Patricia Cornwell - Book of the Dead

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Book of the Dead: краткое содержание, описание и аннотация

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The "book of the dead" is the morgue log, a ledger in which all cases are entered by hand. For Kay Scarpetta, however, it is about to take on a new meaning. Fresh from her bruising battle with a psychopath in Florida, Scarpetta decides it's time for a change of pace, not only personally and professionally but geographically. Moving to the historic city of Charleston, South Carolina, she opens a unique private forensic pathology practice, one in which she and her colleagues-including Pete Marino and her niece, Lucy-offer expert crime-scene investigation and autopsy services to communities lacking local access to modern, competent death investigation technology.
It seems like an ideal situation, until the new battles start-with local politicians, with entrenched interests, with someone whose covert attempts at sabotage are clearly meant to run Scarpetta out of town. And that's before the murders and other violent deaths even begin.
A young man from a well-known family jumps off a water tower. A woman is found ritualistically murdered in her multimillion-dollar beach home. The body of an abused young boy is discovered dumped in a desolate marsh. Meanwhile, in distant New England, problems with a prominent patient at a Harvard-affiliated psychiatric hospital begin to hint at interconnections that are as hard to imagine as they are horrible.
Kay Scarpetta has dealt with many brutal and unusual crimes before, but never a string of them as baffling, or as terrifying, as the ones confronting her now. Before she is through, that book of the dead will contain many names-and the pen may be poised to write in her own.

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“Yes, she did refer a patient to me. Otto has asked me about it,” Dr. Maroni says. “Last night I told him what I know. At least, what I’m at liberty to say.”

“It would have been nice if you’d told me.”

“Now I’m telling you. If you hadn’t brought it up, I still would be telling you. I saw him several times in the space of several weeks. Last November,” Dr. Maroni says.

“He calls himself the Sandman. According to Dr. Self. Does that sound familiar?”

“I know nothing about the name Sandman.”

“She says that’s how he signs his e-mails,” Benton says.

“When she called my office last October and asked me to see this man in Rome, she didn’t supply me with any e-mails. She never said anything about him calling himself the Sandman. He never mentioned the name when he saw me in my office. Twice, I believe. In Rome, as I’ve said. I have no information that would lead me to conclude he’s killed anyone, and I told Otto the same thing. So I can’t give you access to his file or my evaluation of him, and I know you understand this, Benton.”

Dr. Maroni reaches for the decanter and refills his glass as the sun settles into the canal. Air blowing through the open shutters is cooler, and the canal smell isn’t as strong.

“Can you give me any information about him at all?” Benton asks. “Any personal history? A physical description? I know he was in Iraq. That’s all I know.”

“I couldn’t if I wanted to, Benton. I don’t have my notes.”

“Meaning there could be important information in them.”

“Hypothetically,” Dr. Maroni says.

“Don’t you think you should check?”

“I don’t have them,” Dr. Maroni says.

“You don’t have them?”

“Not in Rome, is what I mean,” he says from his sinking city.

Hours later, the Kick ’N Horse Saloon, twenty miles north of Charleston.

Marino sits across the table from Shandy Snook, both of them eating chicken-fried steak with biscuits, gravy, and grits. His cell phone rings. He looks at the number on the display.

“Who is it?” she says, sipping a bloody Mary through a straw.

“Why can’t people leave me alone?”

“Better not be what I think it is,” she says. “It’s seven-damn-o’clock, and we’re eating dinner.”

“I ain’t here.” Marino pushes a button to silence the phone, acts like it doesn’t bother him.

“Yeah.” She loudly slurps up the last of her drink, reminding him of Drano unclogging a sink. “Nobody home.”

Inside the saloon’s Feed Troff, Lynyrd Skynyrd’s booming through the speakers, the Budweiser neon signs are lit up, ceiling fans slowly turn. Saddles and autographs fill the walls, and models of motorcycles and rodeo horses and ceramic snakes decorate windowsills. The wooden tables are packed with bikers. More bikers are outside on the porch, everybody eating and drinking and getting ready for the Hed Shop Boys concert.

