Pearce Hansen - Stagger Bay

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Stagger Bay: краткое содержание, описание и аннотация

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Markus, Stagger Bay’s protagonist, is a man who overcame a horrendous childhood and criminal youth to go straight and raise a family. His violent past makes him an easy fall guy to frame for a gruesome mass murder and he’s sentenced to life without parole, losing his family in the process.
Exonerated and freed on DNA evidence after seven years, Markus is shortly thrust into a bloody do-or-die fracas during an elementary school hostage situation, becoming an overnight hero. Everyone wants in on the media feeding frenzy; to his dismay, paparazzi and news crews hound him wherever he goes. Unfortunately they’re not the only ones stalking him.
Can Markus find the path back into his estranged son’s heart? What’s Markus supposed to do, when he discovers fifteen minutes of fame is the worst thing that could ever happen to him? What can he do, now that his town is hunting ground to serial killers and rogue cops working together – and the shadowy force behind them is turning its cold, deadly eye straight at him?
Stagger Bay is a battle of wills, where every moral choice seems only to increase the body count. It’s in the tradition of Paul Cain’s Fast One, Ted Lewis' Get Carter or Geoffrey Household’s Rogue Male. Stagger Bay should appeal to readers looking for a fast paced, hyper-violent thriller.

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I was the one who’d gotten Takeshi his job here; Angela and Tak’s girlfriend Tiffany had been coffee buddies. Tak and Tiff had come over to our house more than once for potlucks or drinks, or for card games. We’d considered them friends.

Takeshi had put on a little weight his own self, but he still had that thick mop of black hair combed straight back Eddie Munster style. He’d grown himself a thin, scraggly little mustache and soul patch that were probably more trouble to shave around than they were worth. He wore a short-sleeved white shirt and a clip-on tie; he'd graduated to managing the distribution center.

Today Tak appeared old. But then, I was no spring chicken anymore myself. “How are you, Markus?” he asked, exhaling a stream of cigarette smoke out the side of his mouth.

“Well enough,” I said. “I’m just looking around the old place, seeing what’s what. How’s Tiffany?”

He smiled, looked at the coal on his cigarette. “She’s great. You know we got a bambino now? His name is Kobi; he just turned two last week.”

“Well hell, I’ll be sure to send something when I get on my feet.”

“I got you a job here, Markus – if you want it.”

That actually felt pretty damn good; I’d always had this dorky pride in how well I humped the docks when I worked here. “Well, that truck platform probably ain’t been run right for the last seven years. You know I was the best they had. I’ll bet it took three guys to do my job after I left.”

Tak’s face put on a pained expression. “It couldn’t be the loading dock, Markus – I’d have to keep you out of sight. Janitorial or something, I’ll figure it out.”

I couldn’t believe my ears. “You know I was cleared, right Tak? I didn’t do it, I’m innocent.”

He took another drag off his cigarette, and I realized he hadn’t looked at me once since we’d come outside. He dropped his cigarette and ground it beneath his heel, then gave me a flat look. “It’s the best I can do for you, Markus. There’s people around here I got to listen to, to keep my job. I got my own family to think of.”

I turned away and headed toward Broadway. I heard the office door open and close behind me, probably Takeshi going back inside – but I didn’t bother looking.

Chapter 10

I crossed Broadway and walked uphill toward Stagger Bay Center, which had passed for a downtown shopping center back in the days of doo-wop and Petula Clark. Here were our two supermarkets, our hospital, our twin water towers, our bank, and our two elementary schools: one Catholic for the upper crusties, the other public.

Down the block our local burger drive-in was opening up, the smell of heating grease reminding me I hadn’t eaten in a while. Clumps of students of varying ages hurried down the sidewalks en route to school. That big old Cougar, the one that had a close encounter with Sam’s Lincoln, squatted in the drive-in parking lot aimed at me like a sleeping rocket; the big blond driver looked my way, waiting for whomever.

It was still the same all-American time warp here that Angela and I tried to submerge our family into. But now there was nothing for me in Stagger Bay, nothing to keep me.

