Val Mcdermid - Killing the Shadows

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Killing the Shadows: краткое содержание, описание и аннотация

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A killer is on the loose, blurring the line between fact and fiction. His prey — the writers of crime novels who have turned psychological profilers into the heroes of the nineties. But this killer shatters all conventional wisdom, and for one woman, the desperate hunt to uncover his identity becomes a matter of life and death. Professor Fiona Cameron is an academic psychologist who uses computer technology to help police forces track serial offenders. She used to help the Met, but when they screwed up an investigation after ignoring her advice she vowed never to work for them again. Still smarting from the experience, she’s working a case in Toledo when her lover, thriller writer Kit Martin, tells her a fellow crime novelist has been murdered. It’s not her case, but Fiona can’t help taking an interest. Which is just as well, because before too long the killer strikes again. And again. And Fiona finds herself caught in a race against time not only to save a life but to bring herself redemption, both personal and professional.

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With a wordless moan that was closer to a sob, Fiona rushed forward, falling to her knees and throwing her arms around his chill flesh. Her eyes were already brimming with tears. To her amazement, she felt a flicker of movement against her face. Then a breath like a soft groan tickled her ear.

“Kit?” she stammered. “Kit? Can you hear me?” She put a hand to his neck and felt a weak and irregular pulse. She took his head between her hands and gently raised it level with hers. His eyelids flickered, the whites of his eyes showing through the lashes. “I’m here, Kit. It’s me, Fiona. It’s going to be all right.”

His eyes opened a crack and he groaned. She held him close, desperate to transfer her warmth to him. Shock, that’s what it was. Loss of blood and the cold had sent him into shock. The first thing she had to do was get him warm. Fiona gently moved away from him and ran through to the bedroom. She grabbed a sleeping bag, a couple of flannel shirts and a pair of jeans, then hurried back to the bathroom. She draped the sleeping bag over his shoulders, keeping up a constant flow of reassuring words. Then she pulled the carrier bag out of her jacket and took out the bolt cutters. It took all her strength, but she managed to snap through the chain that fettered his legs and unwrap it from his ankles. His legs were stiff and cold in her hands, but she pulled them round to the front of the toilet and fed his feet through the legs of his jeans, pulling them up to his knees.

Next she took the chisel and the lump hammer and attacked the shackles holding him to the wall. Beginning with his right arm, a couple of blows were all it took to rip the metal eye out of the wall. His arm fell uselessly to his side and he groaned again.

Fiona moved round to the other side and considered. She didn’t want to disturb the shunt in his arm, afraid that if she took it out, he’d start bleeding again. She took a roll of elastoplast out of the first-aid kit and carefully wound it round the shunt, holding it firmly in place. Then she repeated the procedure with the hammer and chisel, freeing his left arm. He fell forward, a dead weight collapsed over his knees. Somehow, struggling against the mass of his torso, Fiona managed to dress him in the shirts, cutting the sleeves to get them over the chains and handcuffs.

Then, grunting with the effort, she hauled him to his feet, propping him against the wall so she could pull up his trousers. It was all taking too long, she thought with a surge of panic. His captor couldn’t be far away. Surely he wouldn’t take the risk of leaving Kit alone for too long.

Fiona let Kit slump back on to the toilet. She took out the heat packs, flexed them to activate the chemical reaction that would produce life-saving warmth and tucked them inside the shirts next to his skin. Then she went back to the bedroom and searched till she found a pair of thick socks and some battered trainers.

Her next stop was the living room. Inside one of the cupboards she found a couple of cans of Coke. Perfect. Fluid, and sugar. The caffeine probably wouldn’t be a problem for a man who routinely consumed as much coffee as Kit did. As she turned back, the narrow metal cabinet caught her eye. Where there should have been the shotgun that Kit used to pot rabbits, there was an empty space. A box of cartridges lay open, half-empty. Fresh panic seized her. Wherever he was, Kit’s abductor had a double-barrelled shotgun. What was already a desperate situation had suddenly become worse.

