Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"Yes, sir," I repeated. If anything was designed to prejudice me against a man, it was the intelligence that he had distinguished himself on a field of battle.

"Sir George is patron of the living, is he not?" Mrs Frant asked.

Carswall grunted. "He must have four or five in his gift. By rights the owner of Monkshill should have the right of presentation at Flaxern Parva. But my predecessor Mr Cranmere sold it to Sir George's father."

The conversation lagged until at last the rich, tepid meal was over. The ladies withdrew; the cloth was removed and the wine set out with the nuts. Mr Carswall turned his chair to face the fire and waved at me, indicating that I should do the same.

"So what do you think of Monkshill, eh?" he demanded, and did not wait for an answer. "It is a fine house, is it not? Do you know the architect? Sir John Soane himself, the very man who designed the Bank of England. Mind you, Soane don't come cheap, and didn't come cheap even then, thirty-odd years ago. And no expense was spared in the building. Not that I had to pay for that, sir, not a brass farthing. Reap what others sow: it is a fine motto in life, young man, mark it well: and remember that the man with ready money is king. No, Mr Cranmere spent so much in tearing down the old house and building this that he could not afford to live in it. He struggled on until 1815 but in the end he had to sell in a hurry. For a fraction of its worth: it was either that or the bailiffs. The folly of mankind never ceases to amaze me." Carswall poured himself another glass of wine and stared into the fire. "Yes, though I say it myself, it is an establishment to be proud of, worthy of any gentleman in the county; any gentleman in the land, come to that."

He rumbled on in this vein for twenty minutes. There I sat, an audience of one, chained to my seat. Gradually his enunciation became slurred, and the pauses between sentences grew longer, then the pauses between phrases and words. He had his feet on the fender and his shoes had fallen into the hearth. His breeches were unbuttoned and spotted with stains of wine and gravy. The last thing he said before he dropped into a doze lodged in my memory, simply because it was so out of tune with what had gone before.

"When my grandfather came to Monkshill, he touched his hat to the proprietor. Now I am the proprietor." He glared at me with eyes half concealed behind straggling eyebrows, like a beast in a thicket, as though I had dared to contradict him. "So who is master now, hey? Tell me that. Who is master now?"

41

On Christmas morning, there was some debate at breakfast on the subject of how our party should travel to church. There were three equipages at Monkshill: a big coach, which at a pinch would hold six; the chaise that had brought Edgar and me from Gloucester, and which would hold three at most; and finally a low pony-phaeton for the ladies, which was judged quite unsuitable for the gravity of the occasion. Mr Carswall had been of the opinion that the chaise should be harnessed as well as the coach, but Miss Carswall pointed out that they could easily accommodate six in the coach, especially in that two of them were only boys. Then, as she realised the implications of what she had said, her eyes turned towards mine in silent apology.

The arithmetic was stark: Mr Carswall, Mrs Lee, Mrs Frant, Miss Carswall and the two boys made six. There was not a seat for me. It was a perfectly clear statement of my position at Monkshill, all the clearer because I believed it unintended.

Her father said with a slight air of disappointment, "I suppose we might make do with just the coach. But I would not like it to seem that that was all we had at our disposal."

"Papa, I do not think that likely."

"It is such a lovely day," Mrs Frant said. "I am sure the boys would like to walk."

"Yes, indeed," cried Miss Carswall. "That would answer very well. I daresay they would enjoy it, and we would not have to squeeze up in the coach." Once more she turned to me. "That is, Mr Shield, if you would be kind enough to escort them."

I bowed my assent. "How far is Flaxern Parva?"

"Not above a mile and a half," she replied. "It is nearer three if one goes by the drive and the road, but there is a path across the park, and the church is on the nearer side of the village." She clapped her hands. "How I envy you. The air is so refreshing."

Later in the morning the boys and I stood on the steps outside the front door and watched the Carswalls' coach rolling round to the front of the house, rising and sinking on its long springs like a ship at sea, and glittering like a gigantic, brightly varnished child's toy. There was a coat of arms on each door. A crest glittered in silver radiance from every part of the harness where a crest could possibly be placed. The coachman wore a three-cornered hat, richly laced, and a curly wig the colour of corn. Two liveried footmen, one of them Pratt, lolled on the box behind, carrying bouquets and gold-headed canes.

Carswall came out of the house and looked with childlike glee at his toy. "I got the machine for a hundred and fifty guineas when Cranmere sold up," he said, beating the brass ferrule of his stick against the stone of the step. "A bargain, hey? It was hardly a month old. He hadn't even paid for it."

The boys and I set off across the frosty park. The sky was a dark, clear blue and the air was so cold it cut into the back of one's throat like neat spirits. Our way took us past the lake we had visited the previous day. The boys ran ahead to slide on the ice. I pretended not to notice. A church bell tolled beyond the trees on the other side of the lake.

"Come now," I ordered, "we must hurry. Mr Carswall will be displeased if we are late."

They took this as an invitation to slither across to the further shore of the lake, the one nearer the trees, and I hurried along the bank after them. Charlie left the lake and plunged down the path that ran between two enclosed covers. I hoped no one was at hand to observe their behaviour: it was most unbecoming that two young gentlemen should behave in such an undignified way as they walked to divine service on one of the holiest days in the church's calendar.

We hurried down a path through woodland. Charlie warned us with ghoulish relish not to venture among the trees without one of the keepers by our side for Mr Carswall had planted mantraps among the covers against the poachers.

At last the woods came to an end. To my relief, I saw the little church no more than three hundred yards away. It had a low tower, constructed of the rust-coloured local sandstone, and a sagging roof of stone tiles fissured with cracks and blotched with lichen. The churchyard was crowded with villagers in their Sunday best. The coach had not yet arrived.

The path led directly to a small gate set in the wall of the churchyard. Two grooms were walking a chaise and a curricle up and down the adjacent lane. Charlie, with a confidence I envied, made for the knot of gentlefolk standing near the church porch.

Just then Mr Carswall's coach burst into view. With a great clatter of hooves, rumbling of wheels and cracking of whips, it careered down the high road, forcing a party of villagers to press against the churchyard wall to avoid being run down. The coachman drew up outside the lych-gate. He artfully contrived to rein the horses up more tightly so they champed their bits and arched their necks as though better bred than they were.

"Damn me," said a young gentleman standing with his back to me. "Travelling en prince, eh? I must say I'd-"

A second man, a little older than his companion, had caught sight of us on the path and stopped the speaker in mid-sentence with a hand on the arm. They watched – we watched – as the footmen alighted at breakneck speed, as they opened the door and pulled down the steps, as Carswall emerged, inch by inch, like a great snail from its glistening shell, his bright little eyes darting from side to side to mark who was watching.

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