I was an invisible man here at best; at worst, someone this town obviously wished would just go away. Well, I knew how to oblige when I was in the mood, even if it felt suspiciously like surrender.

Oakland looked better and better, even if I had no idea what I’d do down in my hometown once I got there. I’d come too far just to crime spree ‘til I got chopped, or drown myself in the bottle in a cardboard mansion. But I wouldn’t be in Stagger Bay anymore, which was the main thing – I wouldn’t see the reminders of my failure everyday.

It was time for me to swing back to the Greyhound station and disappear all the way.

Chapter 11

Up ahead was Sam’s old elementary school. Back before I went in, sometimes I was so beat when I got off at dawn after working a double shift that I’d be hallucinating from sleep deprivation as I walked Sam to school.

But I never missed walking him once, even though sometimes my tired legs had a hard time keeping up. The sun rising, strolling with my boy whilst knowing I’d survived everything life had thrown at us when so many of my homies hadn’t? It was magic, man.

And whenever we got to his school and stopped at the entrance, Sam always let me squat down and give him a hug and a kiss. Every day I’d dreaded the time my son would be too old to let his daddy kiss him in public. Every day I’d known he was getting older, every day needing me a little less. I can admit now that scared the hell out of me.

The day of my homecoming, that crisp early morning air was wasted on me. I had no appreciation for the morning sun spilling onto my face like liquid gold. Whatever magic I’d ever felt was gone, as I strolled along examining the exposed wreckage of my life.

I was walking past the main gate in the cyclone fence. The playground was empty, and the wind seemed to mock me as it moaned through the childless swings. From out of sight in the direction of Stagger Bay Center, I heard gunfire; multiple pistol shots that made me stop and stand in place, jolted by a rush of adrenaline as I tried to see where the unseen shooter was.

The gunfire didn’t end; instead the pistol was joined by other weapons. I could identify the spaced booms of a shotgun, and even the stutter of what had to be something fully automatic. I couldn’t tell you what went through my mind as I listened to that invisible fire fight, other than there was no sense of relief when the shooting finished up with some sort of drastic explosion.

I had to squint against the early morning sun when that battered blue step-van lurched around the corner a few blocks down in the direction of the shooting, its stereo system blasting out Spencer Davis Group’s ‘Gimme Some Lovin.’ The van slalomed a bit from side to side and then accelerated right toward me. I was disconcerted, both at how fast it was coming on, and at how many sirens I now heard, all closing rapidly.

A black and white skidded howling around the same corner, right on the van’s ass. The cop in the passenger seat leaned out his window and started shooting, the noise of his pistol fire slapping through the air like the cracking of a whip. The spang of rounds hitting metal proved that at least some of his shots were on target.

My jaw dropped open, hung and dangled that way as a grenade arced out the side door of the van and bounced a few times on the asphalt. It exploded as the cop car drove over it, shredding the front tire and lifting that corner of the roller on a loud BOOM-ball of fireworks.

The cop car’s rear end fishtailed as the front wheel landed and bounced, and its shattered front rim ground along the street, smoking tatters of rubber flapping as sparks and chunks of asphalt flew. One tire jounced up over the curb and that was all she wrote: the cop car flopped onto its side and slid to rest along the playground fence with a skirling clash, its siren still wailing like a grieving widow. The cop who’d been leaning out the passenger window was pretty much smeared in half beneath the car, but the driver commenced an aimless squirming as she hung suspended in her seat harness.

I’d scampered for cover and hit the deck on my belly when the grenade exploded. Old reflexes die hard; it took me right back to the streets of Oakland where we always took a noise like that personal and we always sought full prone when firefights blazed. I lay still as a statue in the tall grass by the schoolyard, watching the step-van lean forward on its shocks as it scuffed to a halt in the middle of the street.

Spencer Davis still blasted from their system, Steve Winwood singing ‘So glad we made it. So glad we made it.’ These boys had the bass turned up a little high for the mix – too much distortion.

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