Patricia Cornwell - Book of the Dead

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Book of the Dead: краткое содержание, описание и аннотация

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The "book of the dead" is the morgue log, a ledger in which all cases are entered by hand. For Kay Scarpetta, however, it is about to take on a new meaning. Fresh from her bruising battle with a psychopath in Florida, Scarpetta decides it's time for a change of pace, not only personally and professionally but geographically. Moving to the historic city of Charleston, South Carolina, she opens a unique private forensic pathology practice, one in which she and her colleagues-including Pete Marino and her niece, Lucy-offer expert crime-scene investigation and autopsy services to communities lacking local access to modern, competent death investigation technology.
It seems like an ideal situation, until the new battles start-with local politicians, with entrenched interests, with someone whose covert attempts at sabotage are clearly meant to run Scarpetta out of town. And that's before the murders and other violent deaths even begin.
A young man from a well-known family jumps off a water tower. A woman is found ritualistically murdered in her multimillion-dollar beach home. The body of an abused young boy is discovered dumped in a desolate marsh. Meanwhile, in distant New England, problems with a prominent patient at a Harvard-affiliated psychiatric hospital begin to hint at interconnections that are as hard to imagine as they are horrible.
Kay Scarpetta has dealt with many brutal and unusual crimes before, but never a string of them as baffling, or as terrifying, as the ones confronting her now. Before she is through, that book of the dead will contain many names-and the pen may be poised to write in her own.

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“Has anyone bothered to ask if you have a problem going into the magnet?” Jackie asks with the seriousness of an expert.

“A problem?”

“You know. If it might cause you a problem.”

“Not unless after it’s over I can no longer tell north from south. Another very astute point you’re making, though. I do have to wonder what it does to people. I’m not sure that’s really been determined. MRI hasn’t been commonly used all that long, now has it.”

“The study uses fMRI. Functional MRI, so we can watch your brain working while you listen to the tape.”

“Yes, the tape. My mother will so enjoy making that tape. Now, what else do I have to look forward to?”

“The protocol is to start with the SCID. Let me explain, the Structured Clinical Interview for DSM-Three-R.

“I’m quite familiar. Especially with DSM-Four. The latest revision.”

“Sometimes Dr. Wesley lets me do the SCID. We can’t scan you until we get that out of the way, and it can be a lengthy process going through all those questions.”

“I’ll discuss that when I see him today. And if it’s appropriate, inquire about Lucy. No, I suppose I shouldn’t. But I do hope nothing’s wrong with her. Especially since it seems she’s very special to him.”

“He’s booked up with other patients, but I could probably find time to SCID you.”

“Thank you, Jackie. I’ll talk to him about it the minute he calls me. And have there been averse reactions to his fascinating study? And who funded the grant? I believe you said your father?”

“We’ve had a few people who were claustrophobic. So we couldn’t scan them after all that work. Imagine,” Jackie says, “I go to all the trouble to SCID them and tape their mothers…”

“Tape them over the phone, I presume. You’ve done quite a lot in one short week.”

“Much cheaper and more efficient. No need to see these people in person. It’s just a standard format, what you need them to talk about on tape. I’m not allowed to discuss grant funding, but my father’s into philanthropy.”

“The new show I’m developing. Did I mention I’m just on the brink of thinking about production consultants? You indicated Lucy is somehow involved with law enforcement? Or a special agent? She might be another one to consider. Unless there’s something wrong with her. And she’s had her brain scanned here how many times?”

“I’m sorry to say I’ve not watched your show much. Because of my schedule, I can only watch TV at night.”

“My shows are aired repeatedly. Morning, noon, and night.”

“Scientifically exploring the criminal mind and its behavior versus interviewing people who wear guns and just go around arresting them is really the right idea. Your audience would love it,” Jackie says. “Love it a lot more than most of what’s on these talk shows. I think getting an expert to interview one of these sexually violent psychopathic killers on your show would make your ratings go up.”

