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Alan Glynn: The Dark Fields aka Limitless

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Alan Glynn The Dark Fields aka Limitless

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Imagine a drug that makes your brain function in a fantastically efficient way, tapping in to your fundamental resources of intelligence and drive. Imagine a drug that could make you read and remember entire books in a matter of hours, or learn a foreign language in a day. Imagine a drug that could make you process information so fast you can see the patterns on the stock market. Eddie Spinola is on such a drug. It's a pill called MDT-48. It's a Viagra for the brain, a designer drug that's redesigning his life. Eddie's not the only one doing MDT, but with his dealer shot dead and Eddie escaping with a large stash, he's the only one with a supply. And while the drug is helping Eddie make the sort of money he's only dreamed about, he's also beginning to suffer its side-effects. The Dark Fields is a high-concept, highly original thriller, a pharmaceutical Faust that is page-turning and thought-provoking in equal measure.

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Carrying the holdall and the briefcase – one in either hand – I wandered around for a while until I found a taxi on Westchester Avenue, which I then took to the nearest car-rental outlet. Using my credit card, I rented a Pathfinder. Then I immediately got out of White Plains and continued north on Interstate 684.

I passed Katonah and took a left at Croton Falls for Mahopac. Off the highway now and driving through this quiet, hilly, woodland area, I felt displaced, but at the same time strangely serene – as though I had already passed over into some other dimension. Shifts in perspective and velocity intensified my growing sense of unreality. I hadn’t been behind the wheel of a car for ages – and not, in any case, out of the city, and at such speed, and never high up like this in one of these SUVs…

As I approached Mahopac itself, I had to slow down. I had to make an effort to refocus on what I was doing, and on what I was about to do. It took me a while to remember the address that Melissa had written down for me in the bar on Spring Street. It eventually came to me, and when I got into town, I stopped at a gas station to buy a map of the area so I could work out how to get to where she lived.

Ten minutes later I’d found it.

I cruised right on to Milford Drive and pulled up at the kerb in front of the third house on the left. The street was quiet and canopied with trees. I reached over to the back seat, where I’d put the holdall. I opened a side pocket of the bag and pulled out a small notebook and a pen. Then I took the briefcase from the passenger seat and placed it on my lap. I tore a page out of the notebook and wrote a few quick lines. I opened the briefcase, stared at the money for a moment and then secured the note inside so that it was clearly visible.

I got out of the car, pulling the briefcase after me and started walking along the narrow pathway towards the house. There was an area of grass on either side of the pathway and on one of them there was a small bicycle lying on its side. It was a single-storey, grey clapboard house, with steps leading up to it and a porch at the front. It looked like it could do with a lick of paint, and maybe a new roof.

I went up the steps and stood on the porch for a moment. I tried to peer inside, but there was a screen on the door and I couldn’t see properly. I crooked my index finger and rapped it on the frame of the door.

My heart was thumping.

After a moment, the door opened and standing before me was a spindly little girl of about seven or eight. She had long, dark, straight hair and deep brown eyes. I must have shown how surprised I was because she furrowed her eyebrows and said, officiously, ‘Yes?’

‘You must be Ally,’ I said.

She considered this for a moment and then decided to nod in the affirmative. She was wearing a red cardigan and pink leggings.

‘I’m an old friend of your mother’s.’

This didn’t seem to impress her much.

‘My name’s Eddie.’

‘You want to speak to my mom?’

I detected a slight impatience in her tone and in her body language, as though she wanted me to get on with it – to get to the point so she could get back to whatever it was she’d been doing before I came along to disturb her.

From somewhere in the background a voice said, ‘Ally, who is it?’

It was Melissa. All of a sudden this began to seem a lot more difficult than I had anticipated.

‘It’s a… man .’

‘I’ll…’ – there was a pause here, pregnant with momentary indecision, and maybe even a hint of exasperation – ‘… I’ll be there in a minute. Tell him… to wait.’

