David Peace - 1983

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1983: краткое содержание, описание и аннотация

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“Peace is a manic James Joyce of the crime novel… invoking the horror of grim lives, grim crimes, and grim times.” – Sleazenation
“[Peace] exposes a side of life which most of us would prefer to ignore.” – Daily Mail
“David Peace is the future of crime fiction… A fantastic talent.” – Ian Rankin
“British crime fiction’s most exciting new voice in decades.” – GQ
“[David Peace is] transforming the genre with passion and style.” – George Pelecanos
“Peace has single-handedly established the genre of Yorkshire Noir, and mightily satisfying it is.” – Yorkshire Post
“A compelling and devastating body of work that pushes Peace to the forefront of British writing.” – Time Out London
“A writer of immense talent and power… If northern noir is the crime fashion of the moment, Peace is its most brilliant designer.” – The Times (London)
“Peace has found his own voice-full of dazzling, intense poetry and visceral violence.” – Uncut
“A tour de force of crime fiction which confirms David Peace’s reputation as one of the most important names in contemporary crime literature.” – Crime Time
The intertwining storylines see the "Red Riding Quartet's" central themes of corruption and the perversion of justice come to a head as BJ the rent boy, lawyer Big John Piggott, and cop Maurice Oldfield, find themselves on a collision course that can only end in terrible vengeance.

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Michael Myshkin and Jimmy Ashworth -

Jimmy and Michael, Michael and Jimmy -

One and one to make:

‘… and 1970s are in urgent need of repair; senior detectives searching for missing Morley schoolgirl Hazel Atkins will again travel to Rochdale having discounted the reported weekend sighting of Hazel at an Edinburgh fair…’

Sweating and then freezing, your clothes itching with hate, you’ve got shadows in your heart and a belly full of fear -

Putting two and two together:

Fear and hate, hate and fear -

Michael and Jimmy, Jimmy and Michael -

Fitzwilliam.

Another silent house on Newstead View, Fitzwilliam -

The fire and TV off -

Just the clock ticking and the whistle of another boiling kettle.

Mrs Ashworth comes back in with two mugs of tea.

She hands you yours: ‘Sugar?’

You nod.

‘How many?’

‘Three please.’

She passes you the bag: ‘Help yourself.’

‘Thank you.’

She sits down. She says: ‘I’m sorry about other day. I’m feeling more myself now, I suppose.’

‘That’s good,’ you say. ‘But it’s going to take a bit of time.’

She nods: ‘That’s what the doctor says. But everyone’s been very helpful, very kind.’

Just the clock ticking -

You say: ‘I saw Tessa.’

Mary Ashworth rolls her tired eyes. Mary Ashworth sighs.

You wait. You wait for her to say what she wants to say -

Wait for her to say: ‘She’s another one, you know?’

You shake your head.

She squeezes her hands together. She leans towards you. She whispers: ‘Another bloody lost cause; I tell you, if there was ever a saint for lame ducks, it was my Jimmy.’

‘That how he fell in with Michael Myshkin?’

She shakes her head: ‘She’s been through a lot, his mother, I know. But, and may God forgive me, I wish with all my heart they’d never moved here and then Jimmy would have never met him and Jimmy…’

‘When was that?’

‘That they moved here?’

You nod.

‘Must have been when Jimmy was about three or four and him, he’d have been ten or so. Not that you’d have known.’

‘They knew each other a while then?’

‘No,’ she says. ‘Wasn’t till Jimmy was ten or eleven himself that they started palling around.’

‘So Michael would have been a teenager? Sixteen or seventeen?’

‘Physically.’

‘Didn’t worry you then, them two being friendly?’

‘No,’ she shrugs. ‘He was harmless, leastways that’s what folk thought.’

You nod.

‘And,’ she continues. ‘Wasn’t like it was just them two. There were others.’

‘Others?’

‘Four or five of them.’

‘They still about?’

She sits back. She scratches her nose.

You push: ‘Remember who?’

‘Kevin Madeley, he would have been one of them. Little Leonard, but he was a bit younger and maybe they’d moved by then. It’s such a long time ago. The Hinchcliffes’ lad, Stuart maybe. There were others and all, you know how kids are?’

The clock ticking -

The bells ringing: ‘They still about?’

