Anthony Horowitz - Raven_s Gate

They came to a crossroads – a meeting of five roads, all of them identical. There were trees on every side. Matt hadn’t noticed them enter the wood but now it surrounded them, totally enclosed them. The wood had obviously been planted recently. All the trees were the same – some sort of pine. They were the same height, the same colour and they had been set in dead straight lines with an identical amount of space between them. No matter which direction Matt looked, the view was exactly the same. He remembered what his social worker in London had told him. The LEAF Project wanted to keep him out of urban areas, away from temptation. They certainly couldn’t have chosen anywhere more remote than here.

A single signpost stood at the intersection but the top had been broken off. A splintered pole was all that remained.

“Lesser Malling is ten minutes up the road,” Mrs Deverill said, gesturing to the left. “I’ll show it to you when you’ve settled in a little more. But we live the other way.”

Noah twisted the steering wheel and they turned left, following one of the other lanes for about fifty metres until they came to a gateway. Matt just had time to see a name, written in dull brown paint: Hive Hall. Then they were following a gravel drive between two barbed-wire fences that ran down to a courtyard and a complex of barns and buildings. The car stopped. They had arrived.

Matt got out.

It was a miserable place. The bad weather didn’t help but even in the sunshine there would have been little to recommend Hive Hall. The main farmhouse was made out of great stone slabs, with a slate roof that was buckling under the weight of a single, large chimney. The barns had been built with wooden planks that were so old and sodden, they were rotting where they stood, with dark green moss spreading across them like a disease. The farmyard itself was an irregular square of land that was as much water as earth and gravel. Chickens limped to and fro; they had scarcely moved to avoid the wheels of the Land Rover. Six pigs stood in the mud, shivering.

“This is it,” Mrs Deverill announced as she got out of the car and stretched her legs. “It may not look much but it’s my home and it does well enough for me. Of course, there are no computer games here. There’s no television. But once you start working, you’ll find you’re too tired for these things. We go to bed early in the country. You’ll get used to our ways in time.”

They went into the farmhouse. The front door opened into a long kitchen with a flagstone floor. There was an Aga stove at one end, with pots and pans hanging from the ceiling, and dozens of jars and bottles on wooden shelves. From here, Mrs Deverill led Matt into a living room with old and battered furniture, shelves full of books and, above a massive fireplace, what looked like a portrait of herself, though it must have been painted hundreds of years ago. It had the same cruel eyes, the same sunken cheeks. Only the hair was different, running loose as if caught in the wind.

“My ancestor,” Mrs Deverill explained.

Matt looked past the figure in the canvas. She was standing in front of a village. He could see a few desolate buildings behind her. He looked back at the face. And shivered. Nothing had moved, but he could have sworn she had been looking towards the frame, over to the left. Now her eyes were fixed on him. He swallowed hard. His imagination was playing tricks on him. Turning round he saw that Mrs Deverill was staring at him too. He was trapped between the two of them.

Mrs Deverill smiled thinly. “She looks like me, doesn’t she? She was also a Deverill. There have been Deverills in this part of Yorkshire for three hundred years. Her name was Jayne, like mine. She burned to death. They say that when the wind blows in the right direction, you can still hear the screams. Let me show you upstairs…”

Matt followed Mrs Deverill up a twisting staircase to the first floor and into a room at the end of the corridor. This was to be his bedroom… and it was the one room he most wanted to see. His headache had got worse. He wondered if he was going to be sick.

The room had a low ceiling, exposed beams and a bare, wooden floor with a small rug in the centre. It looked over the back of the farm, across a field to the wood. The windows were small, set in walls which were at least a metre thick. There was a sagging bed, made up not with a duvet but with blankets and sheets. Opposite the bed was a washbasin and a chest of drawers with a vase of dried flowers. The pictures on the walls showed views of Lesser Malling, painted in watercolours.

“They made me decorate for you,” Mrs Deverill remarked sourly. Of course the LEAF Project would have visited the farm. They would have insisted that the room was clean and comfortable. “I dried the flowers myself. Belladonna, oleander and mistletoe. Three of my favourites. All of them poisonous… but such lovely colours.”

Matt put his case on the bed. At the same time he noticed something sitting between the pillows.

“And this is Asmodeus,” Mrs Deverill said. “My cat.”

It was a huge black cat with yellow eyes. Its stomach was bulging, as if it had recently eaten, and Matt noticed a patch of grey, where some of the fur had worn away. It was purring lazily. Matt reached out his hand to stroke it. The cat purred more loudly. Slowly, it turned its head and looked Matt in the eyes. Then it sank its teeth into his flesh.

With a cry, Matt pulled his hand back. Bright red blood welled out of a jagged bite in his thumb. A drop fell on to the floor. Mrs Deverill took a step back. Matt saw that her eyes had widened and now, for the first time, she was smiling. All her attention was fixed on the blood on the floor.

It was too much for him.

The room turned. Matt swayed on his feet. He tried to say something but the words refused to come. The walls were spinning. He heard a door boom open. He looked through it and saw – or thought he saw – a circle of huge granite stones. Someone was holding a knife. He could see it hovering over his head, the pointed blade curving towards his eye. The floor seemed to shake and then, one after another, the wooden planks cracked open, splinters exploding all around. Brilliant light streamed through and in the light he thought he saw something like a giant, inhuman hand.

A voice echoed in his ears.

“One of the Five!” it whispered.

The light engulfed him. He felt it sweeping through him, burning the inside of his head. He slammed the heels of his hands into his eyes, trying to block it out. Then he was falling backwards, but he was unconscious long before he hit the floor.

“What’s wrong with him?”

“He has pneumonia.”

“What?”

“He may die.”

“He can’t!”

“Cure him, Mrs Deverill. It’s your responsibility. See that he lives!”

Matt heard the voices but he wasn’t sure who they belonged to. He was lying in bed. He could feel a pillow against the back of his head. But as for the rest of it, he wasn’t sure if he was asleep or awake. He propped himself up and half-opened his eyes. Sweat trickled down the side of his face. The single movement had taken all his strength.

The door had just closed. Someone – the last person who had spoken – had left. It was a man, but Matt had been unable to see his face. Mrs Deverill was in the room with Matt, standing next to another woman, also white-haired but with some sort of bright red mark on the side of her face. Noah was lingering in the background, rubbing his hands.

Then the room shimmered and suddenly the curtains were closed. There were flames leaping up, right next to the bed. Was the building on fire? No. They had set up some sort of metal tripod with a brazier filled with coals. The two women were speaking in a language that he didn’t understand, whispering to each other as they fed the flames with black- and green-coloured crystals. Matt saw the crystals melt and bubble, and at once the room was filled with yellow smoke. The smell of sulphur crept into his nostrils. Matt choked and his eyes watered. He tried to lick his lips but his mouth was dry.