David Peace - 1983

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1983: краткое содержание, описание и аннотация

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“Peace is a manic James Joyce of the crime novel… invoking the horror of grim lives, grim crimes, and grim times.” – Sleazenation
“[Peace] exposes a side of life which most of us would prefer to ignore.” – Daily Mail
“David Peace is the future of crime fiction… A fantastic talent.” – Ian Rankin
“British crime fiction’s most exciting new voice in decades.” – GQ
“[David Peace is] transforming the genre with passion and style.” – George Pelecanos
“Peace has single-handedly established the genre of Yorkshire Noir, and mightily satisfying it is.” – Yorkshire Post
“A compelling and devastating body of work that pushes Peace to the forefront of British writing.” – Time Out London
“A writer of immense talent and power… If northern noir is the crime fashion of the moment, Peace is its most brilliant designer.” – The Times (London)
“Peace has found his own voice-full of dazzling, intense poetry and visceral violence.” – Uncut
“A tour de force of crime fiction which confirms David Peace’s reputation as one of the most important names in contemporary crime literature.” – Crime Time
The intertwining storylines see the "Red Riding Quartet's" central themes of corruption and the perversion of justice come to a head as BJ the rent boy, lawyer Big John Piggott, and cop Maurice Oldfield, find themselves on a collision course that can only end in terrible vengeance.

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I showed him my warrant card.

He shrugged: ‘Was up road on right, not there now though.’

‘Since when was that then?’

Another shrug: ‘Since it burned down – seven, maybe even ten years ago now.’

‘So I’m actually a bit late then, aren’t I?’

He smiled.

‘Can I have one of them?’ I said, pointing down at a Yorkshire Post and Hazel.

He nodded and took out a small pocket-knife. He cut the string that bound the papers together.

I handed him the money but he refused it: ‘Go on, you’re all right.’

‘Which one was it then?’ I asked him. ‘His studio?’

He peered up the road: ‘Where that Chinkie is.’

‘Knew Ted well, did you?’

He shook his head: ‘Just to say how do, like.’

‘Never turned up, did he?’ I said, looking up the road.

He sighed: ‘Long time ago now.’

‘After fire?’ I said. ‘No-one ever heard of him after that?’

Another shake of the head: ‘Thought your mob reckoned he did a bloody Lord Lucan on us?’

I nodded: ‘Long time ago.’

‘Here,’ he winked. ‘I’ll tell you who else worked there -’

‘Thanks for the paper,’ I nodded again and started walking away -

‘Michael bloody Myshkin,’ he shouted after me. ‘Pervert who did all them little lasses.’

I kept walking, walking away, crossing by a shoe shop -

‘Should have hung him, evil little bastard…’

Long time ago .

I came to the Lotus Chinese Restaurant & Take Away. I peered in over the menu in the window, white tablecloths and red napkins, the chairs and the tables, all stood there in silence and shadow -

A long time ago .

Across the road was another empty shop, just a name and a big weatherbeaten sign declaring that the property was to be redeveloped by Foster’s Construction, builders of the new Ridings Shopping Centre, Wakefield:

Shopping centres -

Such a long time ago -

Fucking shopping centres -

Such a long, long time ago -

But the lies survived, those accepted little fictions we called history -

History and lies -

They survived us all.

Morley Police Station -

The Incident Room:

Alderman, Prentice, Gaskins, and Evans.

We were looking at a photograph and a poster -

One big word in red:

MISSING -

Above a picture of a ten-year-old girl with medium-length dark brown hair and brown eyes, wearing light blue corduroy trousers, a dark blue sweater embroidered with the letter H , and a red quilted sleeveless jacket, carrying a black drawstring gym bag.

I said: ‘What happened to the H embroidered on the bag?’

‘It was difficult -’ began Evans with the excuses.

I put up my hand to stop him. I held up the poster. ‘Just tell me these’ll be back from the printers by this afternoon?’

Evans was nodding: ‘They’ll be here for two.’

‘Good,’ I sighed. ‘What about the school? You spoke with the Head, they know what they’re doing?’

Evans still nodding: ‘I said we’d be there from three.’

Calendar and Look North ?’

