Tessa Hadley - The London Train

The bathroom was crammed into what must have once been a boxroom under the slope of the roof; there was a slanting skylight, more lino, a shower with black mould growing in its corners. Cora stepped squeamishly in her bare feet. Around the toilet pedestal was a pink mat that matched the bedspread; when she tried the cold tap, wanting to wash her face, all the piping in the house shuddered loudly in sympathy, and she turned it off quickly. In the middle of the night the old-fashioned austerity didn’t seem quaint but hostile, the setting for a disaster. Doubled up on the loo, she sat hugging her knees, wanting to cry with pity for herself, but rigid with shame and dread. Her parents had adored her, she had been spoiled, their treasured princess, their little star. How hideous this now seemed, what dust and rotten falsity. The pain of missing them was so severe that she expected to see blood when she dabbed at herself with the toilet paper, but there wasn’t anything, it was all in her mind.

The door handle rattled, someone was trying to get in: Paul? Surely he would have called her name. Then Cora heard some peremptory and disapproving noise, unmistakably male and close at hand. She kept very still, although it would have made more sense to flush the toilet, or to call out that she was almost finished. Whoever it was waited longer, then padded off across the landing, pulling his door shut: not quite banging it, but loud enough in the middle of the night to convey righteous grievance and reproach. No doubt it wasn’t only the locked bathroom she was being reproached for, but also the bed springs earlier. Cora cowered in the bathroom, gambling like a child that, so long as she wasn’t seen or heard, she might get away with her invisibility.

What if I was really ill? she justified herself. I’d have a right to stay in here. Anyway, there must be another bathroom the man could use, on the floor below.

Eventually whoever it was came out and tried the door again, rattling hard; then he hung about on the landing until Cora was forced to flush the toilet and open up. Luckily the landing light wasn’t on, because she realised that Paul’s shirt hardly covered her bottom. Seeing her, the stranger made something like the same subterranean noise of disgust as before – phlegmy and guttural. Their interaction at that hour and under the circumstances seemed stripped of all requirement for courtesy, or even mutual acknowledgement. Cora didn’t look towards him or mumble any apology, only fled across to her room; in the light from his door open behind him she took in a tall white-haired man, very upright, with a big choleric face, jowly as a mask. He was wearing pyjamas and one of those striped towelling bathrobes that seemed of a piece with the period effects of the whole place, knotted with a cord around his high, hard stomach.

In the morning she asked Paul if they could go out for breakfast, and he agreed, thinking she was only afraid that the food might be awful. He paid, and they got out of the house without encountering any of their fellow guests. They had a happy day together. He had brought his car; she had never been driven by him before. She didn’t know this part of the country well. After the rain the late-summer sunshine was chastened and tentative, and had the first frisson of autumn in it. They walked on a single-track road so little used that dark moss grew down its middle, and their passing roused washed-pale frail butterflies like dust out of the high hedgerows, which Paul said were ancient field boundaries. He said the soil was red because the rock beneath was red sandstone. The beech hedges were a revelation to Cora. Paul explained how in winter these hedges didn’t drop their leaves like the other trees, although they were deciduous; the dead leaves stayed in place until the next spring when the new ones grew, making the hedges an especially effective windbreak. The beech leaves were by now a heavy metallic green, almost bronze. At regular intervals a tree was left to grow whole above the height of the laid hedge, standing up eloquently in the slanting light, grey limbs thick and smooth in the spacious crown, casting its shadow on the dense wheat in the fields.

The following week in an explosion of drama it was all over.

Paul’s wife – Elise – found out what had been going on. One morning when Cora was at work in London, in the middle of enrolments for the year’s new courses, her mobile rang and a woman’s voice asked, ‘Who is this, please?’

Cora knew immediately what this meant, and turned the phone off without answering. She finished dealing with a student’s query. That was it then. Her whole consciousness quaked, blacked out for one moment imperceptible on the surface – but it was also almost a relief, the onrush of this anticipated smash. Endowed with super-sensory intuition, she seemed to have learned everything about Elise from that momentary snatch of her voice – husky, flattening, contemptuous, capable. She was not fine-grained or clever, but she was powerful. She made fine-grained seem mucky, sickening. Cora believed she could even see from her voice what Elise looked like: stocky, attractive, pugnacious, with sandy fair hair; or had Paul let these details slip? On the way home from work Cora dropped her phone into a waste bin in the street and pretended afterwards that she’d lost it. Everything she did in those last days was worse than cowardly, it was craven and inchoate; she was ashamed to recognise herself. She ought to have had something to say to Elise, if only to concede everything. But instead she fled ahead of trouble.

She called Paul on her landline, fingers so clumsy that she misdialled twice. The story was that Elise had suspected something, found Cora’s number on Paul’s phone, confronted him. Cora never quite believed that this was really the whole thing: something in the way Paul told it sounded incomplete. There was something else, another story he was keeping from her, involving much, much more confession and concession and preference for Elise and the children on his part; but she would never be able to find out about that, because a door was squeezing shut on her, closing her out from everything in his life. Paul reassured Cora that Elise didn’t know her name, or anything about her. This must mean she didn’t care to know, because Paul had convinced her Cora didn’t really count for much.

He had always warned her that this was what he would choose if he had to.

She didn’t tell him about the baby. She held this back, thinking that the right moment might come for spilling out with it. They spent one dreadful final hour together at the Cardiff house, rather decorous. Cora had dreamed that they might make love for the last time, and that she would tell him then that she was pregnant, but knew this was out of the question as soon as Paul came in. He was distracted and embarrassed and after a while, sitting apart at the table in the kitchen, they ran out of things to say. Cora wished she had the strength to send him away; but she was weak, clinging on to her last minutes in his actual presence, however humiliating. All her desire in the world was used up in this one particular body, in his hunched posture at the table, in the frowning way he smoked two cigarettes and ground them out passionately into the saucer she gave him. Even his suffering was exceptional and illuminating, because it belonged to him.

Elise had said: one hour!

When it was time for him to go, Cora clung to his coat sleeve and cried into it, pleading with him for some reprieve. He bent over her head, stroking her hair.

– It’s my fault, he said, – it’s really all my fault. I didn’t know that it would be this bad.

– You’ll be relieved to be free of me, I’m sure you will.

– Is that what you think? I won’t be free of you. That’s the whole trouble. Not so easily.