“Son of a bitch,” Marino mumbles, staring at the cell phone on the table, at the wireless Bluetooth earpiece next to it. Ignoring the call is impossible. It’s her. Even though the display says Restricted, he knows it’s her. By now she’s bound to have seen what’s on the desktop of his computer. He’s surprised and irritated it’s taken this long. At the same time, he feels the thrill of vindication. He imagines Dr. Self wanting him like Shandy does. Wearing him out like Shandy does. For a solid week, he’s gotten no sleep.

“Like I always say, the person’s not going to get any deader, right?” Shandy reminds him. “Let the Big Chief take care of it for once.”

It’s her. Shandy doesn’t know it. Assumes it’s some funeral home. Marino reaches for his bourbon and ginger, keeps glancing at his cell phone.

“Let her take care of it for once,” Shandy rants on. “Fuck her.”

Marino doesn’t answer, his tension growing as he swirls what’s left of his drink. Not answering Scarpetta’s calls or returning them makes his chest tight with anxiety. He thinks about what Dr. Self said and feels deceived and abused. His face heats up. For the better part of twenty years, Scarpetta has made him feel he’s not good enough, when maybe the problem is her. That’s right. It’s probably her. She doesn’t like men. Hell, no. And all these years she’s made him feel the problem is him.

“Let the Big Chief take care of whoever the latest stiff is. She’s got nothing better to do,” Shandy says.

“You don’t know a thing about her or what she’s doing, either.”

“You’d be surprised what I know about her. Better watch it.” Shandy motions for another drink.

“Better watch what?”

“You sticking up for her. Because it sure is getting on my nerves. Like maybe you keep forgetting who I am in your life.”

“After a whole week.”

“Just remember, baby. It’s not on call . But at her beck and call ,” she says. “Why should you? Why should you always jump when she says it? Jump! Jump!” She snaps her fingers and laughs.

“Shut the fuck up.”

“Jump! Jump!” She leans forward so he can see what’s inside her silk vest.

Marino reaches for his phone, reaches for his earpiece.

“Truth is?” She’s not wearing a bra. “She treats you like you’re nothing more than an answering service, a flunky, a nobody. I’m not the first person who’s said it.”

“I don’t let anybody treat me like that,” he says. “We’ll see who the nobody is.” He thinks of Dr. Self and imagines himself on international TV.

Shandy reaches under the table, and he can see down her vest, see as much as he wants. She rubs him.

“Don’t,” he says, waiting and getting anxious and angry.

Pretty soon, other bikers will find excuses to walk past so they can take in the sight of her leaning against the table just right. He watches her do it, and her breasts swell and her cleavage deepens. She knows how to lean into a conversation so anybody interested can imagine a mouthful of her. A big guy with a big gut and a chain attached to his wallet slowly gets up from the bar. He takes his time walking to the men’s room, taking in the view, and Marino feels violent.

“You don’t like it?” Shandy rubs him. “’Cause it sure feels to me like you do. Remember last night, baby? Like a damn teenager.”

“Don’t,” he says.

“Why? Am I giving you a hard time?” says Shandy, who prides herself on her way with words.

He moves her hand. “Not now.”

He returns Scarpetta’s call. “Marino here,” he says curtly, as if he’s talking to a stranger, so Shandy won’t know who it is.

“I need to see you,” Scarpetta says to him.

“Yeah. What time?” Marino acts like he doesn’t know her, and he’s aroused and jealous as bikers wander past the table, looking at his dark, exotic girlfriend exposing herself.

“As soon as you can get here. To my house,” Scarpetta’s voice says in his earpiece, and her tone is one he’s not accustomed to, and he senses her fury like an approaching storm. She’s seen the e-mails, he’s sure of it.

Shandy gives him a who are you talking to? look.

“Yeah, I guess so.” Marino feigns irritation, glancing at his watch. “Be there in a half-hour.” He hangs up, says to Shandy, “A body coming in.”

She looks at him as if trying to read the truth in his eyes, as if for some reason she knows he’s lying. “Which funeral home?” She leans back in her chair.

“Meddicks’. Again. What a squirrel. Must do nothing but drive that damn hearse morning, noon, and night. What we call an ambulance chaser.”

“Oh,” she says. “That sucks.” Her attention wanders to a man in a flame-pattern do-rag, his boots low in the heel. He pays no attention to them as he walks past their table to the ATM.

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