Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"I do not think you will find the treasure there," I observed mildly.

"Why not, sir?" Edgar said. "One could hide anything here."

"It is a most capital spot," Charlie put in loyally.

"That may be so. But I don't think the monks would have done. The chestnut can't have been lying there for more than a month or two. Look, it still has some of its leaves."

Edgar paused in his labours. He was as filthy as a gypsy. "There's also that doorway, sir." He pointed to a stone archway that closed off the far end of the defile. "Does it not look older than the Crusades?"

"It most probably leads to an ice-house," I said.

"Perhaps it does now," he said. "But who is to say what was there before?"

I scrambled over the debris towards it, with the boys frisking after me. The door within the archway was in two leaves, constructed of stout oak and strengthened with iron. Charlie took the handle and rattled it. The door hardly moved in its frame.

"Perhaps there's another entrance," Charlie suggested.

"We'll go round the hill until we find it," Edgar said. "I'll race you."

The boys cantered out of the defile and were soon out of my sight. I followed more slowly. As I rounded the spur of the ridge that concealed the mouth of the defile from the lake, I saw on the path below a man and a woman, arm in arm, walking slowly with their heads close together in the direction of the shell grotto and the obelisk. With a lurch of unhappiness, I recognised them as Captain Jack Ruispidge and Sophia Frant.

47

On Monday afternoon, Mr Noak arrived from Cheltenham in a hired chaise. Carswall made much of him – in truth, I believe he was becoming bored in the country and welcomed the stimulus of company; he was not a man who took easily to life in a retired situation.

With Mr Noak came Salutation Harmwell; and on the same day Mrs Kerridge appeared in a new gown. Perhaps, Miss Carswall murmured to me, the two circumstances were not entirely unconnected.

The following morning, Charlie came to me after breakfast, begging that the start of our morning lessons might be deferred.

"Mrs Kerridge has an errand at the ice-house, sir, and says Edgar and I may come as well. And you too, if you wish. I am sure the Romans and the Greeks had ice-houses, so it would be most instructive. May we, sir? It would not take above twenty minutes."

I knew the expedition would take at least forty minutes, perhaps an hour, but the morning was fine and the prospect of a walk was tempting. So the three of us met Mrs Kerridge in the side hall. We found Harmwell in attendance, carrying the basket and a lantern.

"Mr Harmwell is most interested in the construction of icehouses and wishes to inspect ours," Mrs Kerridge explained. "And if he comes it will save me having to find a gardener. Besides, they speak so strangely in these parts I can scarce understand a word they say."

Harmwell's presence solved a minor mystery: why Mrs Kerridge, a lady's maid who was fully aware of the dignity of her position, had volunteered to run an errand for the cook. The boys and I took the lead, while the other two followed more slowly, deep in conversation. We turned left at the obelisk and took the path leading to the western side of the lake. After the shell grotto we climbed the gentle slope to the defile in which the ice-house lay. The boys ran ahead and rattled the handle of the door.

"We must frighten the ghosts!" Edgar cried, and Charlie echoed him: "Frighten the ghosts!"

Mrs Kerridge drew out a large key and inserted it in the door. Mr Harmwell crouched to light the lantern. The two leaves of the door opened outwards on squealing hinges. The boys tried to plunge into the darkness beyond like terriers down a rabbit hole. Mrs Kerridge put out an arm to bar them.

"Please, dear Mrs Kerridge, let us go first," Charlie said. "Edgar and I have a most particular reason for wanting it."

"You will wait and do as you're bid," I said. "Or else you will go straight back to your lessons."

Mrs Kerridge sniffed the air. "It stinks like a charnel house."

"It is indeed very bad," Harmwell agreed. "Though few ice-houses smell sweet at this time of year."

"They say the drain is blocked."

"So the melt-water cannot escape?" He glanced over his shoulder at the lie of the land. "It drains down into the lake, I suppose, so the outlet may be frozen."

"No, sir, they believe that the drain itself is blocked higher up."

"Can they not clean it out?"

"They cannot reach it without digging." Mrs Kerridge waved her hand at the boulders and fallen trees that cluttered the slopes of the defile. "The storms in October caused much damage in the park, and not all of it has been made good again."

Harmwell had the lantern alight now. At Mrs Kerridge's request, he led the way down the narrow passageway that burrowed into the side of the hill. After five or six feet, we came to another door, with two leaves made of thick deal planks and edged with leather to provide an airtight seal. Beyond, there was another length of passage, ending in a great mass of barley straw.

The smell grew worse. Harmwell and I pulled aside the insulating straw, slimy with decay, and pushed it into the alcoves on either side of the passage. There at last was another two-leaved door, this one set at a slight angle to the perpendicular. It required another key to open it.

"I'm told there's a hook for the lantern inside," Mrs Kerridge said. "On the left."

Harmwell pulled back the leaves. Covering my nose and mouth with a handkerchief, I edged forward so that I could look over his shoulder. Illuminated in the lantern's fitful yellow light was a dome which at its highest point was perhaps a foot above the ceiling of the corridor. As a whole the chamber resembled the interior of a gigantic egg, with its broader end at the top. It comprised a vault and a well, both faced with dressed stone glistening with moisture. A variety of bundles hung from hooks in the side of the dome. I crouched and looked down into the well itself. Some six or seven feet below was a dark mass of ice, water, straw. I made out at least a score of packages lying half submerged.

"Aye, the drain is blocked," said Harmwell. "Nothing is so injurious to an ice-house as want of dryness. Ice will not melt in the hottest sun so soon as in a close, damp cellar."

"Will they ever get rid of this foul smell?" I inquired.

His teeth flashed white in the gloom. "They should empty the chamber without delay. Then, in this weather I would leave the doors standing open to air the place. They should put down quicklime, too, for it absorbs moisture."

"The master has a sudden fancy for venison," Mrs Kerridge said. "That's all we need. There should be a haunch in one of the sacks on the left. They are all labelled."

"How long has it been there?" Harmwell asked.

"Two months or more, I believe."

"Then I fear it will be rotting in this atmosphere, ma'am."

"That is not our affair, Mr Harmwell. Let Cook be the judge, eh? Will those rungs bear your weight? Pray be careful."

The black man edged into the chamber. Rungs for the feet and the hands had been set in the side of the dome, with a line of hooks above. He moved slowly across to the cluster of sacks and examined the labels at their necks, angling them so they caught the light, while Mrs Kerridge kept up a stream of admonition. At last he found the venison, unhooked the heavy sack and made his crab-like way back to us. He passed the sack to me. The stink was now overpowering. The boys retreated to the open air.

"Dear God," I said, fighting an urge to vomit.

"What the master wants," Mrs Kerridge muttered to Harmwell, "the master has."

She pursed her lips and fell silent. Mr Carswall was not popular with his servants. He was harsh and autocratic by nature and, added to this, displayed a sort of petulance, a habit of making impracticable demands upon a whim, that was perhaps a symptom of his advancing age. The unexpected desire for venison was clearly an example of this. I wondered, however, whether there might be a deeper reason for Mrs Kerridge's resentment towards him. Though Carswall paid her wages now, she had served Mrs Frant for many years. Perhaps Mrs Kerridge had acquired a knowledge of Mr Carswall's intentions with respect to her mistress.

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