Laura Lippman - The Most Dangerous Thing

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One of the most acclaimed novelists in America today, Laura Lippman has greatly expanded the boundaries of mystery fiction and psychological suspense with her Tess Monaghan p.i. series and her New York Times bestselling standalone novels (What the Dead Know, Life Sentences, I'd Know You Anywhere, etc.). With The Most Dangerous Thing, the multiple award winning author – recipient of the Anthony, Edgar®, Shamus, and Agatha Awards, to name but a few – once again demonstrates how storytelling is done to perfection. Set once again in the well-wrought environs of Lippman's beloved Baltimore, it is the shadowy tale of a group of onetime friends forced to confront a dark past they've each tried to bury following the death of one of their number. Rich in the compassion and insight into flawed human nature that has become a Lippman trademark while telling an absolutely gripping story, The Most Dangerous Thing will not be confined by genre restrictions, reaching out instead to captive a wide, diverse audience, from Harlan Coben and Kate Atkinson fans to readers of Jodi Picoult and Kathryn Stockett.

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Oh, she was briefly married in her twenties. But it was hard to count that as a marriage, even a starter marriage. They married out of inertia. Inertia and the desire to have a party. They were twenty-eight, long enough out of college and close enough to thirty to feel a little desperate about the numbing sameness of day-to-day life. In the back of McKey’s mind, she entertained the idea, even as she was planning the wedding, that it was better to marry before thirty and later divorce than to hit thirty without ever having been married.

But, mainly, she wanted a party, something to break up the tedium. The marriage worked for a while and then it didn’t, like a cheap car. They parted with relative ease, given that they didn’t own their house and their possessions had never really mingled. It was shocking to realize how few things they had acquired jointly. A mattress, some of the kitchen goods. If it hadn’t been for the wedding, complete with registry, there would have been almost nothing to split. They pretended generosity toward each other, when the fact was that neither one wanted to pack up all that shit. A waffle maker that made heart-shaped waffles. A George Foreman grill. A rice maker! A goddamn rice maker. McKey realized she had made a very human error, filling out those registries. She thought she was going to change, that in acquiring a rice maker and a waffle iron, she might become the kind of person who made rice and heart-shaped waffles. She knows herself better now, what she can do and what she can’t. She even likes herself. Perhaps more than she should, but she’s all she has.

Her mother used to warn her-indirectly, then directly-that life was hell for an attractive woman once she ceased to be attractive. McKey isn’t buying it. For one thing, she isn’t like her mother, relying on men to support her. Besides, her looks are holding up surprisingly well. Not smoking, keeping her weight constant, avoiding the sun-it all adds up. She looks good. Not good for her age. She plain looks good. Every male who boards her flight checks her out, a particular triumph in this polyester getup. Men will always look at her, she has decided, and it isn’t conceited to recognize this fact and even exploit it. Did anyone ever say that someone was conceited about money, another commodity to which some people were born?

And she is clear on this: her beauty is a commodity. She uses it to get what she wants or needs. She is not cruel with it, not anymore. She does not wield it like a weapon. She uses it. So what? Everyone uses what they have in this world.

Take Gwen. She isn’t as pretty as McKey, but she has this saucer-eyed, you’re-so-wonderful thing going on, which boys ate up sideways with a spoon when they were kids. To give her credit, she seemed to come by it naturally, and she didn’t use it only on boys. She cast those looks on her parents, on McKey when they first met, eventually on Sean, although never on Tim, not really, and definitely not on Go-Go. The youngest Halloran always made Gwen a little nervous, although perhaps that was her parents, talking through her, especially Tally Robison. Everyone thought Gwen’s mom was so saintly, especially after she died. A well-timed death could make a saint out of anyone, as McKey would have reminded the others if they were in touch. But McKey, then Mickey, saw Tally Robison differently. Oh, yes, she was kind to Mickey, sitting down with her in the kitchen in the afternoon, waiting for Gwen to return from school, feeding Mickey the treats that Gwen had chosen for her. But Mickey quickly realized that Mrs. Robison was being kind, and there is no real kindness in obvious magnanimity. Oh, wasn’t she the bighearted grand lady, dispensing candy and cookies and Hi-C to the poor little girl who lived in Purnell Village, with her waitress mother and her not-quite-stepfather. Wasn’t she enlightened? Wasn’t she democratic?

