Дональд Уэстлейк - Baby, Would I Lie?

At the turnoff to Jjeepers! and the Porte Regal golf course/condo/luxury-living complex, the Ride the Ducks bus went straight ahead, taking the tourist families to wherever it is the tourist families go (someplace with fried food), and Cal turned the Jaguar right. He slowed for the speed bump by the guard shack and waved at the guard. Sara noticed that the guard never looked at her, in the normal driver position, but looked straight at Cal to wave back, which meant this was a known vehicle here and suggested the guard turnover was slow enough so they’d learn the residents’ cars. A question, of course, that would eventually come up in the trial: Was that definitely Ray Jones’s red Acura SNX coming through the gate shortly after the murder, and who was behind its wheel?

Porte Regal was as artificial and well maintained as Disneyland. The earth will have to live another 3 or 4 million years before it naturally produces a surface this smoothly rolling and evenly unscarred. Real trees here somehow looked slightly smaller than life-size, and therefore not real. The low buildings were all in earth tones, suggesting that had there been any scenery, they would have blended in with it. For most of the drive, the golf course was visible, just beyond a condo complex or through a mustered platoon of trees.

Cal drove almost to the far end of the complex, slowly, braking with care at each spot where the golf-cart track crossed the road. The occasional large American car passed, going the other way, and at times golfers were close enough to the road to have recognizable faces, but Cal didn’t do any more waving after the front-gate guard. There wasn’t much of a sense here of a community.

Ray Jones’s house was wide and low, a southwestern ranch style on an extremely flat parcel of land nicely furred with very green and very short grass. Beyond the house, the land dipped just slightly as though curtsying, then swept up past the golf-cart track to the golf course. Shrubbery had been planted at the hem of the house by a professional in such matters, but the rest of the land had been left open, as though in fear of Indian attack. The broad blacktop driveway leading to the three-car attached garage looked liquid, almost molten, and Sara was disappointed when the Jaguar’s tires didn’t sink into it at all, didn’t even leave a wake.

“Here we are,” Cal said, of course, and cut the engine. They got out of the car, and the air seemed nicer here somehow, as though the thoughtful operators of Porte Regal had installed a massive dehumidifier somewhere.

“This way,” Cal said, and Sara walked around the Jag to follow him along the curving path of large round fake stones to the front door.

Cal had a key. He unlocked the door, opened it, and said, “Gimme a second here.”

“Sure.”

An alarm keypad was mounted on the wall a few feet to the left of the door. Cal went to it and punched in a number, too fast to follow. Grinning at Sara, he said, “If I don’t do that, we’ll get all kinds of security around here.”

Sara nodded at the keypad. “You know a funny thing?” she said. “Most people, it turns out, use their own birthday as their code number on those pads.”

Cal blinked a lot but otherwise merely looked politely interested. “They do?”

“A person like Ray Jones,” Sara said. “His birthday’s public knowledge, isn’t it? Listed in People or USA Today or some fan magazine somewhere?”

Cal thought about that. The blinking stopped. “Huh,” he said.

“Just thought I’d mention it.”

“You’re real good,” Cal allowed, and beamed upon her. “I’ll tell Ray he oughta change it.”

“Make it your birthday,” she suggested.

“Or yours.”

“No, you’ll want to know the year.” Sara stepped forward from the entry way, looking at a large, airy, well-furnished, comfortable, pleasant, impersonal living room. “Nice place.”

“Ray worked with the architects and the designers and all them people. Every step of the way.”

“You can see his personality in it.”

Cal gave her a sharp look; so the zingers didn’t zing by him after all, did they? So she fessed up, grinning and saying, “That was just a joke.”

“When you lived in as many hotel rooms and motel rooms and buses as Ray Jones,” Cal said, “this here is your personality.”

“I suppose it is.”

“Come on, let me show you around.”

The house was comfortable, God knows, and maybe Cal was right. After years on the road, maybe deep impersonal comfort, clean uncluttered comfort, simple low-maintenance comfort, was Ray Jones’s personality — or, in any event, his ideal.

Cal expected Sara to particularly admire the kitchen, being she was a woman, and she accommodated him by admiring it with extravagant ignorance, being a woman who felt that the first step in any recipe at home was to pick up a Chinese menu and the second step was to pick up the phone. She also admired the hexagonal dining room, with its air-traffic controller’s view of — what else? — the golf course. And also the big game room downstairs with its bar and its pool table and its Ping-Pong table and its giant built-in TV screen. She admired the master bedroom, large enough and with a deep-enough wall-to-wall shag carpet so a person could sleep on a different rectangle every night for a year. And the two guest rooms, too, both of which were modeled after better-quality motel rooms and showed not the slightest indication of recent — or any, come to think of it — use.

“No children?” Sara asked.

Guarded, Cal said, “Ray’s estranged from his two daughters.”

“How old are they?”

“Twenty-three and twenty-six.”

“Did the estrangement begin when he started going out with girls younger than them?”

“Before that,” Cal said. “When Cherry took them away.”

“The ex-wife. I’m remembering.”

“Ray’s trying to forget,” Cal said. “He give Cherry a lot of money to just go away and leave him alone, and he told the girls to see him anytime they wanted, but Cherry turned them against him.”

“What are their names?”

“Christy and Charly,” Cal said, and spelled them both, then added, “Their real names are Christine and Charlotte.”

“And Cherry’s real name is Shirley.”

Cal’s brow furrowed. “I don’t think so,” he said.

The tour finished, the non-probing questions shallowly answered, they wound up back in the living room, where Cal said, “Want to see a tape?”

Always a surprise from Cal. “What kind of tape?”

“Ray working, here in the living room.”

“What do you mean?” she asked, looking around for gym mats or Nautilus machines. “Exercise tapes?”

“Naw,” Cal said, amused by her. “See, what the thing is with Ray, he had so many years running late at night, he has trouble to go to sleep early, and this is an early town.”

“I noticed,” Sara agreed.

“So he set up equipment in here,” Cal explained, “and when he can’t sleep, he comes in and practices songs, works on new songs, and puts it all on videotape.”

“In here?”

“Let me show you,” Cal said, and crossed to the inner living room wall, opposite the front door, beyond the baby grand piano that jutted out from the right. The space back there was dominated by a mahogany built-in structure with open shelving to display memorabilia, plus some sections closed off by heavy dark ornate Mexican-looking doors. Opening a couple of these doors, Cal revealed a large TV monitor, a VCR, extra sound equipment, and a small TV camera mounted and fixed in place, pointing straight ahead.

Resisting the impulse to flinch away from that TV eye, Sara said, “Is that thing on?”