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Mo Hayder: Hanging Hill

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Mo Hayder Hanging Hill

Hanging Hill: краткое содержание, описание и аннотация

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What if you found yourself divorced and penniless? With no skills and a teenage daughter to support? What if the only way to survive was to do things you never thought possible? These are questions Sally has never really thought about before. Married to a successful businessman, she's always been a bit of a dreamer. Until now. Her sister Zoe is her polar opposite. A detective inspector working out of Bath Central, she loves her job, and oozes self-confidence. No one would guess that she hides a crippling secret that dates back twenty years, and which – if exposed – may destroy her. Then Sally's daughter gets into difficulties, and Sally finds she needs cash – lots of it – fast. With no one to help her, she is forced into a criminal world of extreme pornography and illegal drugs; a world in which teenage girls can go missing. Two sisters intent on survival. Until one does something so terrifying that there's no way back…

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It had stuck in Sally’s mind, that exchange, and it came back to her now as clearly as if it had happened yesterday. She’d never heard anyone say it was a disadvantage to have a brother or a sister before. Maybe people thought it, but she’d never heard anyone actually voice it.

‘I wish they wouldn’t do that.’ Sally looked up. Isabelle was standing in the window, frowning out at the garden. ‘I’ve lost count of the number of times I’ve told them.’

Sally got up and joined her. The garden was long, planted with fruit trees and surrounded by huge poplars that rustled and bent when so much as a breath of wind came through. ‘Where are they all?’

Isabelle pointed. ‘See? At the end. Sitting on the stile. I know what they’re thinking.’

‘Do you?’

‘Oh, yes. Pollock’s Farm. They’re wondering if they can get down there before we notice.’

Isabelle’s house was a mile to the north of Bath on the escarpment where the steep slopes of Lansdown levelled out. To the north-west were the lowlands and the golf courses; to the east, and butting up to Isabelle’s garden, was Pollock’s Farm. It had been derelict for three years since the owner, old man Pollock, had gone mad and had started, so people said, drinking sheep dip. The crops stood dead in the field, weed-choked; dead brown maize heads drooped on their stems. Half-dismantled machinery rusted along the tracks, pig troughs filled with stagnant rainwater, and the decomposing pyramids of silage had been broken into by rats and gnawed until they seemed like the crumbling ruins of a forgotten civilization. The place was notoriously dangerous – not just for the hazards in the fields, but for the way the land stopped abruptly in the middle, interrupted by an ancient quarry that had cut a steep drop into the hillside. The farmhouse was at the bottom of the quarry – you could stand in the top fields and look down through the trees on to its roof. It was where old man Pollock had died – in his armchair in front of the television. He’d sat there for months, while the seasons changed, the house decayed and the electricity was turned off, until he’d been discovered by a meths addict searching for privacy.

‘The boys are worse since that happened. Honestly, it’s like a magnet to them. They gee each other up. They just love frightening themselves, daring each other.’ Isabelle sighed, turned away from the window and went back to the cooker where the treacle tart was cooling on a rack. ‘It doesn’t matter what I say. They pretend they don’t but I know they still go there. Or if not them, then someone. I went down there about a month ago – and it’s awful. The place is littered with crisp packets, cider bottles, every disgusting thing you could imagine. It won’t be long before one of them steps on a syringe. I found a beer can in Nial’s bin the other day and I don’t trust Peter. I’ve seen scabs around his mouth. Do you know what that means?’

‘No.’

‘I don’t either. I suppose I automatically thought drugs. Maybe I should tell his mother – who knows? Anyway – that place.’ She gestured at the window. ‘It doesn’t help at all. The sooner the probate is sorted and they’ve sold it the better. I’ve told the gardener over and over again to close the stile off – but he just won’t get round to it. They’re at this age and you can’t help thinking…’

She gave a little shiver. Her eyes went briefly to Sally’s bag. Perhaps thinking about Millie’s face on the tarot. Or maybe Lorne Wood. Missing for sixteen hours. Then her expression cleared. ‘Don’t worry,’ she said. ‘I’ll keep an eye on her. I’ll run her over to Julian’s at six. There’s absolutely nothing for you to worry about.’

