Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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The boys and I were happiest outside. Sometimes we went down to the lake and skated on the ice. I had grown up in the Fens, where the combination of cold winters and an inexhaustible supply of water made skating an acquirement one picked up almost as soon as the ability to walk. The boys lacked this early training, and gave me undeserved credit for my skill on the ice.

One afternoon I saw Miss Carswall and Mrs Frant watching us from the bank. At the time I was skating slowly on the far side of the lake, with a boy attached to either hand. I released Edgar, in order to raise my hat to the ladies. His arms flailed, his body twisted to and fro, but he kept his balance. Vanity prompted me to abandon my charges, and to skate across the lake at speed, and with many graceful pirouettes, on the spurious errand of discovering whether there was anything we might do for our visitors.

"How I envy you," Mrs Frant said with unusual animation. "To travel so quickly, to be so free."

"I'm sure it is capital exercise," put in Miss Carswall. "Look at the boys – their cheeks are as red as pippins."

"Better than dancing, even," Mrs Frant continued. "It must be like gliding through another element, like flying."

"I am sure there are more skates at the house," Miss Carswall said. "I wonder if we might find pairs that would fit us."

Her cousin gave a little shudder.

"You need not look like that," Miss Carswall said with a laugh. "One cannot always have new things. Besides, I believe Mr Cranmere's family were all excessively well bred."

As she spoke, she twisted her face into a painfully genteel expression. Mrs Frant and I burst out laughing.

"But how would we learn?" Mrs Frant objected. "It must be very difficult."

"We might have a chair brought down, if you wished," I suggested. "Then I could push you on it across the ice."

"But I do not want to be pushed," she said with a smile. "I want to skate by myself. I'm sure my cousin does, too."

"Then if you would permit me, I could teach you, as I have been teaching the boys." I looked from one to the other. "Though it is largely a matter of teaching oneself. The principal difficulty at the beginning is that of retaining one's balance. Once one has the trick of that, the rest will follow."

As if to illustrate my point, the boys were now zigzagging across the frozen water towards us. Their progress was slow, and no one would have called it elegant, but progress it was.

Miss Carswall took a gloved hand from her muff and laid it on her cousin's sleeve. "Oh, pray let us try it, Sophie. I am sure the boys and Mr Shield will make sure we come to no harm."

The ladies' skating lessons began that very afternoon. Chivalry dictated that I should take them by the hand, just as I had the boys, one on my left, one on my right. There we were in the very dry, very cold air, with no sound but the hissing and scraping of the blades beneath us, the panting of our breath and the occasional bursts of laughter. Physical exertion can act as a form of intoxication, as can excitement; and sometimes it seemed to me that I was doubly drunk.

Mrs Frant fell twice, Miss Carswall five times. In order to help a lady up, I had to put my arm around her, to feel her weight. I cannot deny that I enjoyed these upsets, and I suspect that Miss Carswall fell more often than she needed. In sum, the hours we spent together on the ice were peculiarly intimate – not indecorous, but on the other hand not something that was discussed in Mr Carswall's hearing.

In the intervals of skating, the boys continued their hunt for the monks' treasure. They ranged over the park, exploring every nook and cranny they could find. They tried excavation in one of the kitchen gardens but the head gardener did not share their antiquarian enthusiasm and in any case the ground was too hard for their spades.

The treasure hunters had high hopes of a shell grotto on the shore of the lake. It was in the form of a short, barrel-vaulted tunnel ending in an apse, where stood a ghostly statue of Aphrodite. Moisture dripped through the roof and glittered on the shells that studded the interior. When one held up a lantern, it was as though one confronted a beautiful and almost naked woman in a cold cave of sparkling diamonds. The boys' hopes were dashed when Mr Carswall, overhearing their excited conversation on the subject, told them that according to the estate records the grotto had been constructed on Mr Cranmere's orders not fifteen years before.

During this period Sir George Ruispidge and his brother were frequent visitors. Usually, but not always, they rode or drove over together. They came on the slightest pretext – to inquire yet again after Edgar's ankle; to return a borrowed volume; to bring a newspaper newly arrived from London. The brothers' manner towards me did not encourage undue familiarity.

On one occasion they came down to the lake. Sir George stayed on the bank but Captain Ruispidge requested the loan of my skates and soon showed himself an able performer on the ice. He took my place beside the ladies, and I fancied he exerted himself to be agreeable, more so than mere courtesy required.

All this time, I continued to turn over in my mind the events of the last few weeks that might suggest that Henry Frant was still alive. The intelligence from Mrs Lee concerning a former understanding between him and Mrs Johnson had naturally aroused my suspicions. Mrs Johnson denied visiting London recently, but there was reason to believe that she might have done so on at least one occasion. Finally, I considered the man I had glimpsed at the window of Grange Cottage.

Puzzling and even suspicious as these circumstances were, could I deduce from them that Mrs Johnson was sheltering her former lover? The more I subjected the possibility to rational analysis, the less plausible it seemed. In the first place, a youthful attachment, however ardent, was no guarantee of a present one, as my own experience showed. In the second place, if Henry Frant were still alive, surely he would avoid Monkshill-park, where so many people who knew him intimately had gathered?

If Frant had contrived his own murder, it must have been with the intention of creating a new life for himself somewhere, under a new name. In order to do that with any security, it would be necessary for him to flee abroad. He was a man who had lived too much in the world to be safe from discovery anywhere in his native country.

One morning, when the boys were examining the ruins of the monks' grange, my eyes wandered to Mrs Johnson's cottage. The boys were absorbed in a game of make-believe so I sauntered across to the palings and through the gate. The house and garden seemed even more forlorn and unloved than on my last visit. The shutters were across the ground-floor windows. No smoke came from the chimneys. Mrs Johnson was still at Clearland-court, and even her servant had gone.

I walked round the house. At the back was a small stable and a row of outhouses. As I walked back through the yard, I noticed a footprint frozen in the patch of mud by the pump. Judging by the size, it was a man's.

I returned to the park. I knew there were a dozen perfectly innocent explanations for that footprint. Yet the sight of it was enough to feed that state of uncertainty that had become so uncomfortably familiar to me.

When I reached the ruins, the boys were no longer there. I walked up the slope, shouting for them. I had nearly reached the lake, approaching it from the east, when I heard an answering call from the edge of the wood between the water and Flaxern Parva. Mindful of the mantraps, I ran and slid across the ice to the west bank of the lake. I found the boys not among the trees but in a defile that cut into the flank of the ridge perhaps fifty yards from the lake.

The defile's mouth was angled away from the lake and faced north towards the dark mass of the woods. It was connected by a path to the track running round the shores of the lake. Both the path and the defile's entrance were partly obscured by a heap of stones, loose earth and several fallen trees, one of them a sweet chestnut of considerable size. The boys were digging like a pair of badgers into the pile of spoil around the uprooted trees. My anger evaporated.

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