Boyd Morrison: The Midas Code

Tyler stopped when he spotted a table holding an exact duplicate of the geolabe, an original version of the Antikythera Mechanism constructed by Archimedes himself. He approached it with reverence. The only difference between the one in his hands and the one on the shelf was the green patina on the ancient version.

Next to the device were documents laid out across the surface. One was clearly a map of Neapolis. Tyler recognized the island where Castel dell’Ovo now stood, as well as the Naples acropolis, the two landmarks that had led him to the well.

Beside the map were a series of drawings. Without touching them, Tyler inspected them more closely. They looked like sketches of statues. One of them was familiar, and then he realized what it was: the statue of Herakles from the east pediment of the Parthenon, drawn in incredible detail, which would be nearly unrecognizable to anyone who had seen the eroded and handless remnant in the British Museum. There were dozens and dozens of drawings, some of them long-distance views of the ancient temple, some of them close-ups.

“My God,” Stacy said as she came through the entry hole and gawked at the wealth of drawings. “Do you realize what this will do for our understanding of ancient Greece? No one has ever found drawings of what the Parthenon looked like two thousand years ago.”

“Archimedes must have drawn these pictures himself and then used them when he designed the geolabe.”

The rest of the group entered the room, all agape at the treasure trove. While the archaeologist gesticulated wildly and spoke rapid-fire Italian, Stacy directed the camera crew as to how she wanted to document the once-in-a-lifetime discovery.

Tyler, who smiled as he recognized Stacy in her element, stepped back, happy to be out of the spotlight. It was time again for Archimedes to speak from the past and change history.