David Peace - 1983

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1983: краткое содержание, описание и аннотация

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“Peace is a manic James Joyce of the crime novel… invoking the horror of grim lives, grim crimes, and grim times.” – Sleazenation
“[Peace] exposes a side of life which most of us would prefer to ignore.” – Daily Mail
“David Peace is the future of crime fiction… A fantastic talent.” – Ian Rankin
“British crime fiction’s most exciting new voice in decades.” – GQ
“[David Peace is] transforming the genre with passion and style.” – George Pelecanos
“Peace has single-handedly established the genre of Yorkshire Noir, and mightily satisfying it is.” – Yorkshire Post
“A compelling and devastating body of work that pushes Peace to the forefront of British writing.” – Time Out London
“A writer of immense talent and power… If northern noir is the crime fashion of the moment, Peace is its most brilliant designer.” – The Times (London)
“Peace has found his own voice-full of dazzling, intense poetry and visceral violence.” – Uncut
“A tour de force of crime fiction which confirms David Peace’s reputation as one of the most important names in contemporary crime literature.” – Crime Time
The intertwining storylines see the "Red Riding Quartet's" central themes of corruption and the perversion of justice come to a head as BJ the rent boy, lawyer Big John Piggott, and cop Maurice Oldfield, find themselves on a collision course that can only end in terrible vengeance.

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‘Meanwhile Mr William Whitelaw, the new Secretary of State for Northern Ireland, yesterday described the task ahead of him as, “Terrifying, difficult, and awesome.”’

I lie alone in the double bed, listening to the sound of things getting worse as my family dress for a wedding -

‘Mr & Mrs William Molloy gratefully request the presence of Mr & Mrs Maurice Jobson & family at the marriage of their daughter Louise Ann to Mr Robert Fraser.’

A celebration.

‘Paul!’ the wife shouts up the stairs. ‘Paul, hurry up, love, will you? We’re all waiting.’

My wife, my daughter and I stood at the front door -

My wife looking up the stairs, my daughter in the mirror, me at my watch.

The Simon and Garfunkel abruptly stops and down he comes.

‘I’ll get the car out,’ I say and open the door.

‘I’ll lock up,’ nods the wife, pushing the children towards the door.

I go out. I open up the garage. I drive the car out, the family car -

The Triumph Estate.

I get back out. I lock the garage door.

‘It’s open,’ I tell the wife and kids as they stand around the car wishing we were all somewhere else -

Someone else -

Other people .

We get in the family car.

Clare asks me to put the radio on.

‘We haven’t got one,’ I reply.

She slouches down in the back. Paul whispers something to her. They both smile.

They are fifteen and thirteen and they hate me.

I glance in the rearview mirror. I say: ‘Leeds have got Arsenal today, haven’t they?’

Paul shrugs. Clare whispers something to him. They both smile again.

They are fifteen and thirteen and I hate them and I love them.

My wife Judith says: ‘Hope they get a bit of sun for the photos.’

And her -

I hate her -

Hate her in her hat too big for the car.

Ossett Parish Church has the tallest steeple in Yorkshire, so they say. It stands black and tall for all to see, across the golf courses and the fields of rape and rhubarb.

We park in its shadow on Church Street, Ossett -

The whole road lined with cars in both directions.

‘Big wedding,’ says Judith.

No-one says a word.

We get out and walk down the road and into the churchyard where groups of coppers are gathered around their cigarettes in their court suits -

Girlfriends and wives all off to the side, battling to keep their hats on in the wind, talking to the older folk, ignoring their kids.

‘He invite the whole force, did he?’ laughs Judith.

I lead the way through the men and their greetings, dragging the wife and kids along -

‘Sir,’ says one.

‘Inspector,’ says another.

‘Mr Jobson.’

‘Maurice, Judith,’ smiles John Rudkin at the church door in his morning suit -

Bill’s Boy .

‘Where you hid Anthea?’ asks the wife.

