James Siegel - Deceit

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It looks like just another car crash: a head-on collision on a lonely stretch of desert highway that leaves one driver dead. But Tom Valle, the local newspaperman assigned to the story, is damned good at spotting lies. And for Valle, once a star reporter at America's most prestigious daily, this so-called accident may be just the ticket he needs to resurrect his career and get him out of the aptly named town of Littleton, California, for good. Yet as Valle eagerly starts investigating, he finds himself the only one who cares about getting the story right. As he starts checking facts, and unveiling lie after lie, he finds himself completely alone — and negotiating a dark trail of corruption, cover-ups, fraud, and murder that stretches back for decades. The more he discovers, the closer he gets to the heart of a conspiracy that threatens to destroy him. From a seedy after-hours bar in L.A. to a remote cabin in the woods to the dark corridors of a psychiatric ward, Valle is desperately seeking redemption in the truth. But, as the boy who cried wolf so many times before, will anyone believe him?

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He first appeared stage right, in tank top and running shorts, seconds away from bumping into the talent agent who was telling some producer-over her cell phone, of course-about some hot project, using words certain to be construed two ways.

I leaned forward in my chair, nearly planting my chin into the person sitting in front of me.

It was meant to be dusk, that twilight hour Shakespeare was so fond of. Magical things happened at dusk; people turned into donkeys, spells were cast and lifted, lovers parted and reunited. I leaned forward because the dimmed lights made it hard to see and I couldn’t be 100 percent sure.

By the time he appeared at the beginning of act two in the full, glaring sunshine of morning, all doubts were dispelled.

It was him.

There wasn’t a stage door.

This was off-off-off-Broadway. The actors exited from the same door the audience did, the one in the front.

I had to wait them out, mingle with the handful of other theatergoers waiting for the actors to appear.

After ten minutes, they began straggling out, first an actress met by a middle-aged couple I imagined were her parents. They wrapped her up in a big hug and gushed on and on about how hysterical the play was, exhibiting the acting genes they must’ve passed on to their daughter.

Then one of the male actors, barging through the theater door and already yakking on his cell phone.

What d’ya mean, not right for the part… you tell them…

When he came out-his name was Sam Savage , according to the playbill-he was with two other members of the cast, a man and a woman. I was half-turned to the wall, undecided whether to go up and confront him or wait back for a while.

I waited.

They slipped out the door where the man waved good-bye. That left Sam with the lithe blond actress; they sauntered down the sidewalk hand in hand.

I followed them, trying to keep a respectable distance. Maybe half a block or so.

If you’ve never followed anyone, it’s harder than it looks.

They weren’t just a moving target-they kept stopping too, peeking into one window or another, mostly her. He would separate from her, wander away, and sometimes turn around and stare back in my direction.

I tried to mirror them, to anticipate, to stop, turn, and hope that when I turned back, they’d still be there.

They turned right on Santa Monica and walked up to Seventh.

The whole time, as I followed and ducked and covered, I kept asking myself one question. Like a mantra. Hoping that if I mumbled it long enough, I might figure things out.

I was starting to connect the dots-here and there beginning to draw very shaky lines from one thing to another. But it was like that dream I had-every time I looked at the half-finished picture, it had disappeared like Littleton Flats itself.

They ducked into a bar on Seventh.

The Pinata .

I didn’t have to walk inside to know what it looked like. Frozen margaritas with little pink umbrellas, plastic table tents with sombreros on them, wooden bowls of chips and salsa. I waited outside, listening to the strains of Los Lobos as people wandered in and out.

Finally, I pushed the door open and walked inside.

It was loud and packed.

She was sitting alone at the bar. The actress. Sipping a gargantuan frozen margarita, the kind you could only dream about at Muhammed Alley.

Where was he? Bathroom?

I walked to the end of the bar farthest away from her, managed to squeeze myself in next to a group of five very drunk women, and ordered an Excellente, the house specialty according to the drink menu, a margarita made with Cuervo Gold, peach liqueur, and a secret ingredient they refused to divulge upon pain of death.

I was halfway through my Excellente when I spotted him.

I’d been staring at him for a while before I knew who it was. There was the actress-already starting on margarita number two. There was the fashionably decked-out couple sitting next to her-he with shaven head and sunglasses, she with tan, silicone-enhanced breasts. There was the waiter taking their order. It wasn’t until the waiter closed his pad, smiled, and leaned down to whisper something into her ear that I knew it was him.

Why not?

He was an actor. In an off-off-off-Broadway theater. Which meant he was also a real estate hawker, a telephone sales solicitor, a parking lot valet. Or a waiter. After the curtain went down, he simply traded one costume for another.

I was starting to feel the margarita. Good.

It was helping to dull the fear.

I was sucking the last remnants of my second one when the lights suddenly began flickering on and off, on and off, on and off.

Closing time.

The five girls disappeared.

Not the blond actress.

He came out from the back, apron off, and whisked her off her stool.

I took the opportunity to slink out of the bar, making sure to stand several yards away from the front entrance.

They didn’t make sidewalks like they used to; this one was swaying like a rope bridge in a gale.

The two of them came out the door and walked right past me without exhibiting the slightest recognition.

I was just an audience member. Someone sitting out there in the dark.

I became bolder with that realization, tailing them by mere feet. Stumbling after them like a third wheel.

They turned the corner, and five seconds later I followed.

Which is when an odd thing happened.

I was greeted by empty sidewalk.

Nothing.

There was a car illegally parked on Fifth, but when I peeked through the window, no one was sitting in it.

I felt the panic of walking into a dark and unfamiliar room when you have no idea where the light switch is.

When you lose something, retrace your steps.

I staggered back to the corner-looking for a doorway I might’ve missed. Somewhere they might’ve ducked inside.

I felt his forearm smashing into my lower back before I actually saw him. Then I was on my knees, staring straight into very blurry pavement.

“Okay, motherfucker, why are you following us?”

My lower back was on fire. When I tried to get to my feet, he pressed his knuckles into my shoulders and shoved me back down. I felt his hot spittle spray against my neck.

“Answerme, asshole!”

“I had a follow-up question,” I said.

Huh ?”

“There was something I forgot to ask you.” I could see the girl now. They must’ve been hiding behind the quaint, retro lamppost, waiting for me to come sauntering by.

“What the fuck are you talking about?” he asked.

“I’m talking about the story.”

“What story? Who the hell are you ?”

“I want to get up.” I was this close to throwing up. Too many Excellentes.

He hesitated, then said: “Okay. But slowly, right, chief?”

I managed to push myself up to a standing position without falling over. My left pants knee was ripped and bloody.

When I turned and looked at him, I saw someone who’d simply been taking on a role before-that of the tough, streetwise hombre -but who now looked pretty much like an actor uncertain of his lines. For one thing, he’d stepped back as I turned around, a physical surrender of previously hard-won territory.

Maybe he’d recognized me.

“Hey there, Ed,” I said.

He didn’t answer me.

“He’s not Ed ,” his girlfriend said, looking wary and spooked. “He’s Sam. You obviously have the wrong person. We thought you were trying to mug us. So we’ll just continue on our way home, okay?”

“I know his name’s not Ed,” I said. “But he played someone named Ed. You remember, don’t you? A pharmaceutical salesman named Edward Crannell. On a highway outside Littleton.”

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