Laura Lippman - The Most Dangerous Thing

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One of the most acclaimed novelists in America today, Laura Lippman has greatly expanded the boundaries of mystery fiction and psychological suspense with her Tess Monaghan p.i. series and her New York Times bestselling standalone novels (What the Dead Know, Life Sentences, I'd Know You Anywhere, etc.). With The Most Dangerous Thing, the multiple award winning author – recipient of the Anthony, Edgar®, Shamus, and Agatha Awards, to name but a few – once again demonstrates how storytelling is done to perfection. Set once again in the well-wrought environs of Lippman's beloved Baltimore, it is the shadowy tale of a group of onetime friends forced to confront a dark past they've each tried to bury following the death of one of their number. Rich in the compassion and insight into flawed human nature that has become a Lippman trademark while telling an absolutely gripping story, The Most Dangerous Thing will not be confined by genre restrictions, reaching out instead to captive a wide, diverse audience, from Harlan Coben and Kate Atkinson fans to readers of Jodi Picoult and Kathryn Stockett.

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Chapter Twenty

“I found my thrill,” Larry sings, “up on Strawberry Hill.”

“Strawberry Hill Apartments… for-e-ver,” Rita sings back, unwrapping glasses. Lord, Mickey did a shit job packing them, and a few are chipped. Inevitably, it’s her nice ones, the matched set of heavy Mexican amber from Pier One. Why couldn’t the freebies from the filling station giveaways end up cracked?

But even the broken glasses can’t dim Rita’s mood, although she makes a mental note to find Mickey later and give her what-for.

Moving, which is supposed to be one of the most stressful events in a person’s life, has brought Rita nothing but a constant, giggling joy since she signed the lease on the Strawberry Hill apartment last month. She floats through her days, her temper soft, and she rockets through her nights, shooting up, up, up on waves of sex, then falling into the best sleep she has ever known. She can’t believe Larry volunteered to move in with her, without even being asked. Being legit-sharing a bed and an apartment with Larry, if not the actual lease-is the best high she has ever known. Everything is better. Each cigarette, each drink, punching out at work. Even Joey, something of a wild child, is suddenly an angel. It’s almost as if he knows who his real father is, although Rick-of course!-continues to be the superdutiful dad, coming by every other weekend and Wednesday nights. God, Rita would love to tell him the truth, just to wipe that superior look off his face, but she doesn’t want to say good-bye to his checks.

Besides, Rick’s visits seem to be the only thing that rouses Mickey out of her permanent sulk. Suddenly, nothing makes that girl happy. Take the school thing. She hates her current school, Rock Glen. She was excited about the transfer to a new district when Rita first told her. Then Rita told Rock Glen that Mickey has a medical condition and wouldn’t be able to attend the last three weeks. She now lives too far away to walk to the bus stop, and who’s going to drive her there at 7:30 A.M. every day? Not Rita. Besides, no one learns anything the last three weeks of school. You think a girl would be happy, getting a head start on summer vacation. Plus, Rita’s paying Mickey to babysit during the mornings, when it would be entirely reasonable to expect her to do that for free. A dollar twenty-five an hour, five hours a day, five days a week. Heck, that’s better than Rita does some nights. The girl should be delirious.

But Mickey hates the new apartment. She has to share a bedroom with Joey, at least until Rita can justify buying a sofa bed, but it’s not like either kid can be in Rita’s room, now that Larry is sleeping over. The new place may be smaller, but it’s nicer. Clean, freshly painted. Besides, her car insurance dropped almost by half just for moving out of the city, and they are a mile closer to the shopping centers up on Route 40 and out Security Boulevard. Mickey could take the bus to any of those places, go shopping, go to the movies. But when Rita points this out, Mickey sighs and says: “I miss my woods.” Her woods? Foolish girl.

Rita can’t waste time worrying about Mickey. Her immediate goal is to make Larry a man, a real man. Someone who provides. Someone who doesn’t deal drugs, maybe uses them from time to time, but doesn’t sell.