‘Bottom of Winscar Reservoir,’ Rudkin laughs -

Laughs like he wishes it were true.

I say: ‘Which way to cheap seats, John?’

‘Anywhere on the right, but first two are for family.’

‘And what are we?’

He looks confused -

‘Just pulling your leg, Sergeant,’ I say. ‘Just pulling your leg.’

‘Isn’t he awful,’ says the wife. ‘You see what we have to put up with?’

He smiles -

A smile like he wishes us both dead.

I nod at another man in morning dress on the other side of the church. I ask: ‘That Bob’s brother, is it?’

Rudkin shakes his head. He says in a low voice: ‘Not got any family, has Bob.’

‘You’re joking?’ says Judith, her purple glove up over her red lipstick.

‘Mam died couple of years ago.’

I say: ‘His side of church is going to be a bit on thin side then.’

‘Boss filled it out with a lot of blokes Bob trained with and I reckon most of Morley station must be here.’

‘That’s all right then,’ says Judith.

‘See you later,’ I say and turn to my children. ‘Come on.’

We walk down the aisle, nodding to Walter Heywood and his wife -

Ronald Angus and his -

They’re all here:

Dick Alderman and Jim Prentice shaking my hand -

Bob Craven not.

All here but one:

No George -

George still over in Rochdale, over where I want to be .

I hear my name again. I turn round:

Don Foster and his wife, John Dawson and his -

Big smiles and waves and they’ll talk to us later.

In our middle pew, Judith says: ‘That’s John Dawson, isn’t it?’

I nod, thinking:

Other people .

‘You never told me you knew John Dawson.’

‘I don’t.’

But she says: ‘You should see that house…’

(Inside a thousand voices cry) -

Then Clare whispers to her mother: ‘How did they meet?’

Judith looks at me. She says: ‘I’m not sure.’

‘What?’ I say.

‘How did they meet ?’ sighs Clare, wincing.

I say: ‘Louise and Bob?’

‘No,’ she sneers. ‘Queen and Prince Philip.’

‘Bob’s a policeman, and -’

‘I don’t want to marry a policeman,’ she spits.

‘Clare,’ says my wife. ‘You shouldn’t say things like that.’

Me -

Her father, I say nothing.

So she says again, louder: ‘I’ll never marry a policeman.’

I look away at Robert Fraser -

Bob Fraser standing at the front of the church, the vicar in front of him, his best man at his side.

I don’t recognise the best man -

Not a policeman -

Not one of us .

The meandering tinkling from the organist stops. He hits all his keys at once and we all stand as Here Comes the Bride starts, turning round to see her -

The Bride -

Beautiful in white, her father at her side -

(Beautiful as the moon, as terrible as the night) -

Proud as punch in his morning dress -

The greys of his suit matching the streak that got him his name, the black his eyes.

Then it’s on with the show -

The celebration -

The hymns:

Lead us Heavenly Father, lead us;

Oh, Perfect Love;

Love Divine .

The readings -

The readings that say -

That say words like:

For the body is not one member, but many .

If the foot shall say, Because I am not the hand, I am not the body; is it therefore not of the body?

And if the ear shall say, Because I am not the eye, I am not of the body; is it therefore not of the body?

If the whole body were an eye, where were the hearing? If the whole were hearing, where were the smelling?

But now hath God set the members every one of them in the body, as it hath pleased him .

And if they were all one member, where were the body?

But now there are many members, yet but one body .

And the eye cannot say unto the hand, I have no need for thee; nor again the head to the feet, I have no need of you .

Nay, much more those members of the body, which seem to be more feeble, are necessary:

And those members of the body which we think to be less honourable, upon these we bestow abundant honour; and our uncomely parts have more abundant comeliness .

For our comely parts have no need; but God hath tempered the body together, having given more abundant honour to that part which lacked;

That there should be no schism in the body; but that the members should have the same care one for another .

And whether one member suffer, all the members suffer with it; or one member be honoured, all the members rejoice with it .

Now ye are the body of Christ, and members in particular .

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