Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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The boys looked anything but chilled. They needed little encouragement to launch into one of Mr Harmwell's stories, a garbled tale about a pirate's treasure situated on an island off South Carolina and involving a one-legged ghost armed to the teeth with cutlass and pistols. When a ship foundered nearby, and a poor boy was cast away on the island, this amiable ghost encouraged him to find instructions written in cipher to the treasure's location. Clearly an enterprising youth, the intrepid hero deciphered the code and found the treasure, which necessitated excavating a pile of skulls and digging until he discovered first the headless skeletons of a number of pirates and then the iron-bound chest containing the treasure itself.

"Guineas, doubloons, louis d'ors," said Charlie.

"Chalices and crucifixes and watches," said Edgar.

"And what did the boy do with all this?" I inquired.

"Why, sir," Charlie said, "Harmwell told us that he bought a great estate and married a wife and had many children and lived happily ever after."

"He only said it to please Mrs Kerridge," Edgar explained.

"So she was there too?"

"She was nearly always there when Mr Harmwell was." Charlie paused before adding in a matter-of-fact voice, as though it was so obvious it hardly needed saying, "I believe they are courting."

Edgar said, "You can always tell when people are spoony upon each other."

"Yes," Charlie agreed. "You can."

I glanced at the boys and wondered if there was more to this remark than there seemed.

"Oh," Charlie went on. "How I wish I was rich like the boy in the story."

I wished I were rich, too. As the evening continued, I wished it more and more. I went down to dinner and found that Mr Noak was still not well enough to leave his room, which was perhaps the reason I had been summoned to dine with the family. The meal was a quiet, sad affair, with the five of us occupied with our thoughts. Afterwards, in the drawing room, I tried very hard to get Sophie to talk to me. But she slipped away from me and a moment later announced to everyone that she had a headache and would retire early.

Perhaps the sight of Charlie had reminded her what was important, and what was not. In any event, I thought I read in her silent, unsmiling face the blunt and unwanted truth that she now regretted what had occurred, and disliked me for the part I had played.

55

The following day, Saturday the 15th January, was very cold, but there was no more snow. After lessons, I took the boys for a long walk in the park. They wished to visit the ruins again, for Harmwell's story had given them the notion that they might find the monastic treasure if they succeeded in enlisting the assistance of a benevolent ghost.

"If a monk was burnt at the stake," Edgar said with the callousness of youth, "he would naturally linger upon the earth, chained to the scene of his torment."

"But why should he tell you where the treasure is?" I asked. "If there is any treasure."

"Because we shall treat him with benevolence," Edgar explained. "Even though he is a Papist. After all, it was not his fault, not in those days."

"He will be so gratified by our kindness, after hundreds of years of solitude and persecution, that he will wish to do anything in his power to help us," Charlie said. "And he will not mind us having the treasure. Why should he? What use is it to him now?"

That at least was unanswerable. While the boys searched the ruins yet again, I walked to and fro, staring down at the roofs of Grange Cottage. A man on a skinny skewbald mare was picking his way up the lane from the turnpike road.

"If he didn't put the treasure here," Edgar said, "he must have put it where the ice-house is. That was probably the site of the crypt or hermitage or-"

"You must not search in there," I said. "The ice-house is dangerous and unhealthy."

"Besides," Charlie pointed out in the smug voice of reason, "we can't. It's locked."

When at last we returned to the house, we discovered that Sir George Ruispidge had called. He was closeted with Mr Carswall. The boys and I joined the three ladies in the small sitting room. Miss Carswall was unusually quiet. She applied herself to her account book, in which she was entering her purchases at Gloucester.

"Sir George has brought a letter from Mrs Johnson," Mrs Lee said to no one in particular. "He and his brother are so attentive to their unfortunate cousin. He called on her earlier today – did you know she is back at Grange Cottage? – and I'm sure she wished to write in order to express her gratitude for the way Mrs Frant and Miss Carswall nursed her so devotedly during her illness."

Sophie got up and left the room.

Mrs Lee continued speaking in a loud whisper, directing her conversation to Miss Carswall: "Poor Mrs Johnson! She was never quite the same after a certain gentleman went away. She used to be so high-spirited. Wilful, almost. I remember Lady Ruispidge telling me that Mrs Johnson was more headstrong than her sons."

"I cannot think Sir George was ever headstrong, ma'am," Miss Carswall said. "Was not he too good?"

"What? Sir George is good? Oh, indeed. Even as a boy, his thoughts were often on higher things. I'm sure he was beaten less than his brother."

Pratt came into the room, and Miss Carswall jerked like a fish on the end of a line. Mr Carswall asked if it would be convenient for her to join them in the library. She leapt up, and flew to the mirror where she peered anxiously into her eyes and patted her curls. She glanced round the room, at me, Mrs Lee, the boys, though I doubt if she saw any of us. Then she was gone.

A moment later, Mr Carswall himself came in. He glared impartially at us, as if to ask us what we did there, and began to pace up and down, humming discordantly. No one dared to speak to him. I murmured to the boys that we should return upstairs to our books, and they followed me with remarkable willingness. I do not think Mr Carswall noticed our departure.

Upstairs, Charlie burst out: "So what is afoot?"

"I know what I think," Edgar said slowly.

The boys exchanged smiles.

"That is enough," I said. "We will return to Euclid, and you may keep your thoughts to yourselves."

And return we did, though without much profit to any of us. After a while we heard a horse on the drive. I strolled over to the window and looked out. There was Sir George riding away.

Soon afterwards, when we gathered in the drawing room before going into dinner, Miss Carswall's face made all as plain as day. It was as if she had lit a candle inside her. Carswall himself was, in his own way, equally elated.

The news would not keep. "You must give me joy, Cousin," Miss Carswall burst out, rushing up to Sophie. "I am to be married."

"Sir George has offered?"

"Yes, my love, and everything has been done as it should. He talked to Papa first, and asked if he might pay his addresses. And then Papa called me in, and he left us alone."

It is at this point in novels that young ladies blush. Miss Carswall did not blush. She looked like the cat who has licked the cream.

Sophie embraced her. "Oh, my dear, I do indeed give you joy. I hope you will be very happy."

"He would not dine with us," Mr Carswall put in. "He would have liked to, of course, but he felt obliged to ride back to Clearland and inform Lady Ruispidge of what had passed. Very proper, I'm sure; I should expect no less of him."

We went into dinner, where the presence of servants inhibited conversation. The engagement was not to be announced until Lady Ruispidge had been told. No doubt the servants knew, because servants always do, but neither we nor they could admit it. This left Miss Carswall and her father in a sort of purgatory because they so desperately wanted to talk about the subject. When the ladies had left, and the cloth had been withdrawn, Mr Carswall crooked his finger at me. Mr Noak had not come down to dinner and the servants were gone, so only the two of us were in the room.

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