Ally said, informatively, ‘My mom’s washing my kid sister’s hair.’

‘That’d be Jane, wouldn’t it?’

‘Yeah. She can’t do it herself. And it takes ages.’

‘Why’s that?’

‘Because it’s so long.’

‘Longer than yours?’

She made a puffing sound, as if to say, Whoa, mister, you’re nowhere near as informed as you think.

‘Well, listen,’ I said, ‘you’re obviously all busy here.’ I paused, and looked directly into her eyes, experiencing something like vertigo, but with both feet on the ground. ‘So why don’t I just leave this with you… and you can tell your mom I was here… and that I left this for her.’

Being careful not to seem in any way pushy, I leant forward a little and placed the briefcase on a rug just inside the door.

She didn’t move as I did this. Then she looked down suspiciously at the briefcase. I took a couple of steps back. She glanced up at me again.

‘My mom said you were to wait.’

‘I know, but I’m in a hurry.’

She assessed this for plausibility, intrigued now – whatever she’d been doing before I arrived apparently forgotten.

‘Ally, I’m coming.’

The urgency in Melissa’s voice cut into me and I knew I had to get away before she appeared. I’d been going to tell her not to open the suitcase until I left. Now it would make no difference.

I backed down the steps.

‘I’ve got to go, Ally. It was nice meeting you.’

She furrowed her eyebrows again, altogether unsure about what was going on now. In a small voice, she said, ‘My mom’s just coming.’

Stepping backwards, I said, ‘Will you remember my name?’

In an even smaller voice, she said, ‘Eddie.’

I smiled.

I could have stared at her for hours, but I had to break away and turn around. I got back to the car and climbed in. I started the engine.

Out of the corner of my eye, as I was pulling away, I was aware of a sudden movement at the door of the house. When I got to the first junction, and was about to turn left, I glanced into my rearview mirror. Melissa and Ally were standing – holding hands – in the middle of the street.

*

I made my way over towards Newburgh and then got back on to Interstate 87, heading north. I decided I would keep going until I got to Albany and then take it from there.

It was early afternoon as I arrived in the outskirts of the city. I drove around for a bit and then parked in a side street off Central Avenue. I sat in the car for twenty minutes, staring at the wheel.

But take what from here?

I got out and started walking, briskly, and not in any particular direction. As I moved, I replayed the scene with Ally over and over in my mind. Her resemblance to Melissa was uncanny and the whole experience had left me stunned – blinking at infinity, shuddering in sudden, unexpected spasms of benevolence and hope.

But as I moved, too, I could feel Gennady’s silver pillbox lodged in the pocket of my jeans. I knew that in a few hours’ time I would be opening the box, taking out the two tablets that were left in it, and swallowing them – a simple, banal sequence of movements that was all too finite and bereft of anything even approaching benevolence or hope.

*

I wandered on, aimlessly.

After about half an hour, I decided there wasn’t much point in going any further. It looked like it was going to start raining soon, and in any case the unfamiliarity of these busy commercial streets was becoming a little disconcerting.

I stopped and turned around to go back towards the car. But as I did so I found myself staring into the window of an electrical goods store in which there were fifteen TV sets banked up in three rows of five. On each screen, staring directly out at me, was the face of Donatella Alvarez. It was a headshot. She was leaning forward slightly, her eyes big and deep, her long, brown hair casting one side of her face into shadow.

I stood frozen on the sidewalk, people passing behind and around me. Then I stepped a little closer to the window and watched as the news report continued with exterior shots of Actium and the Clifden Hotel. I moved along the window and stepped inside the door so I’d be able to hear the report as well as see it – but the sound was quite low and with the traffic passing behind me all I could hear were fragments. Over a shot of Forty-eighth Street, I thought I caught something about ‘… a statement issued this afternoon by Carl Van Loon’. Then, ‘… a re-appraisal of the deal in the light of negative publicity’. And then – I was really straining to hear now – something like ‘… share prices adversely affected’.

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