‘Yep, but Calendar can only go with the photos at six; say they’ll use the film after the News at Ten . Timing’s not good.’

‘Not going to be National then?’

Evans shook his head: ‘Not at this stage, no.’

I turned to Gaskins: ‘How many uniforms we got?’

‘Hundred and fifty with roadblocks set up at both ends of Victoria Road and one at the top of Rooms Lane, another on Church Street.’

I looked up at the map of Morley pinned to the board beside her photograph: ‘Where are the ones on Victoria Road?’

Gaskins stood and pointed at the map: ‘One here at the junction with Springfield Road, other up here before King George Avenue.’

‘They know what to do?’

‘Drivers’ licences and registrations,’ he nodded. ‘Show them the picture, spot of where were you last Thursday, and let them on their way.’

I turned to Prentice: ‘Jim, you got me the unmarked cars?’

‘Where you want them, Boss?’

My turn to stand and point and say: ‘Junction with Asquith Avenue, here. Another up by this farm, here. Get one for centre as well, here by Chapel Hill.’

‘Right,’ he said.

‘I want numbers,’ I told him. ‘Any vehicle stopping or reversing or changing direction when they see the roadblocks, take down their plate and call it through.’

Dick: ‘You think he’ll show.’

I nodded.

‘Who?’ asked Evans.

I picked up a piece of chalk. I turned to the board. I wrote up two names:

Jenkins and Ashworth .

Jim pointed at the first name: ‘I thought he were dead?’

‘Either of these names show,’ I said. ‘You detain them and call me. Immediately.’

1, 2, 3, 4, 5, 6, 7, all good children go to heaven -

‘Fuck is this?’ I said to Dick Alderman as we parked outside Morley Grange Junior and Infants, the playground full of children and parents, TV camera crews and journalists, their vans and their cars -

Reconstruction time .

‘Evans,’ I was shouting as I crossed the road, adjusting my glasses and looking at my watch. ‘Evans!’

He was coming towards me, arms full of papers and files: ‘Sir?’

‘Get these fucking vans and cars out of here!’ I yelled. ‘Fucking circus.’

He was apologising but I wasn’t listening -

‘And get everyone in the fucking hall.’

‘Mr Jobson?’ asked the plump grey-haired woman coming towards us with the disgusted expression.

‘Who are you?’ I said.

‘Marjorie Roberts,’ she replied. ‘The HT.’

‘The HT?’

‘The Head Teacher,’ mumbled Evans.

I stuck out my hand: ‘Maurice Jobson. Detective Chief Superintendent.’

‘What would you like us to do, Mr Jobson?’ she sighed.

‘If you could ask all the children and their parents to step into the hall, that would be a big, big help.’

‘Fine,’ she said and walked off.

‘Miserable bitch,’ hissed Dick at my shoulder. ‘Been up here practically every bloody day and not even a cup of tea. Just when can she expect things to get back to normal, upsetting the kids and their routine etc etc. Stupid fucking cow.’

I nodded: ‘Where’s Hazel?’

‘In the old cow’s office,’ said Evans.

‘And where is the old cow’s office?’

‘This way,’ said Dick and we followed him across the playground, through the children and their parents, to the black stone building. He opened a double set of green doors and we stepped into the school and that familiar smell, that familiar smell of children and detergent.

We walked down a corridor, plastic supermarket bags hanging from the low pegs, the walls still decorated with pictures of Easter eggs. At the end of the corridor, Dick tapped on a door and opened it.

Inside a middle-aged woman was sitting with a ten-year-old girl; a ten-year-old girl with medium-length dark brown hair and brown eyes, wearing light blue corduroy trousers, a dark blue sweater embroidered with the letter H , and a red quilted sleeveless jacket, clutching a black drawstring gym bag.

‘I’m Maurice Jobson,’ I said. ‘I’m the detective in charge.’

The woman stood up: ‘I’m Nichola’s mother. Karen Barstow.’

‘Thank you very much for helping us,’ I said.

‘Anything to help find the poor little-’

‘Hello,’ I said to the ten-year-old girl with medium-length dark brown hair and brown eyes, wearing light blue corduroy trousers, a dark blue sweater embroidered with the letter H , and a red quilted sleeveless jacket, holding a black drawstring gym bag.

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