Hurrying back to the bathroom, she thrust Kit’s feet into socks and trainers. Then she pulled him upright from his slumped position. “Come on, Kit. I need you conscious, my darling, I need you able to function.”

The warmth had begun to do its work. With a shivering tremor, Kit’s eyes opened properly. He looked at her with puzzlement. “Fiona,” he croaked.

“Yes, it’s me, you’re not hallucinating. I found you, sweetheart. Now, I need you to drink this.” She held the can of Coke to his lips and forced herself to be patient while he sipped it through dry and cracked lips. “We’re going to get you out of here, I promise,” she said.

“Where’s Blake?” he said, his voice cracked and strange, his consonants slurred.

“Blake?” Fiona asked, wondering from what delirious corner of his mind he’d dredged that name.

“Francis Blake,” he insisted. “He brought me here. He did this to me.”

It shouldn’t have made sense, but suddenly, it did. The man she’d passed on the way to the bothy. Memory jolted into place. She’d never met Blake, but she’d heard his voice on TV. The aural recollection triggered a visual image. She hadn’t seen much of the stranger’s face, but now she had a template to set it against, she knew it was him. Francis Blake was the man with the axe. But even as her mind accepted the identification, her intelligence balked at it. Why on earth would Francis Blake have kidnapped Kit? How could he be this particular serial killer? It was meaningless, absurd.

It was also something she couldn’t afford the time to consider now. “He’s gone,” she said with a confidence she didn’t feel. But where was Blake, and what was he doing? Judging by the axe, he’d gone for firewood. Either that or it was simply an elaborate way to disguise the shotgun, constructing a hide of sticks around it. Obviously, he must have been heading back to the bothy, having hidden his vehicle somewhere else. But he’d heard her approach. Even if he didn’t know who she was, he knew she was heading for the only habitation on that particular track and so he must have turned round, to make it look as if he was walking away.

A simple enough ruse, but it had worked. She hadn’t felt a moment’s suspicion. And now he knew she was there. He couldn’t just let them go, could he? It was inconceivable.

Fiona shook her head in an attempt to clear her thoughts. “I’m going to get the Land Rover,” she said, keeping her voice brisk in an attempt to hide the fear twisting her guts. “I want you to stay here. If you can drink the rest of the Coke, that would be good. But don’t worry if your fingers don’t work yet. The circulation will take a while to come back. Do you know how much blood you’ve lost?”

“More than a pint,” he sighed, his voice still sounding like a drunk. “I passed out then. I suppose he must have stopped.” He blinked and focused properly on his surroundings for the first time, shuddering at the bloodwork on the walls. “Fuck,” he said with a laugh that turned into a cough. “He’s a fucking terrible painter.”

Fiona stood up and hugged his head to her chest. “I’ll be as quick as I can.” She let him go, and took the craft knife out of the bag, sliding the blade out an inch then putting it carefully in her jacket pocket. Leaving him behind was the hardest thing she had ever done, but the only way out for them was in the Land Rover. She couldn’t afford to wait for Caroline to summon the cavalry, not now she knew Blake had a gun.

She crossed to the front door and inched it open. She stared across the clearing down the track through the trees. Nothing stirred. Her flesh prickled with apprehension. He could be anywhere in those trees, sighting her down the barrel of a gun. He could be lurking behind the Land Rover, axe ready to swing down on her head. The prospect made her stomach cramp. Cautiously, she opened the door further, her free hand slipping into her pocket and gripping the knife handle. Still nothing stirred. If he was watching her with the gun at his shoulder, she’d be a harder target moving than standing still dithering, she told herself firmly. Now or never.

From a standing start, she sprinted across the clearing and down the track. She reached the Land Rover with a rapidity that surprised her, having forgotten how much more direct this route was than the initial approach she’d taken to the bothy. She yanked the door open and jumped inside, then leaned her head on the steering wheel for a moment, a sob of relief escaping from her gasping mouth. Get a grip, she chastised herself, straightening up.

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