David Peace - 1980

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“David Peace is the future of crime fiction… A fantastic talent.” – Ian Rankin
“[David Peace is] transforming the genre with passion and style.” – George Pelecanos
“Peace has single-handedly established the genre of Yorkshire Noir, and mightily satisfying it is.” – Yorkshire Post
“Peace is a manic James Joyce of the crime novel… invoking the horror of grim lives, grim crimes, and grim times.” – Sleazenation
“A tour de force of crime fiction which confirms David Peace’s reputation as one of the most important names in contemporary crime literature.” – Crime Time
“A compelling and devastating body of work that pushes Peace to the forefront of British writing.” – Time Out
“[Peace] exposes a side of life which most of us would prefer to ignore.” – Daily Mail
“A writer of immense talent and power… If northern noir is the crime fashion of the moment, Peace is its most brilliant designer.” – The Times (London)
“Peace has found his own voice-full of dazzling, intense poetry and visceral violence.” – Uncut
Third in the "Red Riding Quartet", this tale is set in 1980, when the Yorkshire Ripper murders his 13th victim. Assistant Chief Constable Hunter is drawn into a world of corruption and sleaze. When his house is burned down and his wife threatened, his quest becomes personal.

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Me: ‘What she say?’

‘I don’t know,’ he shrugs again. ‘Not much, I heard. Anyway, that was me. I knocked off and it wasn’t until yesterday night when I come back on for another bloody graveyard and gaffer tells us that they’re still holding punter from Sunday night and Ripper Squad are giving him once over. So that gets me old brain ticking and that’s when I go off back up to Trades House…’

Thirty people, nodding, in awe -

The King of the Detectives.

Not me, me: ‘You call here first?’

‘No.’

‘You tell anyone what you were up to?’

‘No,’ he says, shaking his head. ‘I didn’t really think there’d be anything there, did I. But I just wanted to make double sure.’

‘Go on, John. Go on.’

‘So I get up there and I remember him saying he needed a slash like, going behind tank. So that’s where I go and fuck me if there isn’t a hammer and a bloody knife on ground by back wall.’

Me: ‘You touch them?’

Him: ‘No.’

‘What did you do?’

‘Ran straight back to car and called station and they’re straight on to here and Ripper Room and then word comes back to leave them, in situ like, and photographer’s on his way and someone, Bob Craven, he’s on his way from Leeds.’

Applause -

Thirty beaming coppers -

Shaking his hand all over again -

Shaking his hand, patting his back and cracking him cans -

Cans, backs, and hands until -

Until Noble says -

‘It’s time.’

Underground -

Back underground -

In the dark room with the one wall half glass -

Behind the glass, the two-way mirror -

Light from behind the glass -

The stage set -

Act III, the Final Act:

Four chairs and a table -

The players -

Noble and Alderman and Prentice -

Today’s special guest -

Back by popular demand:

Peter David Williams of Heaton, Bradford -

34-year-old, married, lorry driver -

Black beard and curly hair, a blue jumper with a white v-neck band -

The Yorkshire Ripper -

Behind the glass -

Noble: ‘This is going to take some time, Peter?’

The Yorkshire Ripper nods.

Noble: ‘Let’s just get straight who it is we’re talking about, OK?’

The Yorkshire Ripper: ‘OK.’

Noble: ‘So first would be Joyce Jobson?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Then Anita Bird?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Theresa Campbell?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Clare Strachan?’

The Yorkshire Ripper shakes his head: ‘No.’

Noble: ‘You sure about that?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Joan Richards?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Ka Su Peng?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Marie Watts?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Linda Clark?’

The Yorkshire Ripper: ‘No.’

Noble: ‘Rachel Johnson?’

The Yorkshire Ripper pauses, then says: ‘I…’

Noble repeats himself: ‘Rachel Johnson, Peter? Yes or no?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Janice Ryan?’

The Yorkshire Ripper: ‘No.’

Noble: ‘Elizabeth McQueen?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Kathy Kelly?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Tracey Livingston?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Candy Simon?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Doreen Pickles?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Joanne Thornton?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Dawn Williams?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘No relation?’

The Yorkshire Ripper: ‘No.’

Noble: ‘Laureen Bell?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Missed anyone have we, Peter?’

The Yorkshire Ripper looks directly into the mirror -

The mirror, the glass -

The other side of the glass, the other side of the mirror -

On the other side of the mirror where we’re all sitting -

Angus, Oldman, Murphy, McDonald, Ellis, and me -

Looks through the mirror, the Yorkshire Ripper -

And he nods at us -

Noble: ‘Who, Peter? Who?’

The Yorkshire Ripper: ‘Noorjahan Davit.’

On the other side of the glass, the other side of the mirror -

On the other side of the mirror where Ellis is on his feet -

Where I’m thinking -

Noorjahan Davit, murdered Bradford, November 1978 .

Back up on stage Noble says: ‘That was you, was it?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Go on.’

The Yorkshire Ripper: ‘Tessa Smith.’

On the other side of the glass, the other side of the mirror -

Where I’m thinking -

Tessa Smith, Batley, November 1979 .

On stage Noble shaking his head: ‘Afraid I don’t know that one, Pete?’

Alderman: ‘Attacked Batley, November 1979?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Anyone else?’

The Yorkshire Ripper: ‘Prudence Banks.’

On the other side of the glass, the other side of the mirror -

Where I’m thinking -

Prudence Banks, murdered Harrogate, August 1980 .

Noble: ‘Harrogate? This August?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Strangled, wasn’t she?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘Anyone else?’

The Yorkshire Ripper: ‘That’s all.’

Noble: ‘That’s all? That’s a bloody lot of women, Peter?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘This is going to take a fair while, Peter.’

And the Yorkshire Ripper -

The Yorkshire Ripper, he nods directly into the mirror -

The mirror, the glass -

The other side of the glass, the other side of the mirror -

On the other side of the mirror where Ellis is going out the door -

Going out the door, shouting -

Shouting at everyone and anyone:

‘Davit, Smith, and Banks – get us them files.’

And back behind the mirror -

The mirror, the glass -

The other side of the glass, the other side of the mirror -

On the other side -

On the stage -

On the stage where Noble says: ‘All right, Peter. I just want to clear these up, these ones you’re saying aren’t you?’

The Yorkshire Ripper: ‘OK.’

Noble: ‘Clare Strachan? This was in Preston in November 1975?’

The Yorkshire Ripper: ‘I know.’

Noble: ‘But it wasn’t you?’

The Yorkshire Ripper: ‘No, it was him.’

Noble: ‘Who?’

The Yorkshire Ripper: ‘Other one.’

Noble: ‘Who we talking about Peter?’

The Yorkshire Ripper: ‘That headbanger, the one that wrote the letters, that sent that tape.’

Noble: ‘So that wasn’t you?’

The Yorkshire Ripper: ‘No.’

Noble: ‘You don’t know who it was, do you?’

Silence -

Silence until -

Until the Yorkshire Ripper with a glance into the glass -

A glance into the glass -

The glass -

The glass, the mirror -

The other side of the glass, the other side of the mirror -

On the other side of the mirror where I am standing with my hands and face up to the glass -

Up at the glass, the mirror -

Until -

Until the Yorkshire Ripper says: ‘No.’

Noble: ‘And Linda Clark?’

The Yorkshire Ripper: ‘No.’

Noble: ‘It wasn’t you?’

The Yorkshire Ripper: ‘No.’

Noble: ‘You sure you know who we’re talking about? When it happened?’

The Yorkshire Ripper: ‘Yes.’

Noble: ‘June 77. Bradford?’

The Yorkshire Ripper: ‘I know.’

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