‘Kevin Madeley, he moved over Stanley way. I think the Hinchcliffe lad went down South. Birmingham somewhere.’

Distant bells: ‘Their parents? They still live local?’

‘The Madeleys do,’ she says. ‘Mrs Madeley, she worked with his mother.’

‘Mrs Myshkin?’

‘Aye,’ she nods.

‘Dinner lady?’

She nods. She finishes her tea. She keeps hold of her mug on her lap.

You pull your notebook from your pocket. You find your pen. You start to write down some of the names and dates.

She says: ‘What about your brother?’

You stop writing. You look up. You say: ‘What about him?’

‘Always lived round here, hasn’t he?’

You shrug.

‘Not close these days?’ she smiles. ‘You and your Pete?’

You shake your head: ‘Not really, no.’

‘He blame you, does he?’ she asks. ‘Business with your father, then your mother?’

‘Mrs Ashworth, I -’

‘Mr Ashworth does,’ she says, dabbing at her eyes with the ends of her apron. ‘Blames me, I know he does. See it written all over his face every time he looks at me.’

‘I’m sure he doesn’t,’ you lie again.

She sniffs. She tries to smile. She says: ‘He might know something, mightn’t he?’

‘Who?’

‘Your Pete.’

You shake your head. You think about your brother -

Men not here -

Your father -

Not here .

You say: ‘I want to talk to you about Clare Kemplay.’

She stares at you. She says: ‘Is this for my Jimmy or her down road?’

‘I need to ask you -’

‘Not again,’ she sighs.

‘It’s important -’

‘It’s so bloody long ago -’

‘But -’

‘What’s the point in -’

‘Please -’

‘Raking over -’

‘Mrs Ashworth, please I -’

‘Not going to bring him back -’

‘Look,’ you shout. ‘Clare Kemplay is the bloody reason they picked Jimmy up.’

She stops speaking. She closes her eyes. She clutches the mug tight in her hands. She opens her eyes. She looks at you. She says: ‘He had nothing to do with that and he had nothing to do with this.’

‘He knew Clare Kemplay.’

‘He didn’t know her. He’d seen her. That’s all.’

‘He said she was beautiful.’

‘Who did?’

‘Your Jimmy.’

‘No.’

‘To Michael.’

She shakes her head.

‘He knew her. He found her.’

‘The wrong place -’

‘What about Hazel Atkins?’

She shakes her head again.

‘He was in Morley one week later, the exact time she’d gone missing.’

‘The wrong time -’

‘But why?’

She closes her eyes again.

You tell her: ‘Tessa says he was there to meet her.’

She shakes her head. She opens her eyes. She says: ‘He didn’t…’

‘What?’

‘He didn’t do it,’ she says.

‘Didn’t do what?’

‘He didn’t kill Clare Kemplay. He didn’t take this Hazel Atkins. And he didn’t bloody kill himself.’

‘But -’ you stop.

She looks at you now. She says: ‘Go on, say it.’

‘Say what?’

‘What you want to say. What you really think.’

You shake your head.

‘I’ll say it for you then,’ she snorts. ‘You think he killed Clare Kemplay and he took this other girl and then he hung himself with guilt of it all. That’s what you think, isn’t it?’

‘I -’

‘No, I’ll tell you. They can have all the bloody inquests and all the internal police inquiries they like, but that boy never hung himself. Never. He had no reason. He’d done nothing.’

‘Mrs Ashworth -’

‘Not in a month of bloody Sundays would he do that to me. Never.’

Now you close your eyes. You wait. You open them. You say: ‘I’m sorry.’

She takes a deep breath. She nods.

You shake your head. You think of your father -

Men not here -

Your brother -

Not here .

She dries her eyes. She sits up. She says: ‘Not going to bring him back, is it? Carrying on like this. But what can you do?’

‘Depends what you want?’

She looks at you. She says: ‘The truth, John. That’s all.’

You look down at your notes. You close your eyes -

Not here .

You open your eyes. You look back up. You nod -

The clock ticking .

She puts her mug down on the chipped fireplace in front of her. She reaches into the front pocket of her apron. She takes out a piece of paper. She looks at it. She whispers: ‘It says he hung himself by his belt until he was dead. Suicide.’

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