Val Mcdermid - Killing the Shadows

A third series emerged from the unsolved pile. Within the past four months, three tourists had been attacked on their way back to their hotels in the early hours of the morning. Berrocal had already told her that Toledo was, by Spanish standards, an early-to-bed city, with most of the cafes and restaurants closed by eleven. But there were a few late-night bars, and the victims had all been in one or other of those. They had been walking back to their hotels alone when a masked man had jumped out from the mouth of an alley and attacked them. There had been no demand for money, just a silent and savage assault lasting a few minutes before their assailant ran off into the maze of narrow passages nearby.

Fiona gave a deep sigh of satisfaction. When crime linkage worked well, it was like a small miracle unfolding before her. Now she could enter the locations of the two significant series into her geographic profiling software and see what emerged.

Kit had watched Fiona walk up the hill from San Tomas, admiring her smooth stride and the way the cut of her trousers gave emphasis to the gentle swell of her hips. I am a lucky bastard, he congratulated himself, luxuriating briefly in the memory of their leisurely morning in bed. Even if she did his head in sometimes with her perpetual need to analyse and dissect everything and everyone who crossed her path, he wouldn’t have swapped her for any woman he’d ever met. One of the things he loved about her was her dedication to the job she did. But even when she was possessed by a case, she never lost sight of the importance of their relationship.

This morning, for example. She could have played the ‘I’m indispensable’ card and headed straight for the police station. But she’d assured him there would be nothing yet for her to get her teeth into and she’d taken time out to share something he’d wanted to do. He tried to do the same thing himself, but he knew he was worse at it than she was. When he was head down, going flat out for the finishing line of a book, he could think of nothing but the next chunk of text he had to get on to the screen. The only way he could show his love for her then was to cook for her and take the time to sit down and eat with her. It wasn’t much, but it was better than nothing.

He spent the rest of the day being a tourist, and got back to the hotel just after six, taking a bottle of red wine up from the bar to their room. He had no idea how long Fiona would be, but that wasn’t a problem. He turned the TV on to MTV Europe, poured a glass of wine, booted up his computer and collected his e — mail. The only significant message was from his agent, confirming a deal with the independent film makers who wanted to adapt his first novel for TV. Personally, he thought The Dissection Man was unfilmable, but if they were prepared to pay him large sums of money to find that out for themselves, he wasn’t about to complain.

Not that he cared much about money. Both his parents were teachers and he and his brother had grown up in an environment where money had never really been an issue. There had always been enough and he’d never been conscious of having been deprived of anything because his parents couldn’t afford it. He hadn’t had much of an advance for his first or his second novel, and he reckoned no one had been more surprised than his publishers when The Blood Painter had become an overnight cult sensation then made the crossover to mainstream success. As a result, he guessed he’d earned more money in the previous two years than his parents had in the past ten.

And he didn’t know what to do with it. A large chunk had gone on buying the house, but other than that, he and Fiona had few material desires. He didn’t care about designer clothes, he had no interest in performance cars and he still preferred the kind of holiday where they’d fly somewhere, pick up a hire car and stay in cheap motels or guest houses His biggest expenditure was probably on music, but even there he economized by waiting till he was in the States or Canada on a book tour and indulging himself in a CD-buying spree at their lower prices.

The only real indulgence he’d craved was a retreat where he could escape to write when the book was going through that difficult middle period. Beginnings were always easy, but by the time he’d worked through the first hundred pages, depression would strike as he realized he was already falling far short of what he’d aspired to. At that stage, every interruption was a torment. Fiona was about the only person who didn’t piss him off, but that was because she knew when to leave him alone.

It was Fiona who had suggested he buy a cottage in the wilds where he could go and work undisturbed for however long it took him to get over the hump of dissatisfaction. Usually, the truly terrible phase lasted for about six weeks or a hundred and fifty pages, and Fiona had informed him that she’d rather do without his company if that helped him to return more quickly to his normal cheerful self.

So he’d bought the bothy. It never ceased to amaze him that anywhere on the British mainland could feel so isolated. From the two-roomed cottage, no other human habitation was visible in any direction. To get there, he had to fly to Inverness, pick up the elderly Land Rover he garaged there, stock up with a supply of groceries, then drive for another two hours to the eastern fringe of the vast wilderness of Sutherland. His power came from a diesel generator, his water from a nearby spring, his warmth from a wood-burning stove that also heated enough water to half fill his bath. At Fiona’s insistence, he’d invested in a satellite phone, but he’d only ever used it to link up his computer for e — mail.

The isolation was more than most people could have borne. But for Kit, it was a lifeline. With the only distraction an occasional excursion to shoot rabbits for the pot, he invariably found he ploughed through the hardest sections of his books in far less time than it took in London. And the quality of his work had improved as a result. He knew it, and so did his readers.

And there was no denying that absence enriched his relationship with Fiona. Even though they were in daily e — mail contact often swapping posts that would have qualified as pornography in any other context their reunions had all the ardour of the first days of their affair, when no amount of physical contact was too much and no demand too outrageous. Just thinking about it excited him. Who would imagine that behind Fiona’s cool exterior was a sensualist who had turned the hard man of British crime fiction into a romantic fool?

She was always at her most passionate when she’d been forced to confront violent death. It was as if she needed to reaffirm her connection to life, to reassert her own vitality in defiance of a killer. Kit might deprecate the source, but he had to confess he wasn’t averse to reaping the benefits.

Mentally, he shook himself. Anticipation of Fiona’s return was the surest way to distract him from what he was supposed to be doing. He had decided to do one of the periodic revisions he routinely ran through to check that everything in the book was flowing smoothly. He typed in the commands to print out the last sixty pages and flicked the TV over to BBC World to check out the news headlines.

The early evening news magazine programme was in full flow, the interviewer winding up what sounded like a deeply dull item about the state of the Euro, courtesy of a junior Treasury minister. The studio anchor’s voice suddenly picked up urgency. And news just in. Police in Edinburgh have identified the victim of a brutal murder that took place in the heart of the Scottish capital in the early hours of this morning as the international best selling thriller writer Drew Shand.

Kit’s forehead wrinkled in an incredulous frown. Over to our correspondent James Donnelly in Edinburgh.