Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"And may I ask what that is?"

For an instant the skin tightened over the bones of Miss Carswall's face. "Why, he hopes that Sir George will make an offer for me."

38

Flora Carswall was her father's child in more ways than one. Their virtues and their vices went hand in hand. Both of them spoke their minds, and both lacked cant; but both could also be shockingly frank.

Carswall was almost certainly wealthier than Sir George Ruispidge but the Ruispidges were one of the first families of the county, and had been for generations. One might say that Carswall wished to purchase a form of immortality by allying his family with them. No doubt he would have had no trouble in buying a gentleman, even one with a title, a man prepared to ignore the father's mean birth and the daughter's illegitimacy for the sake of the dowry she would bring. But it is human nature to desire what one cannot easily obtain. Carswall wanted a gentleman who was not on the brink of ruin, or already deep in that bottomless abyss. He wanted a gentleman who held his head high in the world.

So much I had already inferred, not merely from my conversation with Miss Carswall on the night of my arrival at Monkshill but also from what I knew of her father. What I did not then know was that there was another reason why Sir George Ruispidge was so preeminently suitable for the role of Mr Carswall's son-in-law. Looking back, however, I realised that I received a hint of it on my very first evening.

I had left the drawing room and was climbing the stairs towards my own chamber when I heard a door close and footsteps above. At the head of the flight I met Mrs Kerridge. I presumed she had been attending Mrs Frant. I made some remark in passing about the size of this house relative to those in Margaret-street and Russell-square – a pleasantry, merely, suggesting that we had risen in the world.

"He can never rise high enough for this house," Mrs Kerridge hissed. "Not for Monkshill – and he knows it."

"I beg your pardon?"

She came close to me. "I spoke plain enough, did I not?"

"Who can never rise high enough? Mr Carswall?"

"Who else could I mean? All the other men in this house are servants." She raised the candle she carried in her left hand and gave me a hard, considering look.

"Mrs Kerridge-"

She cut me off with a laugh. "None of our affair, though, is it? Master Charlie's asleep, by the way – I looked in on him earlier. His friend was reading, but I made him blow out his candle." She walked away from me, turning as she went to throw a few more words over her shoulder: "It won't do you no good, you know, coming here. This place does no one any good. You should have stayed at that school of yours."

39

The next day, Friday, was Christmas Eve. In the morning the two boys and I continued our long march through the Eton Latin Grammar. In the afternoon, we walked in the park. It was exceptionally cold that year. Everywhere the ground was hard and white with frost.

The mansion-house stood at the southern end of a ridge. The boys took me north along a path running up the ridge's spine, which commanded a prospect of the river's sinuous, shining curves beyond the turnpike road in the valley below. No expense had been spared to accentuate the picturesque nature of the spot. An obelisk surrounded by seats artfully constructed of rustic stone marked the highest point of the park and also the place where six paths intersected. We followed the widest of them, which led north-west and gently downwards to a small lake formed by damming a stream that drained down to the river. To the north and west, beyond the stretch of frozen water, lay dense woods.

Charlie pointed to the trees. "Mr Carswall has ordered the gamekeepers in the covers to shoot strangers on sight. There are poachers at work, he says, and some of them may be housebreakers too."

Edgar stared at him. "Surely they would not dare come here?"

"What is to stop them? We can hardly send for a constable if we see them."

The ways of great estates were foreign to me. But before I had been twenty-four hours at Monkshill-park, I had begun to suspect that something was wrong. The domestic economy of a large establishment should run as smoothly as Mr Carswall's watch. A well-tended park should show everywhere the presiding hand of its owner. Monkshill was a splendid house, in a splendid park. There was no shortage of money. Yet it seemed to me that neither of the ladies had been entrusted with the direction of the indoor servants, and that the master did not care to interest himself in the estate.

Instead, Mr Carswall had hired people to do these things. This would not have mattered if he had ensured that those he had hired were doing their jobs. But everywhere one saw small signs of neglect: from the spots of grease on the footmen's liveries to the gate with a broken hinge in the park palings. It was possible, I thought, that Mr Carswall was not habituated to the responsibilities of such an establishment. But I knew too much of his capabilities to believe that he could not have remedied the shortcomings, had he desired to do so.

It puzzled me at first. An older man would have seen the reason directly. Mr Carswall was old; he knew that his powers were declining; and he was husbanding his energies for a purpose I did not then understand.

40

The Christmas Eves of my youth had left me with many happy memories. My father was a cool, grave, remote man who took no part in the festivities of the season. But my mother would take me to the house of an aunt. She had married a whitesmith and, though comfortable, the family was not in such prosperous circumstances as we believed our own to be. But on a single Christmas Eve in their house, there was more laughter than in ours the whole year round.

In my aunt's kitchen, there was always a great sprig of mistletoe, and we boys had the privilege of kissing the girls beneath it; and for each kiss, a berry was plucked from the bush. This circumstance led to much frenzied arithmetic, for when all the berries had been plucked, the privilege ceased.

I spent my last Christmas Eve in Rosington at my aunt's house. This was after my parents had died, when I was teaching at the grammar school. Fanny, the daughter of the school's new master, had paid a visit. That day I kissed her for the first time, and it was underneath my aunt's mistletoe bush. Usually the memory of her made me feel melancholy. Not this year, however – instead, the thought crossed my mind that if I had not kissed Fanny under the mistletoe five years before, I should not be at Monkshill-park today.

Not that Mr Carswall encouraged any sign that it was Christmas Eve in his house. Rustic festivities would have been out of place in this great stone block, this temple to modern taste. None of the chaste marble fireplaces was large enough to hold a Yule log, even if such a thing had been available.

That evening I was invited to dine again with the Carswalls, Mrs Lee and Mrs Frant. Mr Carswall brought the conversation round to the subject of church.

"I had a note from the Rector," he said. "Sir George is bringing a party over from Clearland-court."

Miss Carswall cast her eyes up to the ceiling. "How fortunate I purchased that new pelisse before we left town." She glanced across the table at me, and I thought I saw amusement in her face, and an invitation to share it. "And will Captain Jack make one of the party? And their mama?"

"I do not know," Carswall said. "I should think it likely." His eyes slid from Miss Carswall to Mrs Frant, and then he turned to me. "You and Mrs Lee will join us. We have two pews. I think it proper that you should sit behind us with the boys."

"Yes, sir."

"Captain Ruispidge distinguished himself in the Peninsula," Mr Carswall said. "Should he condescend to address you, you may wish to bear that in mind."

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