Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"I must thank you, sir," she said. "I shudder to think what might have happened to Charlie had you not been at hand to help him."

"You must not magnify the danger he was in, madam," I said, thinking that her hand was soft and warm like a living bird.

"But a mother can never exaggerate the dangers that face her child, Mr Shield. And this is Edgar Allan?"

As she was shaking hands with him, Charlie piped up: "His grandpapa was a soldier, Mama, like mine. They might have fought each other. He was a general in the American Revolutionary army."

Mrs Frant looked inquiringly at Edgar.

"Yes, ma'am. That is to say, he is widely known as General Poe among his friends and neighbours, but my foster father Mr Allan has informed me that he did not in fact hold that rank. I believe he was a major."

"And his mama was a famous English actress," Charlie went on, though I could see the conversation was causing Edgar some embarrassment.

"How charming," Mrs Frant said. "You come from a talented family. What was her name?"

"Elizabeth Arnold, madam. Though English, she acted mainly in the United States. And it was there that she died."

"You poor boy." She turned the conversation: "Perhaps you should visit cook before you do anything else. I shouldn't be at all surprised if she had baked something for you."

The boys clattered out of the room, relieved to be away from the company of their elders. For the first time I was quite alone with Mrs Frant. Her dress rustled as she crossed the room from the window and sat down upon a Grecian sofa of carved mahogany. The air moved around me as she passed, and I smelt her perfume. I was seized by a crazy desire to kneel at her feet, throw my arms around her and bury my head in the sweet softness of her lap.

"Would you care for some tea, Mr Shield?" she asked.

"Thank you, madam, but no." I had spoken abruptly, and I hastened to smooth the refusal with a lie. "I have several errands I must complete. When would you like me to return?"

"I have ordered the carriage for half-past six o'clock. If you wish to come earlier, perhaps at six, the boys will be having their supper and I'm sure you could join them." There was a delicious touch of pink to her pale complexion, and she began to speak faster. "I would ask you to dine with us, but my husband prefers to sit down at a later time."

I bowed my acknowledgement of her condescension and a moment later said goodbye. When the door of the drawing room was safely closed behind me, I dabbed my forehead and felt the sweat. I was terrified by the strength of my own desire.

I walked slowly down the stone steps to the hall. Loomis was waiting at the bottom. As I drew nearer, he gave a gentle cough.

"Mr Frant desired me to ask you to step in and see him on your way out, sir."

I followed the servant to the book-room at the back of the hall. He knocked at the door, opened it and announced me. Mr Frant was seated at his bureau, as he had been on the other occasion I had visited him here. This time, however, my welcome was altogether more cordial. He looked up from a letter he was reading, and a smile spread across his pale features.

"Mr Shield – I am rejoiced to see you. Pray sit down. I will not delay you long." He folded the letter and locked it away in a drawer. "My wife informs me that you rendered us a considerable service the other day."

"It was nothing of consequence, sir," I said, embarrassed that the Frants were making so much of the incident.

"Nevertheless, I am obliged to you. Tell me, would you describe to me exactly what occurred?"

I explained that an older boy had sent Frant and Allan upon an errand – I did not judge it prudent to enlarge upon its nature – and that the man had approached them on their way back. I added that I had been fortunate enough to witness the moment when the man accosted the boys.

"What exactly did he do, Mr Shield?"

"He took Charles by the arm."

"Why would he do that if he were a beggar? Would he not ask for money instead?"

"I think it likely his wits were disordered, sir. He had been drinking. I cannot say whether he intended to offer violence or whether his design was simply to attract the boys' attention and demand money. Young Allan tried to drag Charles away."

"A brave lad. The man was carrying a stick, I understand?"

"Yes, sir."

"And he offered you violence?"

"Yes, sir, but it didn't signify – I had a stick myself and I fancy that even without it I would not have been in difficulties."

"My son told his mama the man was somewhat larger than you."

"True, sir, but on the other hand I am somewhat younger."

Henry Frant turned aside to sharpen a pencil. "Would you indulge my curiosity a little further and describe him?"

"He was well above the middle height and had an ill-trimmed beard. He wore blue spectacles, and a blue coat with metal buttons and I think brown breeches. Oh, and a cocked hat and a wig." I hesitated. "There's one more thing, sir. I cannot be absolutely certain, but I believe I may have seen him before."

"The devil you have. Where?"

"In Southampton-row. It was on the day I came to collect your son when he first went to school. I took Edgar Allan to his parents' house on the way. The man was loitering, and asked me when I was leaving if that was Mr Allan's, and then he hurried away."

Frant tapped his teeth with the pencil. "If he were interested in Allan's boy, then why should he attach himself to mine? It makes no sense."

"No, sir. But the two boys are not unlike. And I noticed the man stooped to look at me."

"So you formed the impression he might be short-sighted? Perhaps. I will be candid, Mr Shield. A man in my situation makes enemies. I am a banker, you understand, and bankers cannot please everybody all the time. There is also the point that a certain type of depraved mind might consider stealing the child of a wealthy man in order to extort money. This attack may be no more than a chance encounter, the casual work of a drunkard. Or it may be that the man was more interested in Mr Allan's boy. But there remains the third possibility: that he nursed a design of some sort against my son, or even in the long run against myself."

"To judge by what little I have seen of him, sir, I would doubt that he could put any design successfully into action, apart, perhaps, from that of raising a glass or a bottle up to his lips."

Frant gave a bark of laughter. "I like a man who speaks plain, Mr Shield. May I ask you not to mention what we have discussed to my wife? Speculation of this nature must inevitably distress her."

I bowed. "You may depend on me, sir."

"I take this kindly, Mr Shield." Frant glanced at the clock on the mantel-shelf. "One more thing, for my own private satisfaction I should like to meet this fellow and ask him a few questions. Should you come across him again, would you be good enough to let me know? Now, I must not keep you any longer from your half holiday."

He shook hands cordially with me. A moment later I was walking down to Holborn. My mind was in a whirl. There is something intensely gratifying about being treated civilly by people of wealth and indeed fashion. I felt myself a fine fellow.

Perhaps, I thought as I strolled through the autumn sunshine, my luck was changing. With Mr and Mrs Frant as my patrons, where might I not end?

14

The afternoon unexpectedly changed its course as I was walking down Long Acre on my way to Gaunt-court and Mrs Jem's six shillings, the balance of the price we had agreed for my aunt Reynolds's possessions. I stopped to buy a buttonhole and, while the woman was fixing it to my lapel, I glanced over her shoulder along the way I had come. I saw some twenty-five yards away, quite distinctly, the man with the bird's-nest beard.

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