David Peace - 1980

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1980: краткое содержание, описание и аннотация

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“David Peace is the future of crime fiction… A fantastic talent.” – Ian Rankin
“[David Peace is] transforming the genre with passion and style.” – George Pelecanos
“Peace has single-handedly established the genre of Yorkshire Noir, and mightily satisfying it is.” – Yorkshire Post
“Peace is a manic James Joyce of the crime novel… invoking the horror of grim lives, grim crimes, and grim times.” – Sleazenation
“A tour de force of crime fiction which confirms David Peace’s reputation as one of the most important names in contemporary crime literature.” – Crime Time
“A compelling and devastating body of work that pushes Peace to the forefront of British writing.” – Time Out
“[Peace] exposes a side of life which most of us would prefer to ignore.” – Daily Mail
“A writer of immense talent and power… If northern noir is the crime fashion of the moment, Peace is its most brilliant designer.” – The Times (London)
“Peace has found his own voice-full of dazzling, intense poetry and visceral violence.” – Uncut
Third in the "Red Riding Quartet", this tale is set in 1980, when the Yorkshire Ripper murders his 13th victim. Assistant Chief Constable Hunter is drawn into a world of corruption and sleaze. When his house is burned down and his wife threatened, his quest becomes personal.

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I drive back into the centre of Manchester, the radio playing:

Afghanistan, Poland, Iran, Northern Ireland, the world -

This whole empty forgotten world at war .

And the lies -

The murder and the lies, the cries and the whispers, the screams of the wires and the signals, of the voices and the numbers:

13% pay demand, 10,000 hunger strike march, 150 of 701 words, 20,000 steel jobs to go, Leeds 1, Forest 0, Kipper 13, Police 0, 13-nil, 13-nil, 13-nil, 13-nil…

In the car park at Manchester Police Headquarters there’s a car in my space, the reserved space that says:

Peter Hunter – Assistant Chief Constable

There are a lot of empty spaces but I still park next to the other car.

There are two men sat in the car.

I don’t recognise either of the men, though the driver’s staring at me -

He smiles.

I get out of my car, lock it, and go inside.

I sign in and ask the Sergeant on the desk to go and have a word with the two men in the car outside.

I go upstairs to my office -

It’s locked.

I take out my keys and open it.

It’s just as I’d left it.

I sit down behind my desk and begin to make the necessary calls:

But no-one’s answering at Richard Dawson’s house -

Roger Hook is unavailable -

And the Chief Constable’s at chapel until twelve, half past at the latest.

I look at my watch:

It’s nine o’clock -

Sunday 14 December 1980.

The phone rings: ‘Yes?’

‘Sir. It’s the desk downstairs. That car, sir? It wasn’t there. But your space is free so would you like me to arrange to have your car moved?’

‘It’s OK. Thank you.’

I hang up.

The phone rings again:

‘Sir. It’s your wife.’

I press the button, the flashing orange button: ‘Joan?’

‘Peter?’

‘What is it?’

‘It’s the Dawsons, love. Linda’s been on the phone, hysterical. Their house was raided first thing…’

‘Raided?’

‘Police. Manchester Police. Turned the place upside down.’

‘When?’

‘This morning, five o’clock. Taken away all their papers, photos.’

Shit

‘OK,’ I say. ‘I’ll make some calls.’

‘I’m sorry, after what you said last night, but Linda’s in pieces…’

‘It’s OK. Where’s Richard?’

‘He was at Linda’s parents I think, but…’

‘OK,’ I say again. ‘I’ll make some calls, try and find out what’s going on.’

‘What shall I tell her?’

‘Tell her not to worry, that I’m dealing with it.’

‘Thank you. I’m sorry.’

‘Don’t be. I’d better go.’

‘Bye,’ she says.

‘Bye.’

I hang up and reach straight for the phone book -

I find Bob Douglas’s home number -

I dial -

It rings -

He answers -

I say: ‘Is Deirdre there?’

‘What?’

‘It’s Mike. Can I speak to Deirdre?’

‘You got the wrong number, mate,’ says Bob Douglas and hangs up.

I dial two numbers again:

No answer at the Dawsons -

None from Cook.

