Daniel Silva - The Fallen Angel

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The Fallen Angel: краткое содержание, описание и аннотация

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Gabriel Allon — art restorer, spy, and assassin — returns in a spellbinding new thriller from the #1
bestselling master of intrigue and suspense
When last we encountered Gabriel Allon in
, he was pitted in a blood-soaked duel with a deadly network of jihadist terrorists. Now, exposed and war-weary, he has returned to his beloved Rome to restore a Caravaggio masterpiece for the Vatican.
But while working early one morning in the conservation laboratory, Gabriel is summoned to Saint Peter's Basilica by his friend and occasional ally Monsignor Luigi Donati, the all-powerful private secretary to his Holiness Pope Paul VII. The body of a beautiful woman lies smashed and broken beneath Michelangelo's magnificent dome. The Vatican police rule the death a suicidal fall, though Gabriel, with his restorer's eye and flawless memory, suspects otherwise. So, it seems, does the monsignor. Concerned about a potential scandal, Donati fears a public inquiry will inflict more wounds on an already-damaged Church; he calls upon Gabriel to use his matchless talents and experience to quietly pursue the truth — with one important caveat.
"Rule number one at the Vatican," Donati said. "Don't ask too many questions." Gabriel soon discovers that the dead woman had uncovered a dangerous secret - a secret that threatens powers beyond the Vatican. To solve the mystery, Gabriel joins forces with a master art thief to penetrate a criminal smuggling network that is looting timeless treasures of antiquity and selling them to the highest bidder. But there is more to this network than just greed. An old enemy is plotting revenge, an unthinkable act of sabotage that will plunge the world into a conflict of apocalyptic proportions. Once again Gabriel must return to the ranks of his old intelligence service — and place himself, and those he holds dear, on the razor's edge of danger.
An intoxicating blend of art and intrigue,
moves swiftly from the private chambers of the Vatican, to a glamorous art gallery in St Moritz, to the hidden alleyways of Istanbul — and finally, to a pulse-pounding climax in the ancient city of Jerusalem, the world's most sacred and contested parcel of land. Each setting is rendered with the care of an Old Master, as are the spies, lovers, priests, and thieves who inhabit its pages. It is a story of faith and of the destructive power of secrets. And it is an all-too-timely reminder that those who do not remember the past are doomed to repeat it.

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“How much did Donati tell you?”

“Enough to know that my life as I knew it is now over.”

A leaden silence fell between them. Gabriel recalled how Veronica had appeared that afternoon at the Villa Giulia museum, how she could have passed for a much younger woman. Now, suddenly, she looked every one of her fifty years. Even so, she was remarkably beautiful.

“You must have realized your husband wasn’t what he appeared to be,” he said at last.

“I knew Carlo made a great deal of money in ways I didn’t always understand. But if you’re asking whether I knew he was the head of an international criminal organization that controlled the trade in illicit antiquities . . .” Her voice trailed off. “No, Mr. Allon, I did not know that.”

“He used you, Veronica. You were his door into the Vatican Bank.”

“And my reputation in the antiquities world gave him a patina of respectability.” Her hair had fallen across her face. Deliberately, she moved it aside, as though she wanted Gabriel the restorer to assess the damage done by Carlo’s treachery.

“Why did you marry him?” he asked.

“Are you judging me, Mr. Allon?”

“I wouldn’t dream of it. I was just wondering how you could choose a man like him after being in love with Luigi.”

“You don’t know much about women, do you?”

“So I’ve been told.”

Her smile was genuine. It faded quickly as she listed the reasons why she had married a man like Carlo Marchese. Carlo was handsome. Carlo was exciting. Carlo was rich.

“But Carlo wasn’t Donati,” Gabriel said.

“No,” she replied, “there’s only one Luigi. And I would have had him all to myself if it wasn’t for Pietro Lucchesi.”

Her tone was suddenly bitter, resentful, as though His Holiness were somehow to blame for the fact she had married a murderer.

“It was probably for the better,” said Gabriel carefully.

“That Luigi returned to the priesthood instead of marrying me?”

He nodded.

“That’s easy for you to say, Mr. Allon.” Then she added softly, “You weren’t the one who was in love with him.”

“He’s happy here, Veronica.”

“And what happens when they remove the Fisherman’s Ring from Lucchesi’s finger and place his body in the crypt beneath the Basilica? What will Luigi do then?” She quickly answered her own question. “I suppose he’ll teach canon law for a few years at a pontifical university. And then he’ll spend the last years of his life in a retirement home filled with aging priests. So lonely,” she added after a moment. “So terribly sad and lonely.”

