Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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As if aware I had recognised him, he ducked into the shadow of a shop doorway. I gave the girl a penny and hurried back along the street. He plunged out of the doorway and blundered into one of the side roads leading down to Covent Garden.

Without conscious thought, I set off in pursuit. I acted upon impulse – partly, no doubt, because Mr Frant wanted to know more about the man, and I welcomed an opportunity to oblige Mr Frant. But there was both more and less to it than that: I was like a cat chasing a rope's end: I chased the man not because I wanted to catch him but because he moved.

The market was drawing to its close for the day. We pushed our way into a swirling sea of humanity and vegetables. There was a tremendous din – of iron-shod wheels and hooves on cobbles, of half a dozen barrel organs, each playing a different tune, of people swearing and shouting and crying their wares. Despite his age and weight and condition, my quarry was remarkably agile. We zigzagged through the market, where he tried to conceal himself behind a stall selling oranges. I found him out, but he saw me, and off he went again. He leapt like a hunter over a wheelbarrow full of cocoa nuts, veered past the church and swerved into the mouth of Henrietta-street.

It so happened that there was a pile of rotting cabbage leaves on the corner and this, quite literally, was his downfall. He slipped and went down. Though he tried at once to scramble up, his ankle gave way and he sank back, swearing. I seized him by the shoulder. He straightened his spectacles and looked up at me, his face red with exertion.

"I meant no harm, sir," he panted in that absurdly deep voice. "As God is my witness, I meant no harm."

"Then why did you run away?"

"I was afraid, sir. I thought you might set the constables on me."

"Then why did you follow me in the first place?"

"Because-" He broke off. "It does not matter." His voice took on a richer note and the words that followed fell into a rhythm, like words often repeated: "I give you my word, sir, as one gentleman to another, that I am as innocent as the day is long. It is true that I have fallen upon evil times but the fault has not been mine. I have been unlucky in the choice of my companions, perhaps, and cursed by a generous spirit, by a fatal tendency to trust my fellow men. Yet-"

"Enough, sir," I interrupted. "Why have you been following me?"

"A father's feelings," he said, beating himself on the breast with

both fists, "may not be denied. The heart which beats within this

breast is that of a gentleman of an old and distinguished Irish

family."

By now he was kneeling in the gutter and a knot of spectators was gathering around us to enjoy the spectacle.

"Bloody chinch," an urchin cried. "He's dicked in the nob."

"Which, you may ask, has been the worst of my many losses?" my companion continued. "Was it the loss of my patrimony? My enforced departure from my native heath? Was it the bitter knowledge that my reputation has been unjustly besmirched by men not fit to brush my coat? Was it disappointment in my profession and the loss, through the intemperate jealousy of others, of my hopes of regaining my fortune by my own exertions? Was it the death of the beloved wife of my bosom? No, sir, bad though all these things were, none of them was the worst blow to befall me." He raised his face to the sky. "As heaven is my witness, no sorrow compares with the loss of my little cherubs, my beloved children. Two fine sons had I, and a daughter, destined to be the delights of my maturity and the supports of my old age. Alas, they have been snatched away from me." He paused to wipe his eyes with the sleeve of his coat.

"If that was a play," observed another of our audience, "I wouldn't pay a penny to see it. I wouldn't pay a bloody ha'penny. A bloody farthing."

"You repugnant rapscallion!" the man roared, shaking his fist at the boy. Once more he lifted his face to the sky. "Why, heaven?" he inquired. "Why do I bare my innermost heart before the vulgar herd?"

"Who are you calling names then?" said another voice.

"The gentleman is unwell," I said firmly.

"No, he ain't. He's half-cocked."

"Perhaps his wits are a little disordered," I conceded, helping my captive to his feet.

The big man began to weep. "The lad speaks no more than the truth, sir," he said, leaning so heavily on me that I could scarce bear his weight. "I'll not deny that in my sorrow I have occasionally found consolation in a glass of brandy." He brought his lips close to my ear. "Indeed, now you mention it, a drop of something warming would be a most effective prophylactic against this autumn chill which even now I feel creeping over me."

I led him, mumbling, down Henrietta-street. The crowd dropped away from us for the man was no longer amusing. In Bedford-street, he steered me to a tavern where we sat opposite each other in a corner. My guest thanked me kindly for my hospitality and ordered brandy and water. I asked for porter. When the girl brought the drinks, he raised his glass to me and said, "Your health, sir." He drank deeply and then looked inquiringly at me. "You do not drink."

"I am wondering whether I should have you arrested and given in charge," I said. "I regret that I shall be compelled to do so if you do not tell me the nature of your interest in myself and in the boys you waylaid in Stoke Newington."

"Ah, my dear sir." He spread his hands wide. He was calmer now, almost at his ease, and the mellifluous tone of his voice was oddly at variance with his dishevelled appearance. "But I have already explained. Or rather I was in the middle of doing so when that pack of ruffians interrupted me."

"I am at a loss to understand you."

"The boy, of course," he said impatiently. "The boy is my son."

15

I returned to Russell-square shortly after six o'clock, having missed my six shillings from Mrs Jem; in fact, thanks to Mr Poe, I was poorer than before and had acquired a slight headache. The door was answered by the footman, Frederick, whom I had met before. I desired him to inquire whether his master was at leisure. A moment later, Mr Frant came down the stairs, asked me how I did with the utmost cordiality, and led me into the book-room.

He looked keenly at me and seemed to divine in my countenance the reason for my presence. "You have intelligence of the man who assaulted Charles?"

"Yes, sir. After leaving you, I was walking down to Leicester-square. It appears he had been loitering in the neighbourhood, and followed me."

There were spots of colour in Frant's sallow cheeks. "Why should he do that? Are you the reason for his interest?"

"I believe not. I chanced to see him behind me. He ran off but I gave chase."

Frant made an impatient movement with his hand, which warned me to be brief.

"The long and the short of it is I brought him down and then gave him a drink afterwards. He confided that he is an Irish-American who has fallen on hard times. His name is Poe, David Poe. His family believe him dead."

"And what does he want with you and the boys?"

"The object of his interest is Edgar Allan, sir, and he hoped I might lead him to the boy this afternoon. He alleges that the Allans are merely foster parents – which I have heard from the boy's own lips, by the way – and that Edgar is in fact his son. He told me that circumstances forced him to leave his wife in New York, and that she shortly afterwards died in Richmond, Virginia, leaving three children."

"Assuming he speaks the truth, what does he want from his son? Money?"

"Quite possibly. Yet he may not have acted entirely from self-interest."

Frant gave his bark of laughter. "You surely do not suggest that he has suddenly been overwhelmed by the weight of his paternal responsibilities?"

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