4

It had been Lorne Wood’s habit that spring to go shopping in town, then walk home, taking a route through Sydney Gardens, then out on to the towpath where her house was – about half a mile to the east. Sydney Gardens was the oldest park in Bath, famous for its replica Roman temple of Minerva. It was also notorious for cottagers – you only had to step one pace off the path to see a young man, nicely dressed, standing sheepishly in the bushes, a hopeful smile on his face. Parents frog-marched their children past the vicinity of the toilets, talking loudly to distract their attention, and dog-walkers regularly came to the local vets with dogs choking on used condoms scavenged from the undergrowth. A railway line ran through the park – police teams had thoroughly searched it already, as it wasn’t unknown for bodies to be pulverized and scattered by a speeding train to the point at which they seemed to have disappeared altogether. Now, however, the search teams weren’t looking for a body. They were looking for clues about Lorne’s journey from town to the place she’d been killed.

Zoë and Ben walked down the canal path not speaking. From time to time one of them would stop and peer into the bushes on the right, or down into the impenetrable canal water, hoping to catch sight of something significant that the teams had missed. About a quarter of a mile back into town Zoë stopped at a small gate in a wall. The woody branches of a wisteria hung over it, the pendulous purple racemes just beginning to open. The gate led into Sydney Gardens. It was probably the place Lorne had got on to the towpath. Zoë and Ben stood opposite each other, faces lowered, considering the patch of mud between their feet.

‘Is it what was on her shoes?’ he asked.

‘It’s the same colour.’

Ben raised his head and scanned the path – the puddles that straddled the gravel. It had rained yesterday, but the sun was drying it now. ‘A lot of places in Bath have mud this colour. It’s the limestone in the earth.’

Zoë eyed the puddles. She was thinking about the shoes. Ballet pumps. Unsuitable for walking, really, but all the girls wore them these days.

Ben put his hands in his pockets and squinted up at the sky. ‘So?’ he said quietly. ‘What do you think’s under that tarp?’

‘Christ knows.’

‘Boss?’ DC Goods, one of the team, was coming along the path towards them, waving to attract their attention. ‘I’ve got a woman wants to speak to you.’

‘A woman?’

‘One of the live-aboards. Some of the owners got a good view of the crime scene before it was cordoned. They got the lie of the land. This one saw the body – just a glimpse. She’s got something she wants to tell you.’

‘Great.’ Zoë set off down the path at a pace, Ben a few steps behind her. Her head was buzzing. It would be really nice – really nice – to tuck a solved murder into her portfolio. Be able to stand up in front of the force and Lorne Wood’s family and say she’d found the killer. The person who’d shoved a tennis ball into their daughter’s mouth. And done God only knew what else to her.

The barge wasn’t far from the park – at least a quarter of a mile from the crime scene. It was brightly painted, with flowers daubed all over the cabin, the name Elfwood carved across the stern. On the roof, next to the little chimney, were piled provisions – coal, wood, water bottles, a bicycle. Ben rapped twice on the roof, then jumped on to the aft deck and bent to look down into the cabin. ‘Hello?’

‘I’m here,’ said a voice. ‘Come in.’

He and Zoë went down the steps, bending their necks to avoid the low ceiling. It was like going into Aladdin’s cave – every surface, the ceiling, the walls, the cupboards, had been adorned with wooden sculptures of tree nymphs. The windows were hung with glittering cheesecloth in shades of purple and pink, and everything smelt of cats and patchouli oil. Not much sunlight filtered through, just enough for them to make out a woman of about fifty, with very long curly hennaed hair, perched on one of the bulkhead seats, a roll-up cigarette in her hand. She wore a circlet of flowers in her hair and a huge velvet cape that fastened at the neck and was open to reveal a lace blouse and a skirt with tiny gold mirrors stitched on it. Her bare legs and feet, crammed into rubber-soled sandals, were very white. Like the jars of duck fat you saw lined up when the French market came to Bath in the summer.

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