Mo Hayder: Hanging Hill

She watched Isabelle go to the hob and stir the treacle. There were bags of flour and oats opened on the side. Every article bore names like ‘Waitrose’, or ‘Finest’ or ‘Goodies Delicatessen’. At Sally and Millie’s cottage all the packets had ‘Value’ or ‘Lidl’ written on them and the freezer was full of the feeble, stringy vegetables she’d struggled to grow in the back garden – that was a money lesson Sally had learned in a hurry: vegetable-growing was for the idle rich. It was far cheaper to buy them in the supermarket. Now she nibbled her thumbnail and watched Isabelle moving around the kitchen – her familiar, sturdy back in the sensible mud-coloured shorts and blouse. Her apron with the flower sprigs on it. They’d been friends for years, and she was the person Sally most trusted, the first person she’d go to for advice. Even so, she felt a little shy of talking about what was on her mind.

Eventually, though, she went to her bag and pulled out a blue folder. It was shabby and only held together with an elastic band. She carried it to the table, set it down next to the wine glasses, pulled off the band and emptied out the contents. Hand-painted cards, embellished with beads, ribbons and feathers, all sealed down with varnish. She placed them on the table and sat there uncertainly, half ready to snatch them up and shovel them back into the bag.

‘Sally?’ Isabelle lifted the pan off the heat and, still stirring, came over to look. ‘You didn’t do these, did you?’ She peered at the top one. It showed a woman wearing a violet shawl, sprinkled with stars, that she had pulled across her face so only her eyes were showing. ‘God – they’re beautiful. What are they?’

‘Tarot cards.’

‘Tarot? You’re not going all Glastonbury on us, are you? Going to tell us all our futures?’

‘Of course not.’

Isabelle put down the pot and picked up the second card. It showed a tall woman holding a large, transparent star at arm’s length. She seemed to be gazing through it at the clouds and the sun. Her tangly dark hair, flecked with grey, hung long down her back. Isabelle gave a small, embarrassed smile. ‘That’s not me, is it?’

‘Yes.’

‘Oh, honestly, Sally – you’re a bit too flattering with the cleavage, if you don’t mind.’

‘If you look through them all you’ll see lots of faces you know.’

Isabelle shuffled through the paintings, stopping from time to time when she recognized someone. ‘Sophie! And Millie too. You’ve painted us all – the kids too. They are beautiful .’

‘I was wondering,’ Sally said tentatively, ‘if I might be able to sell them. Maybe to that hippie shop in Northumberland Place. What do you think?’

Isabelle turned and gave her an odd look. Half puzzled, half amused, as if she wasn’t quite sure whether Sally was joking or not.

Instantly Sally knew she’d made a mistake and began hastily pulling the cards together, a blush of embarrassment racing up her neck. ‘No – I mean, of course they’re not good enough. I knew they weren’t.’

‘No. Don’t put them away. They’re great. Really great. It’s just that… Do you really think you’d get enough from them to help you with the – you know… the debts?’

Sally stared down at the cards. Her face was burning. She shouldn’t have said anything. Isabelle was right – she’d make hardly anything from selling the cards. Certainly not enough to make a dent in her debt. She was stupid. So stupid.

‘But not because they aren’t good, Sally. They’re brilliant! Honestly, they’re great. Look at this!’ Isabelle held up a painting of Millie. Little crazy Millie, always smaller than the others and surely not a product of Sally, with the choppy fringe and mad, shaggy red hair, like a little Nepalese street child. Her eyes as wild and wide as an animal’s – just like her aunt Zoë’s. ‘It’s just great. It really looks like her. And this one of Sophie – it’s lovely. Lovely! And Nial, and Peter!’ Nial was Isabelle’s shy son, her older child, Peter Cyrus his good-looking friend – the hell-raiser and the favourite of all the girls. ‘And Lorne – look at her – and another of Millie. And another of Sophie, and me again. And-’ She stopped suddenly, looking down at one card. ‘Oh,’ she said, with a shiver. ‘Oh.’

‘What?’

‘I don’t know. Something’s wrong with the paint on this one.’

Sally pulled it towards her. It was the Princess of Wands – pictured in a swirling red dress, struggling to hold back a tiger that strained on a leash. Millie had been the model for this one too, except that something had happened to her face on this card. Sally ran a finger over it, pressed it. Maybe the acrylic had cracked, or somehow faded, because although the body and clothing and background were as she’d painted them, the face was blurred. Like a painting by Francis Bacon, or Lucian Freud. One of those terrifying images that seemed to see beyond the skin of the subject right through into their flesh.

‘Yuk,’ said Isabelle. ‘Yuk. I’m glad I don’t believe in this stuff. Otherwise I’d be really worried now. Like it’s a warning or something.’

Sally didn’t answer. She was staring at the face. It was as if a hand had been there and stirred Millie’s features.

‘Sally? You don’t believe in stuff like that, do you?’

Sally pushed the card into the bottom of the pile. She looked up and blinked. ‘Of course not. Don’t be silly.’

Isabelle scraped the chair back and carried the pot to the hob. Sally pulled the cards into an untidy pile, shoved them into her bag and took a hurried sip of wine. She’d have liked to drink it all at once, to loosen the uneasy knot that had just tied itself in her stomach. She’d have liked to get a little squiffy, then sit out in the sun on deckchairs with Isabelle the way they used to – back when she still had a husband and the time to do what she wanted. She hadn’t realized how lucky she was back then. Now she couldn’t drink in the sun, even on a Sunday. She couldn’t afford the good sort of wine Isabelle drank. And when lunch was finished here, instead of the garden she was going to work. Maybe, she thought, rubbing the back of her neck wearily, it was just what she deserved.

‘Mum? Mum! ’

Both women turned. Millie stood in the doorway, red-faced and out of breath. Her jeans were covered with grass stains, and her phone was held up to face them both.

‘Millie?’ Sally straightened. ‘What is it?’

‘Can we switch on your computer, Mrs Sweetman? They’re all tweeting about it. It’s Lorne. She’s gone missing.’

At the police station, just two miles away in central Bath, Lorne Wood was all anyone could talk about. A sixteen-year-old pupil of a local private school, Faulkener’s, she was popular – and fairly reliable, according to her parents. From the get-go, Sally’s sister, Detective Inspector Zoë Benedict, hadn’t had even a speck of confidence that Lorne would be seen alive again. Maybe that was just Zoë – too pragmatic by far – but at two o’clock that afternoon, when one of the search team beating the undergrowth next to the Kennet and Avon canal found a body, she wasn’t in the slightest surprised.

‘Not that I’d ever say “I told you so”,’ she murmured to DI Ben Parris, as they walked along the towpath. She kept her hands shoved in the pockets of the black jeans the superintendent was always telling her she shouldn’t wear as a warranted officer with a duty to the image of the force. ‘You’d never hear those words come out of my mouth.’

‘Of course not.’ He didn’t take his eyes off the group of people up ahead. ‘It wouldn’t be in your nature.’