Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"You have done nothing wrong, dear boy: it may be best simply to stay where you are and let events take their course. On the other hand, if Mr Carswall intends to bring an action against you, he must have evidence to support his case." Mr Rowsell leaned forward, his features suddenly grim: he had become the man of business again, and all trace of the kindly host had vanished. "There's more to this than meets the eye, I fancy. I saw the reports in the newspapers about a lady who died by an accidental fall in the ice-house at Monkshill-park in January. And of course Miss Carswall is to marry Sir George Ruispidge, no doubt with a very handsome dowry. But I am at a loss to see how all this could affect you, or what possible reason Mr Carswall could have for pursuing you."

I bent down and hooked a finger between my right shoe and my stocking. I fished out a small bundle, wrapped in a square of linen, which I laid between us on the table. I pulled back the folds of cloth one by one. There, winking up at us, was Amelia Parker's mourning ring.

70

"Oh please, sir," cried Lizzie as she opened the door to me on my return to Gaunt-court, "we was watching you coming up to the door. Are you fearfully lushy?"

Lottie punched her arm. "That ain't polite, Lizzie. Say 'disguised' instead."

"Don't be foolish," I said, and advanced into the hall, stumbling slightly when my legs somehow became entangled with my stick. "Neither term is apt."

"I tell you, he's been at the blue tape," Lizzie continued. "Just like Pa. Ain't you, sir?"

"Blue tape is a low expression," Lottie snarled.

I turned and looked sternly down at them. "I have not had a drop of gin, children. Nor am I intoxicated. I may seem a little elevated in my spirits, but I am as sober as a judge."

"Oooh," squealed Lizzie. "Ain't it lovely? Talks just like a book, don't he?"

Feet shuffled on the basement stairs, and Mrs Jem appeared. She ran her eyes over me. I suspect I was perhaps a little dishevelled, owing to a tumble in the gutter on my way down Fleet-street. When I beamed at her, she gave a shake of her head and said, "You get along upstairs. Leave your clothes outside your door. I'll send someone up for them."

There is no arguing with an autocrat. The girls vanished into the back regions of the house. I made my way slowly upwards, flight by swaying flight.

"Mind what you do with your candle," Mrs Jem called up after me. "I don't want you burning us all in our beds."

As I mounted the stairs, my head seemed to clear as the altitude increased. I had drunk a quantity of claret during and after dinner but I had not followed Mr Rowsell's example and rammed home the claret with brandy. The truth was, it was not merely wine that intoxicated me: it was also relief.

Unlike Dansey, Mr Rowsell had been both immediate and unequivocal in his offers of support. At least one person unhesitatingly accepted my word before Mr Carswall's. Of course, I had not told him everything. Only a scrub would have revealed what had passed between Sophie and myself; and I could not be entirely frank about my relations with Miss Carswall.

Nor had I mentioned my suspicions concerning Mrs Johnson's death. Had I done so, it would have led inevitably to even wilder and more dangerous speculations about the identity of the murdered man at Wellington-terrace. Mr Rowsell must have thought me mad if I had blurted out my suspicion that Henry Frant had been not only an embezzler, but also a murderer, and that now he had killed his former accomplice, Mrs Johnson.

No, it would have been wildly indiscreet to confide my worst fears to him. However, Mr Rowsell had lifted a weight from my mind. There was no doubt, he thought, that the ring should be returned to Mr Carswall. Until its ownership should be definitively established, if it ever were, Mr Carswall had the best title to it. My possession of the ring made me immediately vulnerable, and Mr Rowsell was shocked I had retained it for so long.

"Leave it with me," he had said. "I will see that Mr Carswall receives it."

"But your hand must not appear in the matter, sir."

At that stage, Rowsell still had most of his wits about him. "It is perfectly simple. If you give me his direction, I will have the ring sent in such a way that the sender cannot be traced. There will be no covering note. The address will be written in capital letters. Stay, we shall muddy the waters still further: I am sending Atkins up to Manchester next week: I shall give him the ring and desire him to post it from there. So you need not trouble yourself in the slightest. Forget you ever saw it."

Once I reached the haven of my room, I sat on the little bed, which was rocking like a hammock aboard ship, and stripped off my coat, neckcloth, waistcoat and boots. I became aware that pushing through my relief like a green shoot in a flower bed was another emotion: a desire to write to Sophie. It struck me that the return of the ring might even be construed in some quarters as confirmation of my guilt, and it seemed a matter of urgency to make clear, at least to her, that I neither acted like a guilty party nor considered myself to be one.

I realise now – considering the matter coolly and soberly in another time and place – that this argument was barely rational, the flimsiest justification imaginable: I wished to write to Sophie, that was the long and the short of it, and I wished to do so directly. Without pausing for thought, I found pen, ink and paper and sat down at the wash-stand, which also served as my writing desk.

I was still sitting there when Mr Jem himself toiled up the stairs, tapped on my door and asked me how I did, when church bells struck first the half-hour and then the hour. At last I gave up the struggle to find words which would convey everything I wished to say, both explicitly and implicitly. I wrote simply this:

Pray do not credit the accusations you may hear about me. But believe me to be, at all times, your very faithful friend.

I neither dated nor signed the letter. I folded the paper and sealed it with a wafer. I wrote Sophie's name on the front in a disguised scrawl, but not her direction because I was uncertain whether she had come to town with Mr Carswall. Finally, I raised the letter to my lips and kissed it.

A moment later, I dropped my clothes outside the door, climbed into bed and fell asleep with the candle still burning.

71

The following morning, I woke to find myself dry-mouthed but surprisingly clear-headed. As I lay there, still with the soft tendrils of sleep around me, the thought of Sophie filled my mind so vividly that I felt, with but a minute extra effort, I could reach out my hand and touch the warm, living woman.

I sat up in bed and saw on the corner of the washstand the letter I had written her the previous evening. Before she could read it, however, I had to find her. Though it was probable that she was with the Carswalls at Margaret-street, it was by no means certain. I hoped that if I strolled through the neighbourhood for long enough I might catch a glimpse of her. Perhaps – and at this point my heart began to beat faster – I might even be able to press the letter into her hand. For I dared not trust it to the two-penny post. An hour or so later it would be in Mr Carswall's hands, for every letter to the household was seen by him. I thought him more than capable of reading any that came for Sophie.

My plan was by no means perfect but it had two outstanding merits – that it gave me something to do, and that it gave me a chance of seeing Sophie again. True, there was a danger that I might be recognised by another member of the household. But I had recently purchased a dark green topcoat from the sorrowful Russian gentleman on the second floor, a garment which would be unfamiliar to any who had known me before. If I wore the collar turned up and my hat pulled down, and if I exercised caution at all times, I was reasonably sure that I could avoid detection.

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