“It’s the life he chose.”

“It was chosen for him, just like yours. You two are quite alike, Mr. Allon. I suppose that’s why you get along so well.”

Gabriel looked at her for a moment. “You’re still in love with him, aren’t you?”

“That’s not a question I care to answer—at least not in here.” She tilted her face toward the ceiling. “Did you know that Claudia called my office at the Villa Giulia the night of her death?”

“At 8:47,” he said.

“Then I assume you also know she placed a call to a different number one minute before that.”

“I do know that. But we were never able to identify it.”

“I could have helped you.”

She handed him one of her business cards. The number Claudia had dialed was for Veronica’s mobile.

“I’d left the office by the time she called me there, and I didn’t realize until the next day that she’d called my BlackBerry.”

“Why not?”

“Because it was missing all day. I found it the next morning on the floor of my car. I didn’t think anything of it until the day you came to see me at the museum. Then I realized how Carlo had done it. After I left you standing in that downpour, I drove into the Villa Borghese and cried for an hour before going home. Carlo could see something was wrong.”

“Why didn’t you tell me the night of the dinner party?”

“I was afraid.”

“Of what?”

“That my husband would kill me, too.” She looked at Gabriel, then at The Last Judgment . “I hope it’s as beautiful as this.”

“The end?”

“Yes.”

“Somehow,” said Gabriel, “I doubt we’ll be so lucky.”

He told her as much as he could and then saw her to the Bronze Doors. As she melted into the colonnades, he imagined Donati walking beside her—not a Donati bound by vows of chastity, but Donati as he might have been had God not called him to become a priest. When she was gone, he started back toward his rooms, but something drew him back to the chapel. Alone, he stood motionless for several minutes, his eyes roaming over the frescoes, a single verse of scripture running through his thoughts. “The House which King Solomon built for the Lord was sixty cubits long, twenty cubits wide, and thirty cubits high . . .

39

VATICAN CITY–JERUSALEM

AS LEADER OF A SOVEREIGN country, the pope has a post office, a mint, a small army, a world-class state museum, and ambassadors stationed at embassies around the world. He does not, however, have an airplane. For that, he must rely on the kindness of Alitalia, Italy’s troubled national carrier. For the flight to Israel, it lent him a Boeing 767 and rechristened it Zion in honor of the trip. His private compartment had four executive swivel chairs, a coffee table piled with the morning papers, and a satellite television that allowed the pope to watch his departure from Fiumicino Airport live on RAI, the Italian television network.

The pope’s Curial entourage and security detail sat directly behind him in the business-class section of the aircraft, while the Vatican press corps was confined to economy. As they clambered aboard laden with their cameras and luggage, several were wearing black-and-white-checkered Palestinian kaffiyehs as scarves. The second stop on the pope’s busy itinerary would be the refugee camp of Dheisheh. Apparently, the Vaticanisti felt it was important to make a favorable impression on their hosts.

Despite the early-morning departure, Alitalia served a sumptuous in-flight lunch. The priests and bishops devoured the meal as if they had not seen food in days, but Gabriel was far too preoccupied to eat. Seated next to Alois Metzler, he reviewed the protection plans one final time, making a mental list of everything that could possibly go wrong. When the number of nightmare scenarios reached twenty, he closed the briefing book and stared out the window as the aircraft swept low over the Mediterranean toward Israel’s verdant Coastal Plain. Five minutes later, as the wheels thudded onto the runway at Ben Gurion Airport, a member of the Vaticanisti shouted, “Welcome to Occupied Palestine!” To which a doctrinaire archbishop from the Secretariat of State murmured, “Amen to that.” Clearly, thought Gabriel, there were some within the Curia who were unhappy over the pope’s decision to spend Eastertide in a Holy Land controlled by Jews.

At Donati’s direction, Gabriel was to be part of the pope’s core protection unit, meaning he would never be more than a few feet from the pontiff’s side. And so it was that, as His Holiness Pope Paul VII, the Bishop of Rome, Pontifex Maximus, and successor to St. Peter, stepped off his borrowed airplane, he was trailed by the only child of Holocaust survivors from the Valley of Jezreel. Following in the tradition set by his predecessor, the pope immediately lowered himself to his hands and knees and kissed the tarmac. Rising, he walked over to the waiting Israeli prime minister and gave him a vigorous handshake. The two men exchanged pleasantries for a few minutes, surrounded by concentric rings of security. Then the prime minister escorted the pope to a helicopter. Gabriel climbed in after him and sat between Donati and Alois Metzler.

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