Lisa Unger - Black Out

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Black Out: краткое содержание, описание и аннотация

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When my mother named me Ophelia, she thought she was being literary. She didn't realize she was being tragic.
On the surface, Annie Powers's life in a wealthy Floridian suburb is happy and idyllic. Her husband, Gray, loves her fiercely; together, they dote on their beautiful young daughter, Victory. But the bubble surrounding Annie is pricked when she senses that the demons of her past have resurfaced and, to her horror, are now creeping up on her. These are demons she can't fully recall because of a highly dissociative state that allowed her to forget the tragic and violent episodes of her earlier life as Ophelia March and to start over, under the loving and protective eye of Gray, as Annie Powers. Disturbing events-the appearance of a familiar dark figure on the beach, the mysterious murder of her psychologist-trigger strange and confusing memories for Annie, who realizes she has to quickly piece them together before her past comes to claim her future and her daughter.

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“Grief Intervention Services is a client of Powers and Powers, Inc.,” I say finally to Gray. I want to rage like him, to start picking up the china and glasses from the table and flinging them just to watch things break and crash, but my daughter is clinging, hysterical in my arms. I feel as if I owe it to her to keep myself together. “I looked up the client list on our computer this afternoon. It’s there.”

Gray’s eyes rest on me and then move back to his father. I can see that he doesn’t know what to believe.

All eyes are on Drew now, who still has said nothing, just puffed up his chest and pulled back his shoulders. He is the picture of self-satisfied arrogance, the man assured of his righteousness.

“So what?” he says simply. “What does that prove?”

Gray’s face falls; all the rage seems to leave him. I remember the expression from my time in the psychiatric hospital years ago when he talked about his father, how powerless he’d felt against his father’s will, his father’s desires for him. How he’d lived his life trying to please a man who would never be pleased. We hadn’t talked about that in so long, always wrapped up in whatever drama I had going on. I could see that nothing had changed. Maybe Gray had betrayed himself in the same way I had, living a fake life for what seems to be the greater good. Maybe he never wanted to go back to work with his father; maybe he just thought he had to, to make a life for us.

“You spent your whole childhood trying to save your mother,” says Drew, picking up his fork and knife and going to work on his steak. “I didn’t want you to spend your adulthood trying to save someone else you couldn’t save. I didn’t want another child in my care growing up with an unstable mother. We did what we had to do. We helped Annie, but ultimately she had to save herself. Our methods were unorthodox, sure. But it had to be that way. Annie knows that.”

He’s so cool, so matter-of-fact, he could be talking about anything-a risky business venture or a volatile investment that paid out after all. But he’s talking about me, my life, my daughter. Gray and I both stare at Drew while he eats. Victory is still crying quietly in my arms. Vivian stands at the head of the table, her hands resting on the chair where she sat during the meal. The sun has dropped below the horizon, and there’s an orange-blue glow over the ocean. Such a beautiful place to live such an ugly life.

“You were haunted, Annie,” Vivian says, her voice soft and earnest. “He was always going to haunt you.” But no one seems to hear.

I’m watching my husband, and I can see him working the problem, going over in his mind the story I told him, remembering the accusations I launched against Drew and Vivian, the things he told me were all a dream. “Alan Parker, Grief Intervention Services, everything he told her,” says Gray, not yelling anymore, not enraged. Just…sad. “It was all true?”

Drew carefully cuts another piece of steak and puts it in his mouth, begins to slowly chew. Gray and I stare at him, stunned by his calm, by his indifference, all our shock and anger just a breeze through the branches of a great old oak.

“Look,” he says finally, resting his silverware with a clang on his plate. “Alan Parker took Annie where she needed to go, and Annie did the rest. Didn’t you, girl?”

Gray’s gaze keeps shifting back and forth between me and his father. “Are you telling me he was there? Marlowe Geary? That she killed him?” His voice is a hard edge, tight with emotion; his fists are clenched at his side. “No. No fucking way.”

A wide, slow smile spreads across Drew’s face. It is almost kind, but it never reaches his eyes. In the gloaming he’s a monster. I find myself recoiling from him.

“What do you think, Annie?” Drew asks, giving me a hideous wink, like we’re in together on some kind of joke. “Is Marlowe Geary dead? Finally?”

And suddenly I realize we are in on the joke together. Because only Drew and I understand that I had to be the one to kill Marlowe Geary. No tale of his demise, no repeated phrases or articles on the Internet were ever going to convince me he was dead. I had to kill him and watch him die. That was the only way I would ever truly be free of him.

All my desire to rage at Drew drains, and I am filled again by the familiar numbness that has allowed me to survive so much horror. I feel a shutting down of anger, of fear, and I am mercifully blank. But I find I can’t bear the sight of Drew and Vivian anymore. I stand up with Victory in my arms and move away from the table, heading for the door. There are a lot of questions, but I don’t want the answers. Not from Drew and Vivian.

“Annie, please try to understand,” says Vivian. I can see that fear again on her face, but I am already gone.

“I need to understand what you did, Dad,” I hear Gray say behind me. I can tell he’s trying to keep his tone level. “I need you to tell me the truth.”

“Leave it be, son,” answers Drew, his tone as unyielding as a brick wall. I wait in the foyer, listening, rocking back and forth with Victory, who is quiet now.

“I can’t do that.”

“Yes,” says Drew. “If you know what’s good for your family, you can. Your wife is unwell. In my opinion not well enough to be caring for that child. And we all know you are not Victory’s biological father. What would happen to that girl if her mother wound up in a rubber room somewhere?”

“What is that?” asks Gray. “Some kind of threat?”

No one was supposed to know that Victory is Marlowe’s child. Only Gray and I knew. And my father. I start to feel weak. I have to put Victory down and kneel beside her on the cold marble floor of Drew and Vivian’s house. I look at her face. If she has heard, she doesn’t give any sign, just leans against me and rubs her eyes.

“Can we go home?” she asks.

“We’re going. Let’s wait for Daddy.”

“Okay,” she says. “But can he hurry? I don’t want to be here anymore.”

“Me neither.”

I hear Drew’s voice booming then. “I don’t have to tell you the kind of connections I have, the people I know. Your job, your home, your wife, even your child are yours because I have allowed you to have them. A few phone calls from me and it all goes away.”

“Drew-” I hear Vivian, her voice pleading.

“What did you do?” I hear something crash and break. Victory and I hold on to each other. I want to go to the car, but I can’t leave Gray here by himself. We huddle against the storm.

“I did what I needed to do so that we could be a family, so that Victory could have a healthy mother, so that you didn’t spend the rest of your life trying to save someone who couldn’t be saved. Don’t you see that?”

I don’t hear Gray’s answer. But in the strangest way, I see Drew’s point. I guess I’m as sick as he is.

“It was happening again,” says Drew. “Those panic attacks that she had before Victory was born. It always started with that. Then the next thing we knew, she was gone, on a bus to God knows where. What if she took Victory with her? Or worse, left her somewhere? It was one thing when she was just a danger to herself-”

“You’re sick, Dad,” Gray interrupted him, his tone thick with disdain. “You can’t use people, manipulate and control them so that they become who you think they should be. It didn’t work with Mom, and it’s not going to work with me and my family. I came back here hoping that we could be a family, learn to love and accept each other for all our differences. But that’s never going to happen, is it?”

“I do love you, son,” says Drew, his voice sounding weak suddenly, and so sad.

“You don’t even know what love is, Dad. You never have.”

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