.

De Graaf was lying on the floor, blood streaming from a cut on his forehead. He was moaning a little. Van Gelder led a struggling Belinda in front of him, using her as a shield, just as I was using Goodbody as a shield. Van Gelder was smiling. Both our guns were pointing at each other.

'I know the Shermans of this world.' Van Gelder's tone was calm, conversational. 'They'd never risk hurting an innocent person — especially a girl so lovely as this. As for Goodbody there, I don't care if he's shot as full of holes as a colander. I make a point?'

I looked at the right side of Goodbody's face, which was the only part of it I could see. Its colour varied between purple and mauve, and whether this was because he was being slowly strangled by me or because of his reaction to his erstwhile partner's ready and callous abandonment of him was difficult to say. Why I looked at him I don't know, the last thought in my mind was to weigh up the respective value of Belinda and Goodbody as hostages: as long as van Gelder had Belinda as a hostage he was as safe as a man in a church. Well, any church, that was, except the Reverend Goodbody's.

'You make a point,' I said.

'I make another point,' van Gelder went on. 'You have a pop-gun there. I have a police Colt.' I nodded. 'So, my safe-conduct.' He began to move towards the head of the stairs, keeping Belinda between us. 'There's a blue police van at the foot of the street. My van. I'm taking that. On the way there I'm going to smash the office telephones. If, when I reach the van, I do not see you at the loading door there, then I shall no longer require her. You understand?'

'I understand. And if you kill her wantonly, you will never be able to sleep easy again. You know that.'

He said, 'I know that,' and disappeared walking backwards down the stairs, dragging Belinda behind him. I paid no attention to his going. I saw de Graaf sitting up and taking a handkerchief to his bleeding forehead, so apparently he was still able to fend for himself. I released my throttling grip on Goodbody's neck, reached over and took his gun away, then, still seated behind him, brought out the handcuffs and secured both his wrists, one to the wrist of the dead Morgenstern, the other to the wrist of the dead Muggenthaler. I then rose, walked round to the front of Goodbody and helped a very shaky de Graaf to a chair. I looked back at Goodbody, who was staring at me with a face carved in a rictus of terror. When he spoke his normally deep, pontifical voice was almost an insane scream.

'You're not going to leave me like this!'

I surveyed the two massive merchants to whom he was chained.

'You can always tuck one under either arm and make good your escape.'

'In God's name, Sherman — '

'You put Astrid on a hook. I told her I would help her and you put her on a hook. You had Maggie pitchforked to death. My Maggie. You were going to hang Belinda on a hook. My Belinda. You're the man who loves death. Try it at close quarters for a change.' I moved towards the loading door, checked and looked at him again. 'And if I don't find Belinda alive, I'm not coming back.'