Greg Iles - The Quiet Game

The Quiet Game

I am standing at the Continental Airlines gate in Baton Rouge, searching the crowds of travelers for Daniel Kelly as fear slowly devours me from the inside. A week ago I stood a few yards from here, entranced by the sight of Livy Marston. Now I stand shaking from adrenaline and lack of sleep, wondering whether Dwight Stone survived the night, and whether I will live to defend myself at my slander trial, which is scheduled to begin in less than twenty-four hours.

Kelly should have been here hours ago, but I’ve seen no sight of him. A dozen businessmen who could be FBI agents have passed me, stared at me, even bumped into me, but none has tried to stop me. So far, anyway. If Kelly doesn’t show in the next five minutes, I’m going to try to reach Natchez on my own.

Last night Tiny McSwain drove me all the way to Denver and dropped me at an airport motel. I paid cash and checked in under a false name, then lay in the chilly darkness, unable to sleep. Twice I lifted the phone to call the Colorado state police and send them up the mesa after Stone. I had visions of him lying wounded beside the Slate River, his attackers dead, him dying but savable if he reached a surgeon in time. But Stone’s orders came back to me, and each time I set the phone down.

Instead I called Sam Jacobs in Natchez, being fairly sure that his phone would not be tapped. The geologist promised to visit Caitlin Masters first thing in the morning and, through her, instruct Kelly to be at the Baton Rouge airport by ten a.m. and to meet every plane arriving from Dallas after that time. I know Jacobs well enough to know he followed through.

But Kelly isn’t here.

When I did finally close my eyes last night, I saw nightmarish images of Leo Marston raping Livy as a child, forcing her into a conspiracy of silence, raising her in a schizophrenic world of material bounty and spiritual agony, somehow maintaining such a hold on her that she still allowed him sexual access at the age of eighteen. When I pondered the nature of that hold, I felt the dread and horror I felt the first time I saw Roman Polanski’s Chinatown. The dread came when Faye Dunaway told Jack Nicholson that the young woman she had been hiding was her daughter and her sister. The horror arrived with the next line when Jack, reaching for a thread of sanity, asked about her father: “He raped you?” and Dunaway looked up and slowly shook her head. All sanity spun away with this terrible confession. I remember something similar from reading Anais Nin in college, that Nin had seduced her father several times; but Nin had been profligate in her sexual adventures, and besides, she was French. The idea of Livy Marston voluntarily having sex with her father simply would not set in my mind as reality.

“Continental Airlines passenger Penn Cage, please pick up the nearest white courtesy phone.”

It takes a moment for my name to sink in, but when it does, my fear escalates to alarm. The caller could be Kelly or Caitlin, but it could also be someone who means me great harm.

“Continental Airlines passenger Penn Cage, please pick up the nearest white courtesy phone.”

There’s a white phone across the concourse from me, near a bank of pay phones, but I can’t make myself walk over to it. What if Portman’s people are waiting to snatch whoever walks up to answer that call? On the other hand, what choice do I have? The caller could be Daniel Kelly.

“This is Penn,” I say, picking up the phone.

“It’s Kelly.”

“Jesus, are you in the airport?”

“Yes, but we can’t meet. Listen to me, Penn, we only have a few seconds.”

Kelly’s use of my first name rather than the facetious “boss” brings my inner self to attention. “What is it?”

“Portman’s men are in the airport right now. You’re going to have to get home on your own. I’m going to divert these guys, but you have to move fast.”

“I’m listening.”

“My Taurus is parked in sight of the terminal, in the short-term lot, space A-27. The keys are under the mat, and there’s a cell phone under the seat. You got that?”

“A-27.”

“Right. Next: downstairs, near the baggage carousels, there’s an Infiniti Q45 on display. I left a gun sitting on the left inside lip of the rear bumper.”

“Jesus-”

“Listen. You get that gun, get to the car, and haul your ass back to Natchez.”

“What are you going to do?”

“Buy you some time. But you’ve got another problem. I haven’t been straight with you. Nobody at the company has. They’ve reported every move you’ve made to Portman.”

My chest goes hollow. “How do you know that?”

“Because we’re reporting every move you make back to the office. And we don’t usually do that. Our CEO is former FBI, you know. And John Portman could swing a lot of corporate business to Argus any time he feels like it.”

The implications of Kelly’s revelation ricochet through my mind. “Is my family safe?”

“Argus doesn’t kill people. Other than in defense of a client, like the other night. But I’d find myself some new security, just to be on the safe side. Local boys maybe. Buddies are good, family’s better.”

“Kelly… how do I know I can trust you?”

“Because you’re alive. And because I’m telling you this.”

“Why are you telling me?”

A brief silence. “I think it’s got something to do with the way you buried your maid. Now, get your ass out of here. Walk fast, but don’t run. And if you hear shooting, don’t look back.”

His order is an exact echo of Stone’s. “Kelly-”

“We’ll be sharing a Scotch again before you know it. Move out.”

Reluctantly hanging up the phone, I scan the concourse like a tailback picking holes in an offensive line, then start through the crowds at a rapid walk, looking back frequently for signs of pursuit. After clearing the metal detectors, I dodge a golf cart carrying a handicapped woman, then bound down the escalator to the baggage-collection point where Annie and I said goodbye to Caitlin Masters, before we knew who she was.

Parked in the middle of the floor is the Infiniti Q45. Midnight blue. I look around once, then crouch down and reach under the bumper, feeling along the inside lip for Kelly’s gun. My fingers collide with something hard, but as I try to close them around it, the gun clatters to the floor. Glancing around at the people waiting for luggage, I drop to my stomach and sweep my hand across the tile, and the gun skitters into my chest.

It’s Kelly’s Browning Hi-Power.

I jam the pistol into my waistband beneath my shirt and trot past the rental car desks to the glass doors leading to the outdoor parking lot. I’ve heard no shots or even shouts since my conversation with Kelly, but this actually increases my anxiety. Did he manage to divert whoever was waiting for me? Or is he lying dead beneath a pay phone, the slug from a silenced pistol in his head?

The Taurus is parked sixty yards from the terminal. I can see it from the doors. Exiting the terminal with a group of LSU fraternity guys, I fall in with them until they stop near a Blazer thirty yards from the door, then break for the Taurus at a flat-out sprint. To my surprise, the wind cuts through my jacket with a cold bite. Maybe fall has come to Mississippi at last.

Laying Kelly’s pistol on the seat beside me, I retrieve the keys, crank the engine, and force myself to drive normally as I leave the lot. In ten minutes I’m on Highway 61. Natchez lies eighty miles to the north, but much of the road is two-lane blacktop and heavily traveled by log trucks. The trip can be agonizingly slow during the day.

I reach under the seat for the cell phone, switch it on, and dial the Natchez Examiner. Caitlin has been handling the transportation of my out-of-town witnesses. Huey Moak and Lester Hinson are scheduled to arrive in Baton Rouge tonight, and we’d planned to have one of the Argus men pick them up.