“From which I am to infer that a psychopath who rapes or sexually abuses and kills might not necessarily be violent. That is an extraordinarily original concept, Jackie, which next makes me wonder if, for example, only sociopathic sexual murderers are also violent. And following that hypothesis, we next have to ask what?”

“Well…”

“Well, we have to ask where compulsive sexual homicide fits. Or is it all about vernacular? I say potato, you say spud.”

“Well…”

“How much Freud have you read, and do you pay attention to your dreams? You should write them down, keep a journal by your bed.”

“Of course, in classes, well, not the journal and dreams. I didn’t do that in classes,” Jackie says. “In real life, nobody’s into Freud anymore.”

Eight-thirty p.m., Rome time. Seagulls swoop and cry in the night. They look like large white bats.

In other cities near the coast, the gulls are a nuisance during the day but vanish after dark. Certainly this is true in America, where Captain Poma has spent considerable time. As a young boy, he frequented foreign lands with his family. He was to become a man of the world who spoke other languages fluently and had impeccable manners and an excellent education. He was to amount to something, his parents said. He watches two fat, snowy gulls on a windowsill near his table, eyeing him. Maybe it’s the beluga caviar they want.

“I ask you where she is,” he says in Italian. “And your answer is to inform me of a man I should know about? But you won’t give me details? Now I’m extremely frustrated.”

“What I said was the following,” replies Dr. Paulo Maroni, who has known the captain for years. “Dr. Self had Drew Martin on her show, as you know. Weeks later, Dr. Self began getting e-mails from someone very disturbed. I know this, because she referred him to me.”

“Paulo, please. I need details about this disturbed person.”

“I was hoping you had them.”

“I’m not the one who introduced the subject.”

“You’re the one working the case,” Dr. Maroni says. “It appears I have more information than you do. That’s depressing. So there’s nothing.”

“I wouldn’t want to admit it publicly. We’re no further along. That’s why it’s vital you tell me about this disturbed person. And I feel you are toying with me in a very strange way.”

“For more details, you must talk to her. He isn’t her patient, and she can talk about him freely. Assuming she’s cooperative.” He reaches for the silver plate of blini. “And that’s a big assumption.”

“Then help me find her,” Captain Poma says. “Because I have a feeling you know where she is. That’s why you suddenly called me and invited yourself to a very expensive dinner.”

Dr. Maroni laughs. He could afford a roomful of the very best Russian caviar. That’s not why he’s having dinner with the captain. He knows something and has complex reasons, a scheme. This is typical of him. He’s gifted in his understanding of human proclivities and motivations, possibly the most brilliant man the captain knows. But he’s an enigma, and his definition of truth is his own.

“I can’t tell you where she is,” Dr. Maroni says.

“Which doesn’t mean you don’t know. You’re playing your word games with me, Paulo. It’s not that I’m lazy. It’s not that I haven’t tried very hard to find her. Ever since I learned she was acquainted with Drew, I’ve talked to people who work for her and am always told the same story that’s been on the news. She had a mysterious family emergency. No one knows where she is.”

“Logic would tell you it’s impossible no one knows where she is.”

“Yes, logic does tell me that,” the captain says, spreading caviar on a blini and handing it to him. “I have a feeling you’ll help me find her. Because as I say, you know, which is why you called me and now we’re playing word games.”

“Her staff has forwarded your e-mails requesting a meeting or at least a telephone conversation?” Dr. Maroni asks.

“So they say.” The gulls fly away, interested in another table. “I won’t reach her through the normal channels. She has no intention of acknowledging me, because the last thing she would want is to become a factor in the investigation. People might assign responsibility to her.”

“As they probably should. She’s irresponsible,” Dr. Maroni says.

The wine steward appears to refill their glasses. The Hotel Hassler’s rooftop restaurant is one of Captain Poma’s favorites. The view is beautiful and he never tires of it, and he thinks about Kay Scarpetta and wonders if she and Benton Wesley ever ate here. Probably not. They were too busy. They strike him as too busy for what matters in life.

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