Patricia Cornwell - Book of the Dead

Nate compares the earlier film to the new one, studies them side by side. “Not dramatically different. Still seven to eight millimeters. Nothing in the suprasellar cistern. A little shift left to right from the infundibulum of the pituitary stalk.” He points with a pen. “Optic chiasm is clear.” Points again. “Which is great.” He puts down the pen and holds up two fingers, starts with them together, then moves them apart to check her peripheral vision. “Great,” he says again. “So almost identical. The lesion isn’t growing.”

“It isn’t shrinking.”

“Have a seat.”

She sits on the edge of the couch. “Bottom line,” she says, “it’s not gone. It hasn’t burned out from the drug and become necrotic, and it never will, right?”

“But it’s not growing,” he repeats himself. “The medication did shrink it some and is containing it. All right. Options. But what do you want to do? Let me say that just because Dostinex and its generic have been linked to heart valve damage, I’m not sure you need to worry. The studies are dealing with people who take it for Parkinson’s. At your low dose? You’ll probably be fine. The bigger problem? I can write you a dozen prescriptions, but I don’t think you’ll find a single pill in this country.”

“It’s manufactured in Italy. I can get it over there. Dr. Maroni said he will.”

“Fine. But I want you to get an echocardiogram every six months.”

The phone rings. Nate punches in a button, listens briefly, and says to whoever it is, “Thanks. Call security if it seems to get out of hand. Make sure nobody touches it.” He hangs up and says to Lucy, “Apparently, someone drove up in a red Ferrari that’s attracting quite a lot of attention.”

“Kind of ironic.” She gets up from the couch. “It’s all a matter of perspective, isn’t it.”

“I’ll drive it if you don’t want it.”

“It’s not that I don’t want it. It’s just nothing feels the same anymore. And that’s not entirely bad. Just different.”

“That’s the thing about what you’ve got. It’s something you don’t want. But it’s something more than what you had, because maybe it’s changed the way you look at things.” He walks her out. “I see it every day around here.”

“Sure.”

“You’re doing well.” He stops by the door that leads out to the waiting area and there’s no one to hear them, just the man behind the desk, who smiles a lot and is on the phone again. “I’d put you in the top ten percent of my patients in terms of how well you’re doing.”

“Top ten percent. I believe that’s a B-plus. I think I started out with an A.”

“No, you didn’t. You’ve probably had this thing forever and just didn’t know it until it became symptomatic. Are you talking to Rose?”

“She won’t face it. I’m trying not to resent her for it, but it’s hard. Really, really hard. It’s not fair. Especially to my aunt.”

“Don’t let Rose run you off, because that’s probably what she’s trying to do for the very reason you just said. She can’t face it.” He slips his hands into his lab coat pockets. “She needs you. She’s certainly not going to talk about it with anyone else.”

Outside the Cancer Center, a thin woman with a scarf wrapped around her bald head and two little boys are walking around the Ferrari. The valet rushes over to Lucy.

“They haven’t got too close. I’ve been watching. Nobody has,” he says in a low, urgent voice.

She looks at the two little boys and their sick mother, and walks over to the car, remotely unlocking it. The boys and their mother step back, and fear shows on their faces. The mother looks old but probably isn’t more than thirty-five.

“I’m sorry,” she says to Lucy. “But they’re smitten. They haven’t touched it.”

“How fast can it go?” the older boy asks, a redhead, maybe twelve.

“Let’s see, four-ninety horsepower, six speed, a four-point-three-liter V-eight, eighty-five hundred rpm and carbon-fiber rear diffuser panel.

Zero to sixty in less than four seconds. Around two hundred miles an hour.”

“No way!”

“You ever driven one of these things?” Lucy says to the older boy.

“I’ve never seen one in person.”

“What about you?” Lucy asks his redheaded brother, who is maybe eight or nine.

“No, ma’am.” Shyly.

Lucy opens the driver’s door and the two redheads crane to get a peek and suck in their breath at the same time.

“What’s your name?” she asks the older boy.

“Fred.”

“Sit in the driver’s seat, Fred, and I’m going to show you how to start this thing.”

“You don’t have to do that,” Mom says to her, and she looks as if she’s about to cry. “Honey, don’t you hurt anything.”

“I’m Johnny,” the other boy says.

“You’re next,” Lucy says. “Get over here next to me and pay attention.”

Lucy turns on the battery, makes sure the Ferrari’s in neutral. She takes Fred’s finger and places it on the steering wheel’s red start button. She lets go of his hand. “Hold it in for a few seconds and fire her up.” The Ferrari roars awake.

Lucy gives each boy a ride around the parking lot while their mother stands all alone in the middle of it and smiles and waves and wipes her eyes.

Benton records Gladys Self from his office phone inside McLean’s Neuroimaging Lab. As is true of her famous daughter, the name Self suits her.

“If you’re wondering why that rich daughter of mine doesn’t put me in some nice mansion in Boca,” Mrs. Self says, “well, sir, I don’t want to be in Boca or Palm Beach or anywhere but right here in Hollywood, Florida. In my run-down little oceanfront apartment on the boardwalk.”

“Why might that be?”

“To pay her back. Think how that will look when they find me dead in a dump like this someday. Let’s see what that does to her popularity.” She chortles.

“Sounds like you might have a hard time saying anything nice about her,” Benton says. “And I do need several minutes of your praising her, Mrs. Self. Just as I’m going to need a few minutes of your being neutral and then critical.”

“Why’s she doing this, anyway?”

“I explained it at the beginning of our conversation. She volunteered for a scientific research project I’m conducting.”

“That daughter of mine doesn’t volunteer for shineola unless there’s something she wants out of it. Never known her to do anything for the pure reason of helping others. Hogwash. Ha! A family emergency. She’s lucky I didn’t get on CNN and tell the world she’s lying. Let’s see. Wonder what the truth might be. Let me follow the clues. You’re one of these police psychologists at what’s the name of your hospital? McLean? Oh, that’s right. Where all the rich and famous go. Just the sort of place she’d go to if she had to go somewhere, and I know a good reason why. Would knock you out if you knew. Bingo! She’s a patient, that’s what this is all about!”

“As I’ve said, she’s part of a project I’m conducting.” Dammit. He warned Dr. Self about this. If he called her mother to make the recording, she might suspect that Dr. Self is a patient. “I’m not allowed to discuss anything about her situation — where she is or what she’s doing or why. I can’t divulge information about any subjects in our studies.”

“I sure could divulge a thing or two to you. I knew it! She’s worth studying, all right. What normal person would get on TV and do what she does, twisting people’s minds, their lives, like that tennis player who just got murdered. Bet you dollars to donuts Marilyn’s somehow to blame for that, had her on her TV show, getting into all this personal information from her for all the world to see. It was embarrassing, can’t believe that little girl’s family allowed it.”