I go through my address book:

Mark Gilman at the Manchester Evening News is off -

Neil Hartley in Cheshire heard Cook was looking into some dodgy finances -

John Jeffreys heard something about heads rolling -

Big Heads, that’s all.

I pick up my coat and go back down to the car, parked in the wrong space.

Bob Douglas lives in a detached house in the nice part of Levenshulme, the part on the way out to Stockport.

I walk up the drive and ring the doorbell.

Douglas opens the front door -

He’s put on weight and lost some hair and his clothes give him the look of a short and guilty man on his way to court.

‘Morning,’ I say.

‘Mr Hunter,’ he smiles.

‘We need to talk.’

‘I thought you might say that.’

‘You going to invite me in then?’

Bob Douglas holds open the door and sees me through to the lounge.

I sit down on a big settee, the smell of a roast in the house.

‘Drink?’

‘Cup of tea’d be nice.’

‘I’ll just be a minute then. Wife’s not in,’ he says and leaves me alone in his lounge with its unframed Degas print, the Christmas cards and tree, the photos of his wife and daughter.

He brings in the teas and hands me mine: ‘Sugar?’

‘No, thanks.’

He sits down in one of the matching chairs.

‘Nice looking lass,’ I say, nodding at a school portrait.

‘Aye. Keeps me young.’

‘How old is she?’

‘Be seven in February.’

‘You’re a lucky man.’

Bob Douglas smiles: ‘Is that what you came to tell me?’

‘No,’ I shake my head. ‘No, it’s not.’

‘Go on then.’

I tell him: ‘I saw Richard Dawson last night.’

‘At the Midland Ball?’

‘Yes. Although he wasn’t exactly having one.’

‘Upset was he?’

‘Yeah, but I reckon he’s feeling even more upset right this minute.’

‘You heard then?’

‘His wife called mine first thing. He call you?’

‘No, but I reckoned it’d be this morning.’

I take a sip of my tea and wait to see if he’s going to say any more -

He takes a sip of his and says nothing.

I say: ‘What’s going on, Bob?’

‘What did he tell you?’

I put my tea down on one of his coasters, one of an etching of a famous golf course, and I say: ‘Sod what he told me. I’m asking you.’

He’s sat forward now, his hands on his knees, looking nervous.

‘Spit it out,’ I say.

‘All I know is Roger Hook, he’s heading up some operation into Richard Dawson. Been on the cards a while like, but someone…’

‘What kind of operation?’

‘He’s bent isn’t he? Everyone knows that.’

‘I didn’t.’

‘Well, that’s it, isn’t it? It was just going to be taxman, but then they heard Brass might be in for it, so Smith stuck Hooky on it. Dead hush-hush. Get it sorted out.’

‘They heard? Heard from who?’

The front door opens -

Child’s feet, a woman’s voice following -

The lounge door bursts open -

I stand up.

The girl freezes, thin and skinny as a tiny toy rake.

‘Hello, love,’ I say.

The girl looks at her Daddy -

Her Dad smiles: ‘Come say hello, Karen.’

But the girl goes back behind the chair.

Bob Douglas’s wife comes in, rain in her hair, and then stops dead.

Her husband says: ‘Sharon love, this is Peter Hunter. The Assistant Chief Constable.’

‘Yeah?’ she says, shaking my hand but looking at him.

‘We’ll be finished in a minute,’ says Douglas as casually as he can.

I nod and smile.

His wife takes the girl by the hand, her face anxious. ‘Come on, Karen. Let’s get the dinner on,’ she says, closing the door on us.

I sit back down.

Douglas is white.

‘Who?’ I smile.

‘I don’t know.’

‘Fuck off,’ I hiss. ‘You do.’

‘I don’t.’

‘Another copper?’

He’s looking down at the carpet, the big flowers and birds, shaking his head: ‘I don’t know.’

‘But they’re saying it’s me. I’m dirty.’

He looks up and nods.

‘Saying this started because of me?’

‘Someone tipped them…’

‘Who tipped them?’

‘I don’t know.’

‘But you’d tell me if you did, right Bob?’

He smiles -

I don’t -

I say: ‘OK, so who the fuck was it told you all this?’

‘Ronnie Allen,’ he whispers, glancing at the door.

‘There’s a fucking surprise.’

Douglas shrugs.

‘And you’re sure Ronnie didn’t give you any other names?’

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