Ken Bruen - Dublin Noir

“Yer head’s too heavy,” she said, and slid off the sofa. She went to the window and looked down on the gray city and the gray Liffey. Lowe felt his tranquil bubble burst and his balance slip away. He opened his unwilling eyes.

“What time is it?” he asked.

“Time fer yer walk.”

He nodded and a large liquid weight shifted in his skull. She was right, he thought, his head was too heavy, and overfull with booze and static-a pail of mud on a rickety perch. Lowe rubbed his eyes. He pulled on clothes and slipped two midget whiskey bottles into his raincoat pocket. He looked at Margot. She was still by the window with her head against the glass.

Though Margot had told him not to, he took the same route to the park each day. The buildings he passed were mostly low and old, which made the new ones look even taller and glossier. The streets were full of young people who looked like bankers and accountants and computer guys, and looked like they’d come from someplace else. It reminded Lowe of Wall Street that way. Maybe that’s what Margot meant about fitting in.

He took a wide, tree-lined avenue deep into Phoenix Park, to a bench by the pond he’d been staring at all week. The air was damp and burrowing cold, and he shivered when he sat. The park was mostly empty now-old people, dog walkers, a couple strolling down the path. The woman had thick red hair and an umbrella. The man was tall and pale and his hair was pitch black. Lowe had seen them in the park before and wondered if they worked nearby. He closed his eyes and listened to birds and distant cars and the crunch of footsteps on the gravel. He opened his eyes when the footsteps stopped.

It was the couple, looking down at him. They were handsome, Lowe thought, though there was something cold in the man’s lean face, and something angry in the woman’s eyes.

“May I?” the man asked. American.

“Help yourself,” Lowe said. The man sat; the woman remained standing and looked up and down the path. “You from the States?” Lowe asked.

The man nodded. “From New York, Jimmy-like you.”

Lowe wasn’t conscious of trying to get up, but suddenly the man’s hand was on his shoulder, pressing him back. Lowe’s mind raced, but without traction.

“Relax, Jimmy,” the man said.

Lowe’s mouth went dry and the rest of him was bathed in sudden sweat. “Flynn?” he asked finally. The man reached into his coat pocket and pulled out five photos and laid them on the bench.

“She brought them to Dublin, Jimmy, same as you,” he said, pointing at the photos as he spoke. “And Dublin’s the last stop.” He said some names but Lowe had trouble hearing him. A roar filled his ears as he looked at the pictures of the five dead men, and suddenly he couldn’t see. He must’ve been leaving again because the man had him by the arm and the woman looked worried.

“Five, in five years,” the man said. “You make it half-a-dozen.”

Lowe slumped on the bench. “Flynn?” he said again. It was an old man’s voice.

The woman shook her head in disgust. “There’s no Flynn but herself-Kathryn Margot Flynn.”

Lowe gripped the little bottles in his pocket and looked at the ground. “You’re cops?”

“She is,” the man said, nodding at the redhead. “I’m private, working for your employers. The good news is they just want their money back. You make that happen, and keep your mouth shut, and they won’t prosecute.”

Lowe clawed at his gut. “What’s the bad news?”

The redhead looked down. “I am,” she said. “I don’t care fer yer girl leaving bodies all over my city, but I got no proof of anything. That’s where you come in.”

Lowe slumped on the bench. He opened his mouth to speak but nothing came out. He looked at his hands and saw the little whiskey bottles in them. He cracked the metal cap on one and the man took his arm.

“Let’s wait on that, Jimmy,” he said, but Lowe shook him off and drank one bottle and then another. The woman spoke, but Lowe couldn’t make out the words. His head was down and his eyes were closed. He was waiting for his balance and another bubble to ride, but in his heart he knew it was no good. The best part was over.

He’d left London in disgrace. A banking scandal, one of the worst. More than a half-billion pounds sterling in losses, bolloxed up every trade he made for months, going deeper and deeper. The end of days for the 230-year-old Ravenscroft Bank. Hundreds sacked. Pensions gone. Dreams shattered. Suicides, at least five of them, including Desmond Chick, for thirty-eight years the janitor at the Con Colbert Street branch in Limerick, a widower, raised three sons himself, working dusk till dawn. Sent away without so much as a plaque for comfort, he cried himself to death, they say, too old to start anew and as heartsick as if he’d lost his Minnie all over again.

The trader, meanwhile, was sentenced to four and a half years. Got out in three. Good behavior, though the arrogant shite never owned up to what he’d done. Eleven hundred days in Coldbath Fields and every one spent planning to cash in like Nick Leeson did-a book, Ewan McGregor on the silver screen, lectures-his reward for breaking the Barings Bank in ’95. Now you can play poker online with Leeson, punters thinking, Here’s yer guy, he’ll ride a bad patch straight to hell.

None of that for this trader, save a photo that went on the wires: scowling, bruised, itching, hollow eyes darting this way and that, maybe two stone lost to labor. No publishers, no producers; banking scandals old news now, a story already told. His wife gone off with an orthodontist, moved to Hamburg. Not even a word from his mot Trudi, tossed aside by the Sun after she told of their life together, all coke and cognac, laughing at regulators and the likes of Desmond Chick before they tracked him down.

Ah, Trudi, bleached-blond and beyond plump, a hostess now at the Odyssey in Bristol, and she knows her time has passed. Her fifteen minutes and all. Let the Remy warm her belly and she’ll talk the ear off a man’s head, give him something she never told them at the Sun. Ever hear about the only time he expressed regret? No? Well, Ducky, we were in that big comfy bed of his in that hotel in Tokyo, and he props up on his elbows, and he says, Trudi, they can keep it all, the bastards. Every last piece, every last shilling. But I’ll tell you, I’d give my left thumb to have back my old guitar. That being what they call a white-on-white 1961 Fender Stratocaster. Owned and played by Rory Gallagher, it was. Rory Gallagher, love. Sure, you heard of him. Rory- Rory Gallagher, for fuck’s sake…

As for the trader, the bitter prick, still thinking who he was, packed up and disappeared. Did a good job of it too. Four years gone by now, and not a word. Man barely qualifies as a bit of trivia these days.

Funny, isn’t it? Sometimes, when the world is turning and the craic is good, it almost seems as if it had never happened.

The trader, clever man, reemerged in Dublin, just another stranger brought in on the wave of the Celtic Tiger. Had a plan, he did: shaved his head, and when his auburn hair grew back he done it blond and spiked. Put 80,000 miles on the Audi, nose redone in Nice, jaw in Seville. Teeth in Milan.

Didn’t have to do much about the accent. Born in Sligo, he was, not London, as he claimed.

As for wardrobe: gone were the Spencer Hart suits, Turnbull & Asser shirts, Hermès ties, Fratelli Rossetti shoes. Would’ve run around like Kevin Rowland, scruffy Dexy himself, Come on, Eileen , if he could’ve, if it wouldn’t have drawn eyes. Instead, old jeans, T-shirts, a gray Aran sweater, and a brown knit, and he put holes in the elbows with a Biro, having tossed the Parker Duofold. (Not true: Like all else, the fountain pen was seized and sold at auction.)