Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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It was a little after eleven o'clock when I made my way northwards from the crowds in Oxford-street and entered Margaret-street from its western end. Mr Carswall's house was on the north side, in the block between Lichfield-street and Portland-street. With my eyes averted, I hurried along the opposite pavement.

It was too early for anyone to be about, apart from servants on errands and tradesmen's delivery boys. Indeed, there were so few foot passengers that I felt myself conspicuous. Never before had I realised that a spy must feel as though his profession were stamped in red upon his forehead for all the world to see.

In a flurry of panic, I turned into Great Titchfield-street and darted south towards the rumble of vehicles in Oxford-street. I spent the next hour perambulating the immediate neighbourhood of the house. I saw the weaselly Pratt, Carswall's creature, in his morning livery, ogling the women as he sauntered through Oxford-market. I ducked into a shop until he had passed.

At last my patience was rewarded. In Winsley-street, I noticed two boys walking ahead of me. I recognised their backs at once, and with an unexpected pang of sadness. I had not realised until then that I missed the boys. A moment later I tapped Charlie on the arm.

"Why! It's you, sir. I say, Edgar! Stop!"

The boys shook my hand vigorously. They were momentarily tongue-tied but I could not mistake the pleasure on their faces.

"Are you come to call on us, sir?" Charlie said at last.

"No. I – I happened to be passing." I saw Edgar drive his elbow into his friend's side in a manner he evidently believed to be discreet; Charlie's face coloured with embarrassment. "It is such a fine day. I was taking the air."

"Yes, sir," said Charlie. "Just what occurred to me: it is a beautiful day, perfect for a walk." He spoke in a gabble but his intention was entirely kind.

"I am surprised you are here," I said, "though of course I am very happy to see you. But I had imagined you would be at school. Or at least that Edgar would be."

"Mr Carswall said Charlie could come back with me after all," Edgar said. "So we are both at Mr Bransby's still."

I nodded. Mr Bransby had been most obliging to Mr Carswall so the latter's change of mind was understandable. "That must be agreeable for you both. So has Mr Bransby given the school a holiday?"

"Not the school, sir," Edgar said. "Only Charlie and me."

"Yesterday was my cousin Flora's birthday, sir," said Charlie. "There was a big dinner, and afterwards there was dancing and cards, and lots of people came. Flora begged for us to be invited, me because I am her cousin, and Edgar because he is my most particular friend. Captain Ruispidge came to fetch us from school. Only fancy! He drives a bang-up curricle gig and we sat squashed up beside him when we drove off. All the fellows were sick with envy."

"But we return to Mr Bransby's this afternoon," Edgar put in. "Mr Allan's clerk will take us."

"And the bird, to be sure," Charlie said.

"The bird?" I said.

"A parrot, sir. Mr Carswall gave it me. And we are to take it back to school: Mr Bransby has given us leave. We have just been to buy seed for it. It does not say much yet but we shall teach it."

"Oh, sir," Edgar said, after an awkward pause in the conversation. "There is a new man at the school now, Mr Brown, and the fellows don't like him half so well. They – we – wish you hadn't left."

"I regret it myself," I said, realising from this that Carswall and Bransby had not published the reason for my dismissal, or perhaps even the fact of it. Neither of them stood to gain from the scandal being known abroad.

"I beg your pardon, sir," Charlie said. "But was there a disagreement between you and Mr Carswall? We could not understand why you left Monkshill so suddenly, and Mr Carswall will not let your name be mentioned at home."

"There was a disagreement." I smiled down at them. "But I need not trouble you with the details. Now, I must not detain you any longer."

"Should you like to see the bird, sir?" Edgar asked. "It is uncommonly interesting. And singularly intelligent, too. It keeps saying something, only we do not yet quite understand it."

"I should like it above all things. However-"

"Edgar and I are to walk with it to Mr Allan's this afternoon," Charlie said suddenly. "Mr Carswall cannot spare the carriage. Mama says there is no need to go to the expense of a hackney for such a short walk. If you cared to join us, we should have the pleasure of showing it to you."

I bowed. "That would be most kind." My conscience gave a twinge at the thought of making an unlicensed rendezvous with the boys. All at once, however, I thought of a stratagem which would not only be kind to my scruples but also of practical assistance. "Pray, Charlie, may I ask a favour of you? I have a letter for your mother here, which I meant to leave at the house as I passed, but it slipped my mind. I wonder if you would be so kind as to give it to her."

Charlie said he would be delighted to be of service. I noted a look of intelligence passing between the boys, and knew there was no need for me to hint that discretion was desirable. The boys were accustomed to living under tyranny, whether Mr Bransby's or Mr Carswall's, and tyranny nourishes the ability to keep secrets. It was arranged that we should meet in Bedford-square, which lay on the route they would take to Southampton-row since it allowed them to skirt safely to the north of St Giles.

I spent the intervening time constantly in motion, for I was filled with a restless energy that would not let me stand still for a moment. I tramped north, past the new St Pancras Church they were building at the top of Woburn-place and up to Clarendon-square. There I panicked, thinking I might be late, and walked south again as though the devil himself were at my heels, reaching Bedford-square a good twenty minutes before the appointed time. I paced up and down the square and the surrounding streets until at last, at ten minutes past the hour, I saw the two small figures approaching, walking in file. As we drew nearer, I discovered that the boys carried on their shoulders a pole, from which hung a birdcage covered in blue serge cloth. We came together at the corner of the square, and they set down their burden with infinite solicitude.

"When the cover is on, the bird believes it night-time," Charlie said. "It falls asleep directly."

He crouched and slowly raised the cover. Having seen how the cage swung on the pole, I was not surprised to find its occupant already awake. It was an unkempt creature, its plumage dull and ragged, with a wicked look in its eyes. The cage itself, on the other hand, was spotless. Charlie was still in the honeymoon of proprietorship. I desperately desired to know what answer Sophie had given but I knew better than to ask for it.

"Has the bird a name?"

"It has two, sir," Edgar said.

"His name is Jackson," Charlie said. "After Gentleman Jackson, the pugilist. I'm sure the bird would be a doughty fighter if he could. But I said Edgar could choose a name for him too, though he is my bird, for there is no reason why a bird should not have two names any more than a person has."

"Very true," I said.

"My name for him is Tamerlane."

"That is a very grand appellation."

"He is a very grand bird," Edgar said gravely. "I am sure he is intelligent. We shall teach him heroic poetry."

"He already speaks," Charlie put in. He poked a finger through the bars of the cage and prodded the unfortunate fowl, which scuttled away to the other end of its perch. "Come, Jackson, talk to us."

The bird preserved an obstinate silence. Despite the boys' pleading, it stared balefully through the bars and refused to utter a sound.

"I'm so sorry, sir," Charlie said. "You would have enjoyed it enormously. He speaks so clearly – it is just as though he were a real person, only one cannot quite make out what he is saying."

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