Jeff Abbott - Trust Me
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- Название:Trust Me
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Trust Me: краткое содержание, описание и аннотация
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‘Ah.’ Mouser raised an eyebrow.
‘Joking,’ she said.
Mouser was careful to keep his neutral expression on his face. ‘I’m not much for jokes.’
‘No. You shouldn’t be. This is important work. Take good care of my baby’ – she put a proprietary hand on the duffel bag – ‘and she’ll take good care of you.’
It creeped him out a bit to hear her call a bomb a baby. ‘And the rest?’
‘Ready when you are.’ She watched him with a bright interest. Maybe making bombs, living on the constant edge of disaster, made her eager for physical sensations, for release. He had no interest in complicating his life with a woman. He had the mission he had appointed himself in life; to him, the mission was everything. The government had to be shown for the Beast incarnate that it was, the ravager of liberty, the ruination of hope, the devil that destroyed what made America great. That was all that mattered.
‘I’ll call you when it’s done,’ he said.
‘I’ll watch it on the news.’
‘And then the next stage.’
She nodded, but she didn’t seem to care so much about the money. She watched him with an intensity that made his stomach twist. Strange woman, he thought, but useful.
He got into his car and drove through the quiet streets. Spring break was this week. Freed from the mind-numbing indoctrination of government schools, lots of kids played on the lawns, riding bikes with those dorky helmets that the Beast insisted they wear for their protection, another emblem of its constant meddling. One girl waved at him and he raised his hand in a brief wave.
Honey, I’m going to set you free, he thought. Bring you a different world where the Beast has broken legs and dulled claws.
Mouser drove through Houston, the bomb sitting on the passenger seat, the duffel bag wrapped in a cloth cover. He listened to speeches he had written for himself on his cassette player and thought he needed to polish his metaphors a bit; he spoke too much of purpose, not enough of war. He was firing the first, carefully considered shot in a long war and the realization thrilled him to the bone. More shots would come in the next couple of days.
The resting place for Snow’s baby had been selected with great care: a quiet bend close to the rail switch station in Ripley, Texas, forty miles north-east of Houston. Ripley was a small town of two thousand people, a few farmers and ranchers, mostly blue-collar workers employed by the oil refineries and related service industries. Mouser had no specific quarrel with the people of Ripley; but he had no regard for them either. They’d chosen to live in a dangerous place. Ripley lay in a small depression along the railway, with a heavy growth of trees ringing the entire town. The people of Ripley could suffer the consequences of their poor planning, he thought. It had taken him weeks to find and select the right spot.
He wore a carefully chosen costume: jeans, a shirt with the logo of a railway freight line. No jacket because he wanted the railway’s logo visible. He walked along the railroad with a cell phone in his hand, pressed to his ear, laughing as though someone on the other end had told a joke. The duffel bag was fashioned from camouflaged fabric, painted to match the gray puzzle of stones along the rails. He set the bag down close to the rail as he walked, in view of the train station, but no one saw him. He put a foot on the rail and waited until he felt the barest vibration of the approaching train. He walked across the grassy slide down to the road where his car was parked, closing the phone that he wasn’t looking at, and glancing at his watch. Three minutes, he guessed.
Mouser got in the car. No one had seen him, no one had noticed him. A pickup truck drove past him, loud country music spilling from the windows. Two young men, laughing, on their way to an evening shift at the railway. Mouser liked the song they were playing; he started to hum it under his breath. He used to sing, back in church when he was a kid, and he had a fine tenor.
He drove away from Ripley, the farm-to-market road that led back to the highway. The pavement threaded alongside the rail track. A pickup truck, with a bunch of young Mexican workers in the bed, shot past him. Then another car, a minivan, a harried mother at the wheel. He could see she was yelling at the kids bouncing in the back.
You should take the time to tell them you love ’em, lady, Mouser thought, instead of yelling at them.
He heard the approaching train before he saw it; a long low whistle of approach. Ripley was a scheduled stop – a water treatment plant was nearby that served much of the northern stretches of suburban Houston.
He pulled his cell phone back out, dialed a number, poised his finger over the button. Snow had given him a choice on the bomb: timer or detonation through calling the phone. He’d picked calling.
The train wasn’t impressively long, just a stretch of old, weathered rail cars, each carrying 90,000 tons of chlorine gas.
He pushed the car up to a hundred miles an hour, counted down another minute, and pressed SEND.
Ashley Barton drummed her fingers on the steering wheel. The kids were wearing on her last nerve but the morning was nearly done. Thank God. She’d had her two boys and her sister’s girl and they’d zoomed like little rockets. She was exhausted. As it was she would get home from the shopping trip to Houston just in time to get a lunch of hot dogs and carrot sticks and an ice-cream sandwich in each kid. Park them in front of Cartoon Network while she could catch up on laundry and have a glass of iced tea and a moment’s delicious peace and quiet.
She aimed the air conditioning vent toward her face; the day had grown warm and she felt sticky. She’d taken the kids to one of the big Houston malls to get clothes, where the kids begged her to buy toys for them. She knew she was an easy mark. She’d let them pick out a toy each, nothing too expensive, though. They were still paying for Christmas.
‘Give it back!’ Her seven-year-old, Kevin, yelled behind her, and she heard the familiar sound of a boy-fist hitting a boy-shoulder.
‘Kevin’s hitting Brandon,’ her niece Megan announced in a tired voice. ‘Over those stupid trading cards.’ Megan’s tone made it clear what she thought of trading cards.
‘Kevin,’ she said, glancing back at him. ‘We don’t hit.’
‘You don’t but I do,’ Kevin said. ‘He’s gonna tear my card, Mom!’
‘Brandon, give him his card back. Kevin, do not hit your brother. If I have to get on y’all again, no dessert.’ She drove past the Ripley rail yard; her own house was only two minutes away.
In the rearview mirror she saw Kevin had his face pressed to the window glass, watching the long freight train lumber into Ripley. Kevin and trains. He’d been fascinated with them from when he was a toddler. God, that was only a few years ago. They were getting so big so fast.
Suddenly a roar pounded her ears, the minivan bucked on the road, and at first Ashley thought she’d blown a tire. The sound of the derailment was deafening, steel hammering onto steel, metal tearing in a horrific screech she felt in her bones.
‘Jesus!’ she screamed. Then Kevin was hollering and she braked to see that the windows were broken, one of the back ones blown in, glass dusting the kids. The noise had been so loud she hadn’t heard the shattering. All three of the children screamed. She stood on the brakes, wrenched around in the seat.
‘The train derailed!’ Kevin screamed. ‘Mom, I saw it, I saw it!’ His forehead trickled blood from a cut, Megan kept shrieking, Brandon covered his face with his hands, still clutching his brother’s Japanese game card. Ashley only had eyes for the children and she did not see the men in the rail yard – some of them men she had gone to high school with, to church with – staggering, dropping as they hurried toward the accordion of derailed tanks, as though slapped down by an unseen fist.
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