James Chase - This Way for a Shroud
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- Название:This Way for a Shroud
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- Год:1953
- ISBN:нет данных
- Рейтинг книги:4.8 / 5. Голосов: 5
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This Way for a Shroud: краткое содержание, описание и аннотация
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The brutal murder of June Arnot, famous screen actress, and the massacre of all her servants is just the curtain raiser to this chill-a-page novel.
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“I shall be there, sergeant,” Ferrari went on. “Make no mistake about it. Can I rely on you?”
O’Brien started to say something, then stopped.
“Some hesitation?” Ferrari said mildly. “I’m surprised. After all, who is Weiner? A cheap, treacherous little crook. You’re not going to risk the fife of your nice little son, are you, for a punk like Weiner?”
“We’ll leave my son out of it,” O’Brien said hoarsely.
“I wish we could, but I have to be certain I can rely on you. You know I never bluff, don’t you, sergeant? It’s his life or Werner’s. Please yourself.”
O’Brien stared helplessly at the dreadful little man, watching him. If Ferrari said it was his son’s life or Weiner’s, he meant exactly that. O’Brien knew there was nothing he could do to prevent Ferrari either killing his son or killing Weiner. He knew that Ferrari wouldn’t give him a chance to kill him: he was far too cunning and quick for O’Brien. Ferrari had never failed to make good a threat. There was no reason to suppose he would fail this time.
“And let’s get this straight,” Ferrari went on. “Don’t try to set a trap for me. Maybe it’ll come off, but I promise you your son won’t live five minutes after you’ve betrayed me. From now on every move he makes will be watched. If anything happens to me, he will be killed. I don’t want to sound dramatic, but that’s the exact situation. You play straight with me, and I’ll play straight with you. Can I rely on you?”
O’Brien knew it was a straightforward, simple situation; he had to make a decision on his son’s life or Weiner’s.
“Yes,” he said in a voice that had suddenly hardened. “You can rely on me.”
III
Conrad had not been entirely correct when he had told Forest that Frances and Pete had fallen in love with each other.
Pete had certainly fallen in love with Frances. Love was something he had never before experienced, and it reacted on him with a tremendous impact.
But he realized the experience could be but short-lived, and could never come to fruition. He had no illusions about Maurer’s power. He had been safe now for eight days, and this he considered to be a major miracle. He knew there could not be many days left for him to live: the margin, as the hours passed, was whittling away. Before very long Maurer would strike, and the combined vigilance of the police guards, Conrad’s careful planning and the supposed inaccessibility of the hunting lodge would then be proved to be as flimsy a protection as a thin veil held up to ward off the scorching flame of a blow lamp.
Pete’s discovery of love came to him with an added poignancy because he knew it would be so short-lived, and he realized the experience would only be a kind of waking dream in which his imagination would play the major role.
Whenever he caught sight of Frances when she sat in the walled-in garden and he stood at the window of his room, he conjured up vivid scenes in his mind of what they could have done together, how they might have lived, the house they might have owned, the children they might have shared if there had been no such man as Maurer to make such mind images impossible.
He was quite stunned then when Conrad told him that he could talk to Frances if he wished.
“She seems to think you saved her life,” Conrad said, moving about the big room where Pete slept. “She wants to talk to you. Well, I have no objection — have you?”
Looking at the thin, narrow-shouldered young fellow with his serious eyes and the livid birth-mark across the right side of his face, Conrad suddenly realized that perhaps a girl like Frances could fall in love with such a man.
During the week Conrad had been staying at the lodge, seeing Frances every day, he had come to love her more each time he saw her. She seemed to him, especially now she was no longer angry with him, to be the exact antithesis of Janey. Her voice, her movements, her eyes, even the way she moved her hands, expressed a kindness and an understanding for which Conrad had unconsciously been groping all his life.
Janey had bitterly disappointed him. She took everything and gave nothing in return, but even then he might have been content to have an outlet for his affection had she not demanded more and more attention as if she were determined to find out the exact depth of his love.
The depth was deep enough, but it revolted against Janey’s unreasonableness and her selfish and constant demands.
Frances wouldn’t be like that, Conrad told himself. Experience had opened his eyes. He wished he had his time over again, and he cursed himself for being such a fool to have persuaded Janey to marry him.
His love for Frances had the same poignancy as Pete’s, for he believed, like Pete believed, that his love would never come to fruition. Instead of Maurer standing in the way as in Pete’s case, it was Janey.
Conrad had made the mistake that Frances’s interest in Pete was founded on love when in fact it was founded on compassion.
Frances wasn’t in love with Pete, but she was sorry for him, and in a girl of her sensibility, pity was as strong, if not stronger, than love.
She knew he had had the chance to kill her. He had had the weapon and the opportunity. He had been ordered to kill her, and he had risked his own life by staying his hand. That act made a great impression on her, and the fact that the crude naevus that disfigured his face must have embittered and soured his life made her want very much to try to make up in kindness for the years of bitterness he must have suffered.
When they met in the garden on the afternoon of the day Conrad had talked to Forest, Frances was very kind and sweet to Pete. They talked as other young people will talk to each other for the first time. They were shy and hesitant, groping for common ground.
It wasn’t an easy meeting. They were sharply aware of the guards who patrolled the garden and who watched Pete with stony hard eyes.
Pete was painfully conscious of his birth-mark; he sat on Frances’s right, and he kept his face turned so she shouldn’t see the birth-mark. When he did turn to
look at her, his hand went instinctively to cover the mark.
Frances felt that this embarrassment was a slight on her own feelings, and after they had talked for a little while, she said suddenly, “That mark on your face is called a naevus, isn’t it?”
He flinched and blood rushed to his face, and his eyes suddenly angry and hurt, searched for the slightest hint that she was about to bait him.
But he couldn’t mistake the kindness he saw in her eyes nor the sudden friendly smile she gave him.
“I want to talk about it,” she said quietly. “Because it so embarrasses you, and it shouldn’t. I believe you think it shocks me, but it doesn’t. Don’t you realize when I’m talking to you I look beyond that, and I don’t really see it?”
Pete stared at her, and he was convinced at once that she was speaking sincerely. He realized she had said something he had longed to hear said by someone — anyone — but had never believed he would hear it. He was so moved he had to turn his head while he struggled to control his feelings.
He felt her hand on his arm.
“I didn’t mean to upset you, but isn’t there something that could be done about it? I’ve read, I’m sure, that people can be cured. Haven’t you thought about it?”
“I guess so,” he said, not looking at her. “It means an operation, and I’ve got some blood condition that makes an operation unsafe.” He swung around to face her. “But never mind about me. I want to talk about you. I’ve never met a girl like you before. You’re real and kind and decent.” He looked down at her hand, still on his arm. “You don’t mind touching me. What a fool I’ve been! If I’d met you before I wouldn’t have done what I’ve done. It was because the way people treated me, the way they looked at me, that I hooked up with the gang.” He moved closer to her. “But never mind that either. I’ve got to tell you something. This guy Conrad wants you to give evidence against Maurer. You’ve got to realize what I’m saying is right. I know. Don’t listen to Conrad or any of these coppers. They don’t know; they only think they do. They think you saw Maurer at Dead End. Now listen, I don’t want to know if you saw him or if you didn’t see him. The thing that matters is you must never admit having seen him; not to me, nor Conrad, nor anyone; not even to your mother or your father. You must never admit you saw him; not even to yourself! You stand a slight chance of keeping alive so long as you say nothing. It’s not much of a chance, but it is a chance. But understand this: if you let Conrad persuade you to tell him what you know — if you know anything — then no power on earth can save you!”
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