“What is this?” Larry asks, pulling a long, lidded metal pan from a box. She needs a beat to identify it.

“A fish poacher.”

“Have you ever used it?”

“No. I brought it home from work one night because I heard that was a good way to make fish, but my kids hate fish.” Actually, it was Rick who hated fish, but she tries to mention him as little as possible. She wants to erase Rick from the record, pretend he never happened.

“ ‘Brought it home’-you mean you nicked it.” Larry smiles. He likes her wicked side.

“Maybe.” She gives him a sideways bump with her hip as she passes him in the small galley kitchen, then turns and bumps her rear against his crotch, moving lazily back and forth until she sees Mickey standing in the living room, watching them through the pass-through. No expression on her face, no comment, just watching. The girl sees too much. Rita wonders if Mickey has noticed her brother’s marked resemblance to Larry. Thank God both Rick and Larry had dark hair and eyes. There’s nothing obvious to link Larry to Joey unless one looks for the resemblance, as Rita does, repeatedly. There’s a thinness at the bridge of the nose, camouflaged by Joey’s chubbiness, a sameness to the ears. Yes, the ears. She knows Larry that well, inside and out.

Which means she understands it won’t be easy, domesticating a man who loves her wild side. Rick was the big attraction, the thing that brought Larry back to her. Now that they aren’t cheating, his interest could fall off. If she leans on him to give up dabbling in drugs, move in officially-no, he has to make those decisions on his own. Or think he’s making them. So be it. She knows how to keep him happy and interested. Last week, they went to the drive-in up on Route 40 and Rita was dead tired, but she made sure to go down on him. Twice. Her hair was coated with grease and salt from his popcorn when she finally pulled her head from his lap. The people in the next car gave her a dirty look. They had a bunch of pajamaed kids with them. So what? It was an R-rated movie about two teenagers trying to lose their virginity. Those righteous parents were the creeps, bringing their kids to something like that.

She wonders if Mickey has gone all the way yet. She thinks not. She doesn’t want her to, of course, although Rita was only sixteen when she did it the first time, and girls grow up faster now. Still, Mickey needs a boyfriend, someone to distract her so she wouldn’t be in the apartment all the time, sneaking up on Rita and Larry. Maybe Rita should take Mickey to her doctor, get her on the pill? Or an IUD, like she uses, because she smokes. Does Mickey smoke? Does she use drugs? Rita won’t let her get away with that, even if it does make her a hypocrite. Does Mickey know she uses on occasion? Used. Probably, the kid doesn’t miss a trick. Look at her, standing there, staring. Who is she to judge Rita? It might look bad, leaving Rick, taking up with Larry so fast, but if only Mickey knew the whole story. Rita isn’t taking a family apart, she’s putting one together. The girl should be kissing her feet with gratitude.

“I’m going to go outside,” Mickey says. “Look around.”

“You get all your stuff unpacked?”

A pause. She’s actually thinking about whether to lie to her. The thing that kills Rita is that Mickey wants Rita to see her thinking about lying. “I’ve done enough,” she says. “For now.”

“You did a shit job packing my glasses,” Rita says.

“Maybe you should have packed them. I guess you were too busy.”

She puts a lot of spin on busy . There’s no doubt what she means.

“Yeah, I was busy. Busy working every night, so you can have food and clothes and a roof over your head.”

“Yes,” Mickey says, looking upward. “And what a roof it is.”

Rita raises a hand, her temper roaring back, even as Larry says, “Ladies, ladies.” Larry doesn’t like conflict. She better keep it in check if she wants to keep him, not let Mickey get a rise out of her. She wonders if Mickey understands this, if she’s baiting her mother to make her look bad in front of Larry.

Joey bellows from the bedroom, waking up from his nap. Rita’s policy is that if he takes a nap at nursery school, he sure as hell is going to take one at home. But he never goes down without a fight.

“Go get your brother,” she tells Mickey.

“I was going to-”

“Get your brother. Your stepfather and I have to-wash the sheets.”

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