But if an eleven-year-old girl could figure that out, imagine what the rest of the world intuited. They saw Mickey being pitied, that was what, which wasn’t fair at all. Mickey’s mother might have been a little on the trashy side, but she was pretty steady for a divorced woman who needed a man around. And Rick, the stepfather of record for most of those years, was a good guy. Too good for her mother. He was sincerely kind to Mickey, not fake kind, and when baby Joey arrived, he did what he could to keep her from feeling left out. If anything, he went out of his way to make her feel even more like his daughter. Even after he left, he stayed in touch.

Then, when Mickey was going on nineteen and Rick long gone, an attorney had contacted her. “About custody,” he said, and at first Mickey had this crazy feeling that Rick wanted to adopt her all these years later, make official the status he had sworn was hers all along. Rick had done okay for himself, maybe there was some money coming to her.

It turned out that Rick had hired the attorney because Rita was now saying that Joey wasn’t his and he was trying to figure out if he could recoup the child support he had been paying her. Legally, the case was kind of interesting, sort of like the Solomon story in the Bible, only instead of offering up a baby that would be sliced in half, it was an all-or-nothing decision about the relationship between Rick and Joey. Rick could have a court establish he was no longer Joey’s father and stop paying child support, although he would have a hell of a time getting back what he had paid in. But if he did that, he would have to abandon the relationship, too. It was real fucked-up stuff. Rick, of course, did the right thing. He decided he didn’t care what the blood test said. He was Joey’s father and he would continue to be, even if that meant paying support to a kid that he seldom got to see. Her scheming skank of a mother really played that poor guy.

Scheming skank of a mother? Have those words really run through McKey’s head as she gathers newspapers and trash from the passengers who were sentient enough not to throw their teeth into the bag? She’s being unfair. Her mother wasn’t a schemer, wasn’t skanky. Well, maybe a little skanky. She had been sleeping with Rick and Joey’s father at the same time. But she made a genuine mistake about Joey’s paternity, and it was harder to test for those things then. Besides, that mistake kept Rick in the fold until McKey went to high school, and she was glad for that. He was a good man. He protected her. He believed her, always.

She catches a man coming out of the lavatory, the smell of smoke clearly on him. She pulls him aside. He looks so furtive and guilty that she doesn’t have the resolve to write him up, but she explains to him in an urgent, intimate whisper that she’s doing him a favor, that he could be flagged in the reservation system if she reported the infraction as required.

His furtive look switches to flirtatious. Great, now he thinks she’s hot for him because she cut him a break, when it was merely her generosity toward her mother overflowing into the world. She goes back to the galley, tells a surprised Wendy that she will take over denture duty, which is still under way, if Wendy will help her keep her distance from Mr. Not-So-Smoking-Hot.

The thing is, she felt kindly toward her outlaw smoker because his face reminded her of Sean’s this morning. Not in its particulars, but in the emotions. She had planned to keep Sean in suspense about the night before, but he looked so guilty that she couldn’t bear to goad him. She thought, hoped, it might happen, but even as she was piloting him up the stairs, she realized he would be no good to her. A shame. She always had a crush on him. She was surprised, in fact, when he chose Gwen to be his girlfriend, because she assumed he was hers for the taking should she decide she wanted him. She always chalked his relationship with Gwen up to the circumstances, which had been so very Picture for a Sunday Afternoon . Sean, carrying Gwen in his arms. Heck, the summer before he couldn’t have made it three steps holding her, given how much she once weighed. Gwen clinging to his chest, crying, dazed, that pretty little trickle of blood on her forehead. Who could compete with that? Mickey thought she could, but she was wrong. For a few months there, they acted like they were married, or were going to be. It was nauseating.

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