Tessa Hadley - The London Train

Anna in the café was quite different. Occasionally she came round to talk business with Marek in the evenings, but after the first day, he hadn’t seen much of her in the flat. At work she was unsmiling, fierce, effective, a little frown pulled taut between her plucked eyebrows. Her hair was scraped back from her face, and she was disconcertingly lean under the apron tied around her waist: her hard young body seemed in itself a challenge, a form of contempt. Paul saw how the customers were drawn to her as if they wanted to woo her, coax and soften her, and how she played on this, winding the sexual tension tight without giving anything away. Meanwhile she was kind to him as if they were in a conspiracy, undercharging him, bringing him cake to eat that he hadn’t asked for and only left on the plate. – Have it, it’s good, she said. – Eat. They charge too much. I see the invoices, I know what goes on here. Take it home, eat it tonight.

Anna’s default position towards authority was suspicious and derisory, but for some reason – because of Pia – Paul had been excepted. Like her brother she watched scrupulously over him, as if he needed cajoling and swaddling. He asked himself whether there could be anything sinister behind this, but couldn’t find it. They knew he didn’t have money. The longer he slept on their sofa, the more they must know for certain that he didn’t have power. Really, their generosity could only be superstitious and romantic. They must believe in the mystery of the coming child, and how it bound them all together in one improbable shaky family.

– It’s nice for you, Anna said to Pia, – to have your father round. It’s good.

He did not know what Anna would think of him, the grandfather-to-be, if she knew he was dreaming about her at night. Perhaps she guessed. These dreams occurred at the margins where deliberate fantasy slipped over into sleep, so he wasn’t altogether responsible. In one dream he made love to her in a hotel room, horrible like the one at the Travelodge in Birmingham. Anna came from the shower, her hair still sopping; cold water soaked into the sheets and pillows on the bed. She lay with her back to him, he put his mouth to the knobs of her vertebrae, standing out under her skin the colour of pale coffee, cold to the touch and goosefleshed. He ran his hand across her ribs, down her flat stomach, to her gaunt pelvis. In the dream the hot weather had broken and it was raining outside, the windowpanes blurred with running water, the room full with its rushing noise, its gargling in the gutters. The implications of it all were infantile, humiliating. Yet imperceptibly and against all reason, the dreams also began to bind him to the real girl, as if they meant he knew her.

Marek borrowed a van from a friend, a dirty dented white Vauxhall Combo, to take round the boxes of biscuits and beer and try to sell them. Paul had worked driving a van in London more than twenty years ago, before Pia was born: he offered to help, he hadn’t anything else to do. Marek didn’t like driving. Paul was pleased to fill his days with the kind of work that tired him out without requiring him to probe his inner life. The van handled badly, the steering was shot and the engine hunted in first gear, but he got on top of it and found his way round the old routes, baulked only by changes to the one-way system, or by having to avoid entering the congestion-charge zone. Marek explained to him why the charge was a terrible idea and didn’t work. Paul didn’t care, didn’t bother to argue.

He and Marek were well suited to working together. For long periods of time they didn’t talk, then Marek would erupt into a kind of absurd humour, which Paul remembered belonged to this fragmented experience on the road, tangling momentarily in the crazy complexity of local lives and then torn out again. When he closed his eyes at night he sometimes thought he was still driving, carried bodily along, hurtling into the dark. Everyone they met seemed funny. Marek imagined he was a good mimic, although Paul told him all his imitations simply sounded Polish. There were so many Polish shops, and they made sales in Asian and Middle Eastern groceries too. He got used to the special atmosphere of these places, some better, some worse – their stale sour smell, the shelves crowded with faded goods displaced from their natural habitat, pale gherkins floating in cloudy brine, dark rye bread, blue flashes from the insect zappers, the sound of the Polish voices, the metal shutters drawn down over windows and doors when the shops were closed. Some of them kept their windows shuttered even during the day. He picked up a few greetings, yes and no, some names.

Marek brought out Wiejska sausage and bread for their lunch and they ate it sitting in the front of the van with the doors open, washing it down with Coke or paper cups of tea from a café, laced with vodka, not enough to make them drunk, just enough to lift them exhilaratingly a fraction off the ground. They might have been all right if they were stopped. Anyway, Paul never asked Marek if he had any sort of licence to sell his stuff, so if they’d been stopped the drink would probably have been the least of their problems. Marek sometimes made Paul wait ten minutes in a residential street while he dropped in on ‘friends’. – It’s OK, Marek reassured him. – Only as a favour, little bit of weed. Nothing stupid. Paul seemed to slip back inside that past time when he was heedless and twenty, as though all his substantial life between then and now melted away. Catching sight of his reflection once in a shop window, carrying in a delivery, he was startled to see himself middle-aged.

Marek had found a lock-up to rent in a back lane in Kennington, where he stored the non-perishable goods. In contrast to the filthy noise and traffic, Paul felt when they visited the lock-up almost as if they were somewhere in the country, or in the past, with its red-brick walls, little overgrown back gardens, boarded-up artisan workshops. Pink valerian grew out of the bricks. Once while they were loading up, the van engine idling, Marek asked him about his younger daughters. Paul didn’t want to talk about them; whatever he said seemed compromised because he couldn’t adequately explain what was keeping him away from them, here in London. He tried not to picture them too vividly. He told himself he would go home soon, that he hadn’t been away any time at all, that they would hardly have noticed.

– You have all girls, Marek said. – Now I’ve made you a boy.

– Do you know it’s a boy?

– I know. I make boys. I have a son already in Poland, ten years old. He’s a nice kid. His mother tries to turn him against me, but he doesn’t listen. I don’t see him very often, it’s a shame, but what can you do? I’m here, I send money.

– Is Pia aware of this?

– She’s OK, she’s cool with it. This woman in Poland hates me. We’re never even married, she was married at the time to someone else. It’s all a big mistake. Except the kid: he’s fine.

He took out a photograph from his wallet. A skinny boy in shorts was on some climbing apparatus, grinning over his shoulder at the camera. He was very fair, but with his father’s black eyes and small skull, neat and round as a nut.

At the end of Paul’s first day’s work, Marek insisted on paying him, tucking folded notes into his shirt pocket. Paul saw that, as a point of honour, he must accept, although he tried to say that the work was in return for their letting him sleep on their sofa. As it happened, he really didn’t need money at that moment. When he’d visited the cash point, expecting to be overdrawn, he’d found he was several thousand pounds in credit; this could only mean that the money left over from his mother’s savings had gone through probate and been paid into his account. He had planned that he would give a couple of thousand of this to Pia at some point, to help with the baby, but he hadn’t said anything about it yet. He did his best to spend what Marek gave him on drink and food for the flat. Adding up the hours, he calculated that this delivery work probably paid him better than writing.